54|Masamune Tombstone in Honkakuji Temple (本覚寺)

I was in Japan earlier this May.  Here is the Tombstone of Masamune (正宗) in Honkakuji Temple (本覚寺) and Masamune kogei store in Kamakura .  This store is owned by Tsunahiro Yamamura who is the 24th generation of Masamune.

Here is the map of Kamakura that shows the location of the Honkakuji Temple (circle) and Masamune Kogei store marked the circle with X in it.

54 Kamakura map with circle & X

This map is from Kamakura station information center.

The direction to the Masamune Kogei store (marked circle with X on the map)

Take Yokosuka Line  from Tokyo (approximately one hour)———– Get off the train at Kamakura-Eki ————Exit from the East exit (or front exit) ———Take Komachi Dori street (narrow street toward left) ———-the first narrow street to the left ——— Cross the railroad track ——— Very short distance from the railroad track ———On your left, you see the sign of Masamune kogei store.

54 Yamamura 1

Mr. Yamamura and I

The direction to the Honkakuji Temple (本覚寺 )

Take Yokosuka line from Tokyo station (approximately one hour) ———-Get of the train at Kamakura-Eki ———-Exit from the east exit (front exit) ———-Go straight and cross the road ———-Turn right and go until you see the post office ———Turn left on the side of the post office (Honkakuji sign is at the corner of the post office) ——— Honkakuji Temple is short distance from the post office.

All of the pictures below are from Honkakuji Temple.

54 Honnkakuji 2 54 Honnkakuji 1

54 Honnkakuji 3 54 Honnkakuji 4

Below are Masamune’s tombstone.

54 large Masamune 6 54 Small Masamune 1

Both tombstones are the memorial tower erected for Masamune in Edo Period

52|Part 2 of —–17|Late Kamakura Period Tanto (Early Soshu-Den Tanto)

Chapter 52 is the continued part of chapter 17 Late Kamakura period Tanto (17 | Late Kamakura period Tanto ——- Early Soshu-Den Tanto.  Please read Chapter 17 before chapter 52.

After studying the general common characteristics of the late Kamakura period Tanto style (that is early Soshu-Den Tanto) on chapter 17, what points do the next two swords fit in with the common characteristic of early Soshu-Den Tanto?

53 Masamune Tanto photo53 Masamune Tanto Oshigata

Goro Nyudo Masamune (相州伝五郎入道正宗) from Sano Museum Catalog (permission granted).

Masamune was born in Kamakura as a son of Tosaburo Yukimitu.  Masamune is a very well-known sword smith even among those who are not interested in a sword.  His tombstone is in Honkaku-Ji (本覚寺) temple near Kamakura train station, approximately 6 minutes’ walk from the station.

Characteristic—– Hira zukuri.  Very slightly sakizori (tip area curves slightly outward).  Bo-hi and Tsure-hi.  Boshi is Ko-maru.   Hamon is Notare (wavy).  From the illustration above, Sunagashi, Nijyuu-ba can be seen.  One of the important characteristics to connosseur sword is Nie or Nioi and Ji-hada.  It is not possible to see it from this photo, but Masamune does Nie and usually wood grain surface.  Nie is the Soshu-Den characteristic.  This type of Nakago is called Tanago-bara.   Masamune Tanto is often MuMei (no signature).

53 Kunisuke photo53 Kunisuke illustration

Higo Province Enju Kunisuke  From Sano Museum Catalogu (permission granted)

Enju  group lived at Kikuchi county in Higo Province (Kyushu).  The characteristic of Enju group is very similar to the one of Yamashiro style.  Because  Enju Kunimura who started the Enju group was said to be the son-in-law of Rai Kuniyuki of Yamashiro-Den. 

Characteristic—-Hamon is Hoso Suguha (straight temper line).  Boshi is Ko-maru.  Front engraving is Suken (left photo of the sword) and the engraving on the back is Gomabashi ( right photo of the sword).  Jitetsu or Jihada is tight Itame.  Nie

50|Part 2 of —– 15|Late Kamakura Period Sword

This chapter is the detailed part of chapter 15| Late Kamakura Period Sword.  Please read chapter 15 before this section.

14 Ikubi kissaki Damadge

As I explained in chapter 14 Late Kamakura Period History (鎌倉後期), Ikubi Kissaki sword shows a flaw (above illustration) when the damaged area was repaired.  To compensate for this flaw, in Late Kamakura Period, swords smiths started to forge swords with longer Kissaki and a tip of Hi ends lower than Yokote-line.  So that in case the Yokote-line was lowered after the repair, Hi does not go higher than Yokote-line

15 Masamune (Sano)15 Masamune hamon (Sano)

Above photo is Goro Nyudo Masamune( 五郎入道正宗 ).  Please look at the size and shape of Kissaki.  This is definitely different than previous Ikubi Kissaki, or Ko-Gissaki.  This is a typical late Kamakura period Kissaki style.  This is O-Suriage (largely shortened).  Under Kamakura Bakufu, many swordsmiths moved to Kamakura.  They were Toroku Sakon Kunituna (藤六左近国綱 ) of Yamashiro Awataguchi  group(山城粟田口),  Fukuoka Ichimonji Sukezane (福岡一文字助真) and Kunimune (国宗 )of Bizen area.  They are the origin of Soshu-Den (相州伝).  Eventually, Tosaburo Yukimitsu (藤三郎行光)  appeared and his son is the famous Masamune (正宗)On the illustration above, Kinsuji, Inazuma is shown inside the Hamon.  The clear line inside the Hamon is Inazuma and Kinsuji.  Kinsuji, Inazuma are the collection of Nie looks like a line.  Masamune is famous for Inazuma, Kinsuji.  Masamune lived in Kamakura, his Hamon looks like an ocean wave when it is viewed sideways.

50 part 2 of 15 吉岡.photo50 part 2 of 15 吉岡

The above picture is Yoshioka Ichimonji (吉岡一文字).  Kissaki is also like the one of Masamune.  It is longer than previous Ikubi Kissaki or Ko-Gissaki.  This is Chu-Gissaki.  Kissaki like this is the important point to determine what period the sword was made.  Hamon has Choji, Gunome, Togariba (pointed tip), very tight Nie.

 

50 part 2 of 15 運生 photo50 part 2 of 15 運生 

Above photo is Ukai Unsho (鵜飼雲生).  This is also the sword from the late Kamakura period.  But it has Ko-Gissaki.  This sword does not have the late Kamakura period Chu-Gissaki style.  Narrow Hoso-Suguha is somewhat like earlier time than the late Kamakura period.  I chose this sword here to show that the sword does not always have the style of that period.  To Kantei*, first, look at the style and shape and give yourself some idea of the period of the time you think it was made.  But in this case, Kissaki does not indicate late Kamakura periodNext thing to do is to look at the different characteristic of the sword one by one like Hamon, Nie or Nioi, Jihada, etc,  and determine what period, which Den, which province and finally come up with a swordsmith’s name.  This process is called Kantei.

*Kantei – – – – – – to determine the name of the swordsmith by looking at the characteristic of the sword without looking at the Mei (inscription).  Mei is not always there either because it is shortened or some other reasons.

All the photos above are from Sano Museum Catalogue.  Permission to use is granted.

15|Late Kamakura Period Sword

15TimelineThe circle represents the time we are discussing in this section

Beginning of Soshu style

After the Mongolian invasion, that is the later part of the Kamakura period, a new style of sword started to emerge.  Kamakura area became prosperous under the rule of Hojo(北条).  Many swords smiths moved to Kamakura.  They are Kunituna and his group of Yamashiro and Fukuoka Ichimonji Sukezane (福岡一文字助真), Kunimune (国宗) of Bizen.  They are the origin of Soshu school (相州).  A star sword smith, Goro-Nyudo-Masamune (五郎入道正宗) appeared during this time.

15 Soshu sword with explanation

Shape (Sugata 姿)——-long Kissaki (O-kissaki 大切先) and medium Kissaki (Chu-Gissaki 中切先).  Top of Hi ends lower.  Hamaguri- ha was eliminated (became thinner).  Original length was 3 feet or but mostly shortened later time to 2 feet and 3 or  4 inches.  This is called O-Suriage(大磨上)

15 Kissak shape of 4

15 Hi ends lower

Hamon——————–You see narrow Hamon and wide Hamon.     

Narrow Hamon ——-Suguha (straight) mixed with Ko-choji (small clove) and Ko-gumome (continuous half circle like).  Small Nie base. (left drawing below)

Wide Hamon———–Notare (wavy) midare, O-gunome.  Nie base.  Ashi-iri (short line goes inward),  Inazuma (lightning-like line), Kinsuji (a gold line like)  appears on tempered line.  But Inazuma and Kinsuji require trained eyes to detect.  It is hard to notice the Inazuma, Kinsuji, etc. for beginners. (Right drawing below)

15 Late Kamakura Soshu Hamon

Boshi —————The Hamon from the lower part of the body of the sword continues into Boshi area then turn back a little or Yakizume.  You may also see O-maru  (large round), Ko-maru (small round), Kaen (flame like) and Nie-kuzure. Refer Chapter 13 for Yakizume and Kaen.

15 three boshi name

 

Jihada or Jitetsu (between shinogi and Tempered line)—– Strong Ji-nie (地沸), that is a sand-like small dots appears on Ji (other than the tempered line).  Yubashiri (cluster of Ji-nie),  Kinsuji (lined Nie looks like a golden line), Inazuma  (lightning-like irregular line) and Chikei (similar to Kinsuji appears on Ji-hada).

15 Yubashiri, Chikei, Inazuma

Late Kamakura Period Soshu School Sword Smiths

From Bizen———–Fukuoka Ichimonji Sukezane (福岡一文字助真) Kunimune (国宗 )   From Yamashiro ———————————-Touroku- Sakon- Kunituna (藤六左近国綱) 

Those above three are the beginning of Kamakura swordsmiths.  Later,Tosaburo-Yukimitu and his son, famous Goro-Nyudo-Masamune appeared.

Masamune Juttetsu  

Those who made Soshu Style in the other province

From Yamashiro (山城)—— Rai Kunitsugu (来国次), Hasebe Kunishige (長谷部国重) From Ettshu (越中) province ———————Gou- no-Yoshihiro (郷義弘) Norishige (則重) From   Mino (美濃) province ——————————————–Kaneuji (兼氏) Kinjyu (金重) From   Chikuzen (筑前) province ————————————————–Samoji (左文字)

15 Masamune (Sano) 15 Masamune hamon (Sano)     Goro-Nyudo-Masamune(正宗)   Sano Museum Catalogue (佐野美術館図録) Permission granted    *Because Masamune lived in Kamakura which is a beach town, he was inspired by ocean wave.  Therefore his Hamon sometimes looks like wave design.

15 Masamune, Yoshioka Ichimonji