Table of contents

By clicking below, it will take you to that chapter directly.   Part 2 is a detailed part of the correspondent chapter.

1 | Preface

2 | Time line

3 | Joko-to(上古刀)

4 |Names of Parts

5 | Heian Period History(平安時代) 794 – 1192

6 |Heian Period Swords

7| Kamakura Period History (1192 – 1334)

8| Overview of the Kamakura Period Swords (1192-1333)

9| Middle Kamakura Period —Yamashiro School(鎌倉中期山城伝

10 | Middle Kamakura Period — Bizen School(鎌倉中期備前伝)

11|Jokyu-no-ran (承久の乱) 1221

12|Ikubi Kissaki (猪首切先)

13|Tanto ( 短刀) Middle Kamakura Period

14|Late Kamakura Period History (鎌倉後期)

15|Late Kamakura Period Sword

16|The Revival of Yamato School (山城伝復活)

17 | Late Kamakura period Tanto ——- Early Soshu Tanto

18|Nanboku(Yoshino) Cho Period History—— North and South Dynasty History(1333-1393)

19|Nanboku-Cho (North and South dynasty) Period Sword

20 | Nanboku-Cho Tanto(南北朝短刀)

21|Muromachi Period History (室町時代)

22|Muromachi Period Sword

23| Sengoku Period History (戦国時代)

24|Sengoku Period Sword(戦国時代)

25|Sengoku Period Tanto (戦国時代)

26| Edo Period History (江戸時代)1603 – 1867

27|Shinto (新刀)

28| Seven Main Areas of Shin-to Sword (Part A)

29|Seven Main Areas of Sin-To Sword (partB)

30| Bakumatsu Period History (幕末)1781 – 1867

31| Shin Shin-To (Bakumatsu Period Sword 新々刀)1781-1867

32|The Process of Making a Sword

33|References

34| Background

35|Part 2 of —– 1|Preface

36| Part 2 of —– 2|Timeline

37|Part 2 of —– 3|Jyoko-To (上古刀)

38|Part 2 of —– 4|Names of the Parts

39|Part 2 of —– 5|Heian Period History (平安時代) 794-1192

40|Part 2 of —– 6|Heian Period Sword (792-1192)

41|Part 2 of —– 7|Kamakura Period History (1192 – 1333)

42|Part 2 of —– 8|Overview of the Kamakura Period Sword 1192-1333)

43| Part 2 of —– 9| Middle Kamakura Period Yamashiro Den (鎌倉中期山城伝)

44|Part 2 of —– 10|Middle Kamakura Period Bizen-Den (鎌倉中期備前伝)

45|Part 2 of —- 11|Jyokyu-no-Hen and Gotoba Joko 後鳥羽上皇 1221

46|Part 2 of —- 12|Ikubi Kissaki(猪首切先)

47|Part 2 of —–12|Ikubi Kissaki, continued

48|Part 2 of —– 13|Middle Kamakura Period Tanto 鎌倉中期短刀

49| Part 2 of —-14|Late Kamakura Period (鎌倉後期歴史)

50|Part 2 of —– 15|Late Kamakura Period Sword

My Japanese Room

51| Part 2 of —– 16 The Revival of Yamato Den (大和伝復活)

52|My Yamato Sword (大和所有刀剣)

 

 

 

 

51| Part 2 of —– 16 The Revival of Yamato Den (大和伝復活)

This chapter is the continued part of chapter 16|The Revival of Yamato Den (大和伝復活 .   Please read chapter 16 before reading this chapter.

51 Japan map Yamato

At the end of the Kamakura period, in the Yamato area, powerful temples expanded their territory.  They had the political and military power to control the area.  Especially a few powerful temples owned a large territory.   They were called Shoen (荘園).  The demand for the Sword increased by warrior monks called Sohei (僧兵).  That started the revival of Yamato school.  Some of the big temples had their own swordsmiths within their territory.  Todaiji-temple (東大寺) backed Tegai (手掻 ) group.  Senjuin (千手院 ) group lived near Senju-Do (千手堂 ) where Senju Kannon (千手観音 ) was enshrined.  The name of the Taima group came from Taima-Ji temple (当麻寺).  Shikkake group (尻懸 ) and Hosho group (保昌 ) as well.  Those five groups are called Yamato Goha  (Yamato five groups).

General Characteristic of Yamato Den

Yamato Den (大和伝) sword always shows Masame (柾目, straight grain like) on somewhere on Ji-Hada,  Jigane or Hamon.   Please refer to the 16 Revival of Yamato Den (大和伝復活) for its general characteristic.  Masame is sometimes mixed with Mokume (burl like) or Itame (wood grain like).  Either way, Yamato sword shows Masame somewhere.  Some sword shows Masame entirely or some shows a lesser amount.  Because of that, Hamon tends to show Sunagashi (brush stroke like) or a double line like Hamon called Nijyu-ha.

Taima or Taema group (当麻 )

  • Shape —– Middle Kamakura period shape and Ikubi Kissaki style
  • Hamon —–Mainly  Medium Suguha.  Double Hamon.  Suguha mixed with Choji. Shows Inazuma, Kinsuji, especially under Yokote line Inazuma appears.
  • Boshi —– Often Yakizume. Refer Yakizume on 16 Revival of Yamato Den (大和伝復活)
  • Ji-Hada Ji-Tetsu —– Small wood grain and well knead surface.  At the top part of the sword, wood grain pattern becomes Masame.

 Shiikkake Group (尻懸  )

  • Shape —– Late Kamakura period shape. Refer 15 Late Kamakura Period Sword
  • Hamon —– Mainly Nie (we say Nie Honni). Medium suguha frayed, mixed with small irregular and Gunome (half circle).  Double lined, brush stroke like pattern.  Small Inazuma, Kinsuji
  • Boshi —– Yakizume, Hakikake (swept trace by broom) and Ko-maru ( small round)
  • Ji-Hada, Ji-Gane —– Small burl mixed with Masame.  Shikkake group sometimes shows Shikkake Hada.  That is,  Ha side shows  Masame and Mune side shows burl.

Tegai Group ( 手掻 )

  • Shape —– Early Kamakura Thick Kasane (body).  High Shinogi.  Koshizori.
  • Hamon —– Narrow tempered line with medium Suguha Hotsure (frayed Suguha).  Mainly Nie.  Double tempered line. Inazuma, Kinsuji shows.
  • Boshi —– Yakizume (no turn back ), Kaen (flame like).
  • Ji-Hada Ji-Gane —– Fine burl mixed with Masame.  

 

51 Kanenaga photo Yamato51 Kanenaga ilustration Yamato

Tegai Kanenaga of Yamato.  From Sano Museum Catalogue (permission granted)

The illustration shows Notare (wave-like Hamon) and Suguha Hotsure (frayed Suguha) and Kinnsuji.

Example of Kantei process how to figure out the maker of the sword using the above photo

  • To determine Jidai (time) by Sugata (shape) —-—-Heian (possible),  Early Kamakura (possible),   Middle Kamakura (possible),  Late Kamakura (possible),  Nanboku – Cho (unlikely),  Muromachi (possibly No),   Sengoku (possibly No),  Shinto ( possibly No),  Shinshin-To (No)
  • To judge from Hamon (actual view shows Masame)——-Yamashiro-Den (possible),  Yamato-Den (very possible),  Bizen-Den (unlikely possible),  Soshu-Den (unlikely possible),  Mino- Den (No)
  • Jihada (actual view shows Nie a lot) —–Yamashiro-Den (possible),  Yamato-Den (very possible),  Shoshu-Den (unlikely possible),  Bizen-Den (unlikely ),  Mino-Den (unlikely)

By looking at the bold letter above, analyzing the above information, you conclude and come up with the name of the swordsmith.  In reality, to Kantei, bring more checkpoints and come up the name.

 

50|Part 2 of —– 15|Late Kamakura Period Sword

This chapter is the detailed part of chapter 15| Late Kamakura Period Sword.  Please read chapter 15 before this section.

14 Ikubi kissaki Damadge

As I explained in chapter 14 Late Kamakura Period History (鎌倉後期), Ikubi Kissaki sword shows a flaw (above illustration) when the damaged area was repaired.  To compensate for this flaw, in Late Kamakura Period, swords smiths started to forge swords with longer Kissaki and a tip of Hi ends lower than Yokote-line.  So that in case the Yokote-line was lowered after the repair, Hi does not go higher than Yokote-line

15 Masamune (Sano)15 Masamune hamon (Sano)

Above photo is Goro Nyudo Masamune( 五郎入道正宗 ).  Please look at the size and shape of Kissaki.  This is definitely different than previous Ikubi Kissaki, or Ko-Gissaki.  This is a typical late Kamakura period Kissaki style.  This is O-Suriage (largely shortened).  Under Kamakura Bakufu, many swordsmiths moved to Kamakura.  They were Toroku Sakon Kunituna (藤六左近国綱 ) of Yamashiro Awataguchi  group(山城粟田口),  Fukuoka Ichimonji Sukezane (福岡一文字助真) and Kunimune (国宗 )of Bizen area.  They are the origin of Soshu-Den (相州伝).  Eventually, Tosaburo Yukimitsu (藤三郎行光)  appeared and his son is the famous Masamune (正宗)On the illustration above, Kinsuji, Inazuma is shown inside the Hamon.  The clear line inside the Hamon is Inazuma and Kinsuji.  Kinsuji, Inazuma are the collection of Nie looks like a line.  Masamune is famous for Inazuma, Kinsuji.  Masamune lived in Kamakura, his Hamon looks like an ocean wave when it is viewed sideways.

50 part 2 of 15 吉岡.photo50 part 2 of 15 吉岡

The above picture is Yoshioka Ichimonji (吉岡一文字).  Kissaki is also like the one of Masamune.  It is longer than previous Ikubi Kissaki or Ko-Gissaki.  This is Chu-Gissaki.  Kissaki like this is the important point to determine what period the sword was made.  Hamon has Choji, Gunome, Togariba (pointed tip), very tight Nie.

 

50 part 2 of 15 運生 photo50 part 2 of 15 運生 

Above photo is Ukai Unsho (鵜飼雲生).  This is also the sword from the late Kamakura period.  But it has Ko-Gissaki.  This sword does not have the late Kamakura period Chu-Gissaki style.  Narrow Hoso-Suguha is somewhat like earlier time than the late Kamakura period.  I chose this sword here to show that the sword does not always have the style of that period.  To Kantei*, first, look at the style and shape and give yourself some idea of the period of the time you think it was made.  But in this case, Kissaki does not indicate late Kamakura periodNext thing to do is to look at the different characteristic of the sword one by one like Hamon, Nie or Nioi, Jihada, etc,  and determine what period, which Den, which province and finally come up with a swordsmith’s name.  This process is called Kantei.

*Kantei – – – – – – to determine the name of the swordsmith by looking at the characteristic of the sword without looking at the Mei (inscription).  Mei is not always there either because it is shortened or some other reasons.

All the photos above are from Sano Museum Catalogue.  Permission to use is granted.

49| Part 2 of —-14|Late Kamakura Period (鎌倉後期歴史)

This is the detailed part of chapter 14|Late Kamakura Period History (鎌倉後期.  Please read chapter 14 before starting this chapter.

Genko (元寇) —  Mongolian Invasion 

In Chapter 14, the Mongolian invasion was simply described.  Here is the more detailed description.  The Mongol Empire was a vast empire spread between present Mongol areas to all the way to Eastern Europe from 1206 to 1368.  Grandson of Genghis Kahn, Kublai Kahn sent several official letters to Japan demanding Japan to become a dependency state of the Mongol Empire (Yuan) and demanded to send a tribute to them.   They threatened Japan that they will invade if Japan did not accept their demand.  Hojo Tokimune (北条時宗 ) who was in power in Kamakura Bakufu (government) then, refused and ignored the letters many times.  That caused the two times invasions by the Mongol Empire.  The prevailing notion is that the strong typhoon hit Japan on each invasion, Mongols were chased away by the typhoon.  There were more to it to the story.

Bunnei-no-Eki (文永の役  )  1274

The first Mongolian invasion is called Bunnei-no-Eki.  The early part of October 1274, 40,000 Mongol troops (Mongol, Han people, and Korean) departed heading to Japan from Korean peninsula on 900 large and small ships.  After they arrived on the Tsushima island (対馬 ), Mongol troop burnt villages and killed many people including the island people.  Many people were captured and presented to the top officials of the Mongols as their slaves.  It was a really miserable sad scene.  The Mongols moved to Iki Island (壱岐の島), then to Hizen shore (肥前 ),  Hirato Island (平戸 ),  Taka-Shima (鷹島 ), then to Hakata bay (博多).   At each place, the disastrous scene was the same as everywhere.   At each battlefield, Japanese soldiers and villagers were killed in great numbers.  Kamakura Bukufu (government) sent many Samurai to the battlefield, the Japanese side won and pushed the Mongols back here and there but mostly Japanese sides lost.  Many wives and children were captured, eventually, even no soldiers dared to fight against Mongols.  Mongols arrows were short and not so powerful, but they put on the poison at the tip, and they shoot the arrows like rain.  Also, this is the first time the Japanese saw the firearms.  Their loud sound of the explosion made horses and Samurai frightened.  Japanese troops had to retreat and the situation was really bad for Japanese.  But all of a sudden surprisingly, on morning of the of October 21st (today’s calendar, Nov 19thall the ships were gone, nowhere to be seen on the shore.   Mongols were all disappeared from the shore of Hakata.  What happened was Mongols decided to quit the fight and went back.  For Mongols, even though they were winning, they also lost many people and lost one of the major key person in the army.  The different history book of Korea and Mongols had several records about the reasons to leave Japan.   The Mongols realized no matter how Mongols were winning, the Japanese kept coming more and more from everywhere.  The Mongols could not expect reinforcements from their country over the ocean.  Also, their stocks of weapons were getting low.  It was the Mongols decision to go back.  Here is a twist.  Around the end of October (November by the today’s calendar), the sea between Hakata (where Mongols were) and Korea was very dangerous because of the bad weather, unless the clear daytime of south wind day.  This place is called Genkai Nada (玄界灘 ) famous for the rough sea.   Yet Mongols decided to go back at night.  They may have caught the moment of the south wind, but it did not last long.  As a result, they encountered the usual severe rainstorm.  Many ships hit against the cliff, ships capsized, people fell into the ocean, and several hundred broken ships were found on the shore.  This is called Bunnei- no- Eki (文永の役 ).  Mongols lost a large number of people, ships, troop, food, weapons, and Korea who was forced to supply all of them by the Mongols lost a great deal.  Only old men and children were left to work on the farm, on top of it, they had drought and long rain.

At this Bunnei-no-Eki (文永の役), it was not a typhoon that caused the Mongols to be defeated, Mongols decided to leave but encountered usual bad weather.

Koan-no-Eki (弘安の役) 1281

The second Mongolian invasion is called Koan-no-Eki in 1281.  After the first attempt to invade Japan, Kublai Khan kept sending messengers to Japan to demand to become a dependency state.  Kamakura Bakufu kept ignoring and they killed messengers.  Kublai Kahn decided to attack Japan again in 1281.  Kublai Kahn’s top advisers suggested not to attack Japan because it is too far, the ocean is too dangerous, the country is small, and nothing to gain even if Mongols win.  But Kublai Kahn still insisted to attack.  This time they came in two groups.  They were the East-route troop, the number was 60,000 soldiers on 900 ships, and the South-route troop, the number was 100,000 soldiers on 3,500 ships.  This is the largest scale forces in history.  Their plan was to depart from each one’s port and join on the Iki-no-Shima island (壱岐の島 ) by June 15th, then work together.  The East-route troop arrived before the South-route troop came.  Instead of waiting for the South-route troop, the East-route troop started to attack the Hakata Bay (博多) on their own.  But by that time, Japan already prepared to fight and built a 20 kilometer long stone wall.  This stone wall was 3 meters high and 2 meters thick.  The East-route troop had to give up to land on Japan from Hakata and moved to Shiga-no-Shima (志賀島 )At this place, the fight between Mongols and Japan was even battle but at the end, East-route troop lost and retreated to the Iki-no-Shima and decided to wait for the South-route troop to arrive.  The South troop never arrived there, they changed the plan.   On top of that, while they were waiting for the South-route troop to come, they lost over 3,000 men over the epidemic.   With difficulty like this, the East- route troop discussed the choices they can take.  One opinion was going back home but in the end, they decided to wait for the South-rout troop to arrive as long as the food last.  Meantime, the South-route troop changed the plan and decided to go to Hirato-Shima  (平戸島 ) where it is closer to Dazaifu (太宰府).  That is the final and most important place they wanted to attack.   Later, the East-route troop found out the South-route troop went to Hirato Shima.   Finally, two troops joined at Hirato-Shima and each group stationed nearby island called Taka-shima (鷹島 )The problem was this island had very high tide and low tide, the ships were not easily maneuvered.   Meantime, 60,000 Japanese men were marching toward where the Mongols were stationed.   Before those men arrived to fight against Mongols, A big typhoon came on July 30th and Mongols were caught in a big typhoon, ships hitting each other,  people fell from the ships and drowned and the majority of ships sank.   July 30th was about three months after the East- route troop left Mongol on early May.  That means they were on the ocean and the shore of Japan for about three months or so.  Around North Kyushu area (九州 ), usually, a typhoon comes average 3.2 times between the month of July to September.   Mongols were on the ocean and the shorelines of Japan for approximately three months; they were bound to be hit by a typhoon soon or later.

The Mongol Empire lost 2/3 of its naval forces.   After Mongols failed two attempts to attack Japan, Kublai Khan still insisted to attack Japan the third time, no matter how much his men reasoned him.  But the plan was delayed and terminated because of many rebellions, upheavals and no lumber was left to build ships.  Soon, Kublai died in 1294. The record book of Mongols and Korean indicated that Mongols officials gave a high evaluation of Japanese swords.  Some even say one of the reasons it was not easy to defeat Japan was because of the long sharp swords.  The experience of the Mongolian invasion changed Ikubi Kissaki (猪首切先) sword to a new Soshu-Den (相州伝) style sword.

49 Photo of part 2 of 14 Late Kamakura

The stone wall scene.  Photo from Wikipedia.  Public Domain

*Wikipedia was referred for the chapter 49 article.

48|Part 2 of —– 13|Middle Kamakura Period Tanto 鎌倉中期短刀

This chapter is a continued part of Chapter 13 Tanto Middle Kamakura PeriodPlease read Chapter 13 before you read this section.  13|Tanto ( 短刀) Middle Kamakura Period

As Chapter 13 described, during middle Kamakura period, the shape of Tanto is called Takenoko zori . That means the tip of Tanto curves inward a little.  The drawing on Chapter 13 is a little exaggerated to show the curve.  Refer 13|Tanto ( 短刀) Middle Kamakura Period.   But the real Tanto is not so obvious. Maybe a few millimeters.   Usually, the length of the Tanto is approximately 12 inches or less.  10 inch Tanto is called Jyosun (定寸 ), longer than that is called Sun-nobi (寸延び ), and less than that is called Sun-zumari (寸詰り )

 

13 «Part 2» Tanto photo 

The above photo is Tanto by Shintogo Kunimitsu (新藤五国光). This style is called Kanmuri Otoshi.  That means the steel of Mune side (opposite side of cutting edge)  is shaved off. The length is approximately 10 inches.  Wood grain surface, Nie on Ji (refer to the name of the parts 4 |Names of Parts ).  Very finely forged.  Hamon is medium Suguha (straight).  Boshi is Ko-maru (small round).  Because of the Kanmuri-Otoshi style, it may not be easy to see the Takenoko-zori, the Mune side bend inward very slightly.  Among Tanto producer, Shintogo Kunimitsu is considered the top Tanto Maker.

 

13 «Part 2»Tanto photo with Saya

Above photo is the same Shintogo Kunimitsu with Saya.  Saya is a scabbard.  The top white handle part is made with Sharkskin.  Both photos are from Sano Museum Catalog.  Permission granted.

 

 

 

47|Part 2 of —–12|Ikubi Kissaki, continued

Bizen Saburo Kunimune (備前三郎国宗)

Another swordsmith needs to be mentioned in this section is Bizen Saburo Kunimune (備前三郎国宗).  In middle Kamakura period, the Hojo clan invited the top swordsmiths to Kamakura area.  Awataguchi Kunitsuna (粟田口国綱) from Yamashiro Kyoto, Fukuoka Ichimonji Sukezane  (福岡一文字助真) from Bizen area, Bizen Kunimune (備前国宗) from Bizen area moved to Kamakura together with his group of people.  Those three groups started the Soshu Den (相州伝).  Refer to 14|Late Kamakura Period History (鎌倉後期)

Sugata (shape)  —– Ikubi Kissaki style.  Sometimes Chu-Gissaki.    Thick body.  Narrow Shinogi width.  Koshi-Zori

Horimono (Engravings)  —– Often narrow Bo-Hi ( single groove)

Hamon (Tempered line) —– O-Choji Midare (large clove irregular) with Ashi.  Or Ko-Choji Midare (small clove irregular) with AshiNioi base with Ji-Nie (Nie in the Hada area).  Some top of the Hamon is squarish with less Kubire ( less narrow at the bottom of the clove).  Hajimi ( rough surface).  Also, he did as follows — Lower part shows Choji, the upper part shows less work without Ashi. 

12 «Part 2» 国宗刃紋 佐野

Kunimune Squarish Kawazuko Choji Hamon (Sano Museum Catalog permission granted)

 

Boshi  —– Small irregular.  Yakizume or short turn back.

Jitetsu —–Woodgrain.  Fine Jitetsu with some Ji-Nie (Nie inside Jihada).  Midare Utsuri (irregular shadow) shows.  A few Hajimi (rough surface).

12 «Part 2» 国宗  

Above photo is Kunimune   (国宗 Sano Museum Catalog, permission granted)  Even though Kunimune is famous for Ikubi Kissaki,  and this is the chapter for Ikubi Kissaki, this one is Chu-Gissaki.

 

12 (second part 2) 照国神社

Above photo is a picture from the official site of Terukuni Shrine in Kyushu.  You can go the site by clicking,  http://terukunijinja.pkit.com/page222400.html

Above photo is the National treasure Kunimune of the Terukuni Shrine in Kagoshima prefecture.  This Kunimune sword was lost after WWII.  The chairman of the Board of Miles Laboratory in Elkhart Indiana, Dr. Compton found this sword in an antique store in Atlanta.  Alka Seltzer is one of the well-known products among many of their products.  He was deeply into the sword collection and knew a lot about the Japanese sword.  When he saw this sword, he realized this is not just an ordinary sword.   He bought it and inquired to the Nihon Bijutu token Hozon Kyokai (Sword museum).  It turned out to be the famous missing National treasure of Kunimune of Terukuni Shrine.  He returned the sword to Terukuni Shrine without compensation in 1963.  My father became a friend of his around this time through Dr. Homma and Dr. Sato ( leading sword experts).  Since then, the Compton family and my family became close friends.  Dr. Compton asked Dr. Honma and my father to come to the US and examine his swords in his house (he had about 400 swords)  and swords of New York Met, Philadelphia Museum and the Boston Museum.  My father wrote about this trip and the swords he examined in those museums and published the book in 1965; the title is “Katana Angya (刀行脚)”. Since then, we visited his house and they visited our house more frequently.   Around this time must be the best time of his life for Dr. Compton and for my father.  Both of them could spend time on their interest and having fun.  It was the best time of my life too.

One time when I visited his house, he showed me his swords in his basement for hours almost all day.  His house was really huge and the basement he built as his study room was with fire prevention and had great lighting.   It was really nicely done and functioned correctly as the storage place for his many art objects.   Then his wife, Phoebe said to Compton that he cannot keep a young girl (I was a college student) in the basement all day long and looking at the swords.  He agreed and then he took me to his cornfield to pick some corns for dinner.  The basement to a cornfield, not much improvement?  So his wife Phoebe said that she will take me shopping and lunch in Chicago.   That is good,  but too far.   The distance between Elkhart and Chicago is about two hours by driving a car, too far just for shopping and lunch.  To my surprise, we got on the company private airplane to fly to the top of the roof of the department store then do the shopping and lunch, came back with the same private airplane.

Miles Lab. and Sankyo, a Japanese large pharmaceutical company had a business tie-up as Miles-Sankyo Pharmaceutical Company then.   Dr. Compton used to come to Japan quite often, officially for business purpose.  But whenever he came to Japan he used to spend many days with sword people and I used to follow my father.  One of the female workers of Miles-Sankyo, her job was to translate the sword book into English.  My parent household was filled with Miles-Sankyo products.  Miles Lab. had a big research institute in Elkhart Indiana.  I visited several times there.  One day I was sitting with Dr. Compton in his office, looking into the sword book with our head together.  That day, a movie actor John Forsythe was visiting the research lab.  He was the host of the TV program the Miles Lab was sponsoring.  All the female employees were making a big fuss over him.  Then he came into the Compton’s room to greet him thinking the chairman must be sitting on his big chair at his desk looking like a chairman.  But he saw Compton looking into the sword book with his head against my head.  The appearance of Dr. Compton was just like any chairman of the board of a big company one can imagine, and I was a college student looking like a college student.   John Forsythe had a strange expression that he did not know what to think of what he was seeing.

46|Part 2 of —- 12|Ikubi Kissaki(猪首切先)

This chapter is a detailed chapter of Chapter 12.   Please read Chapter 12 before reading this section.

Middle Kamakura period was the golden age of the sword making.  We can not deny it was a great part due to the Gotoba-Joko treating the swordsmiths highly.  After Jokyu-no-HenSamurai liked grand look swords. Those are Ikubi Kissaki sword.  It is said there is no mediocre sword among Ikubi Kissaki sword.  In this chapter, we discuss the swordsmiths who are famous for Ikubi Kissaki.

Bizen Osafune Mitsutada (備前長船光忠)

Mitsutada is one of the most famous swordsmiths for Ikubi Kissaki.  His sword was the most thought after sword among sword collectors.  He was the founder of the Osafune group, then his son Nagamitsu (長光), and Nagamitsu’s son Kagemitsu (景光) and the rest continues.

Sugata (shape) —- Grand look.  Ikubi Kissaki.  The body is somewhat thick.  Often suriage (shortened).

Hi (engraving)Often with Bo-Hi (wide straight groove).  The shape of the end of Bo-Hi is kakudome (at least the one my father owned was kakudome).  Refer 9| «Part 2» Middle Kamakura Period —Yamashiro Den (鎌倉中期山城伝)

Hamon (Tempered line) —-  Yakihaba (width of the Hamon) is wide and narrow.  Mainly Nioi. Large Choji, Kawazuko-Choji (round head shape, refer to the picture below under Nagamitsu Hamon ),  Inazuma, Kinsuji, refer to 15|Late Kamakura Period Sword

Boshi  —- Yakizume.  Yakizume with a short turn back.

Jihada —– Fine, and soft look surface.  Chikei appears.

img027img028                                    Jyuyo Bunkazai                                         Jyuyo Bunkazai

img029img030                  Jyuyo Token                                                     Jyuyo Bunkazai

I displayed above four photos at the different places on this website.  Those were Mitsutada, once my father’s swords.  Those photos were taken by my father and the writing on the white paper are written by him.  He was very proud he collected four Mitsutada and he monogrammed inside his suit jacket as Mitsutada. It is said that Oda Nobunaga (織田信長 Daimyou around 16 C ) with his wealth and political power, he collected 28 Mitsutada.  I realize those photos are not wonderful pictures.  In order to avoid any copyright infringement and intellectual property right, I only use father’s photos (not so wonderful though), Sano Museum Catalog photos ( permission granted) and some public domain photos from Wikipedia.  Please bear with me that I don’t have good photos.

 

Bizen Osafune Nagamitsu (備前長船長光 )

Nagamitsu is Mitsutada’s son.

Sugata  —– Shape is similar to the early Kamakura period style.  That is with Funbari and narrow at the top.  This is called Nagamitsu Sugata.

Hamon —– Wide tempered line.  Nioi base.  O-Choji Midare (large clove shape) mixed with Kawazuko Choji (see below).  Many Ashi appears.  Also, he does Suguha-Choji (straight with choji mixed).  This looks like Rai Kuniyuki.  Works of Inazuma and Kinsuji shows.

12 (part 2) Kawazuko Choji)
Kawazuko-Choji   Sano Museum Catalogue (permission granted)

Boshi —– Yakizume or turn back a little. (see above photo)

Jitetsu —– Fine wood grain.  Well known for Utsuri (shadow).  Choji Utsuri (Shadow of Choji) or Botan Utsuri ( flower peony like).  Choji Utsuri is shown in the above picture.

Below is a poster of the Museum of Tetsu in Sakaki in Nagano prefecture in the year of 2003.  The picture is Nagamitsu’s sword and Koshirae (scabbard).  This was a family sword.  This sword was once owned by Takenaka Hannbei (竹半半兵衛) who was a famous strategist for Toyotomi Hideyoshi  (豊臣秀吉) around the 16th century.  It was given to Takenaka Hanbei by Toyotomi Hideyoshi as a reward.

12 «Part 2» 長光ポスター

45|Part 2 of —- 11|Jyokyu-no-Hen and Gotoba Joko 後鳥羽上皇 1221

Chapter 11 (11|Jokyu-no-ran (承久の乱) 1221 ) was how Jyokyu-no-Hen ( 承久の変 ) started.  In the end, Emperor Gotoba (or  Gotoba- Joko) was exiled to Oki Island (隠岐の島 ).  He was a very talented man in many fields.  He was very good at Waka (和歌 ).  Waka is a short poem.   It requires to express scenery, one’s inner feeling with the refined sentiment, or the surrounding state with a limited number of words.  It requires literary talent.  He was also good at equestrianism, Kemari (ball game for upper class at that time), a great swimmer, Sumo, good at music, archery, swordsmanship, calligrapher, painter and became a great swordsmith.  His contribution toward sword made the Golden Age of sword making at the middle Kamakura period.  Surprisingly, Gotoba Joko was not only good at in the different field, he really accomplished all those fields to the top level.  Especially his Waka (poetry) is highly regarded.  He also edited Shin-Kokin-Wakashu (新古今集).  This is a collection of Waka.

Emperor Gotoba was enthroned at the age of four

Emperor Gotoba was enthroned at the age of four (some say three).  The problem was the Emperor Antoku already existed at the same time.  They were both about the same age.  Two emperors at the same time is a big problem.  How did it happen? To become an Emperor, the head of the Emperor family has to appoint the next emperor.  While the Emperor Go-Shirakawa (後白河天皇) was in jail, Emperor Antoku was appointed by Taira –no- Kiyomori (平清盛), who was the head of powerful Samurai but not the Emperor family.  That is against the tradition.  Remember, Taira-no-Kiyomori was the most powerful man of the Heike clanThis was not accepted by the Go-Shirakawa Emperor (後白河天皇 ).  Go-Shirakawa Emperor was furious toward Taira-no-Kiyomori and he picked his own choice and enthroned Gotoba as the Emperor.  This is how two emperors coexisted.   One more thing, to be an Emperor, the Emperor must have Sanshu-no-Jingi (三種の神器 Three Sacred Treasures ) that is three items the Emperor must have to be a legitimate Emperor.  They are Mirror, sword, and Magatama (jewelry)*.   But Sanshu-no-Jingi was taken by the Heike family together with the Emperor Antoku when they fled from Genji.  The Heike clan was chased by the Genji all the way to Dan-no-Ura (壇ノ浦) and the Heike clan was defeated there.   Dan-no-Ura is a sea between Kyushu (九州 ) and Honshu (本州 ).  When it became obvious for the Heike family, that they were defeated,  all the Heike people including the young Emperor Antoku jumped into the sea and drowned.   They took Sanshu-no-Jingi with them into the ocean.   Later people searched for the Sanshu-no-Jingi frantically, but they could only recover jewelry, and mirror,  could not find the sword.  Because of the tradition that the Emperor must have Sanshu-no-Jingi otherwise not a legitimate Emperor, Gotoba Joko was tormented for a long time.  Today, those mirror and jewelry are with the present Emperor family.  The sword is still missing.

* Sanshu-no-Jingi (三種の神器 )—–sword (Kusanagi no Tsurugi(草薙の剣),   Mirror (Yata-no-Kagami八咫の鏡),  Magatama (Yasakani-no-Magatama  八尺瓊勾玉)

Politics by  Gotoba-Joko

 Gotoba-Joko wanted political power back from the Kamakura Bakufu.  He was a very impulsive and passionate and unpredictable quick-tempered person.   He wanted to revive the politics controlled by Chotei (朝廷).  Chotei is the central government controlled by the Emperor and aristocrats.  Gotoba-Joko decided to rely on the armed power for this.  He set up the Saimen-no-Bushi (armed forces directly under the Emperor create by Gotoba-Joko).  When he saw Minamoto-no-Sanetomo was killed, he realized Kamakura Bakufu must be in a turmoil.  Thinking this is a good chance, he sent out the Emperor’s order to fight against Kamakura Bakufu to all over Japan to fight against Kamakura Bakufu.  He expected an easy victory, but Kamakura Bushi was united tightly and maneuvered well under Hojo Masako as a one organized armed forces.  Gotoba-Joko side was not very organized.  They were not used to fighting.  In the end, Gotoba-Joko side lost.  After he realized he has lost, he claimed it was not him, it was done by his men only, nothing to do with the Emperor.  So he claimed it is wrong to punish him.  But of course, Kamakura Bakufu did not believe that and exiled him to Oki Island.  Gotoba-Joko ended his life on the island.  As smart as he was and accomplished so many different fields, he could not win against the grandma Shogun,  Hojo Masako.

Sword making by Gotoba-Joko

Gotoba Joko had a superior ability to connoisseur sword and he became the superior swordsmith himself.   He invited many top-level sword smiths from different sword groups to his court and gave them the title and made them as his assistants or instructor.  He invited top-class sword smiths every two months from a place like Bizen, Awataguch, and Bicchu.  Those who were invited were called Gobankaji (御番鍛冶), an honorary title.  On the sword he created, he did not inscribe his name; instead, he inscribed Chrithantamum with 16 petals which are still used present Emperor as the Emperor’s crest.  The sword which has this Chrithantamus is called Kiku Gosaku (菊御作).  Today, in Oki island you can visit Emperor Gotoba museum and there are a few sites that are believed to be the Emperor’s sword making site.  Some people say the sites are debatable.

Today, Oki Island is a beautiful resort island.  It can be reached by ferries from Shimane Prefecture.  It is about 2 hours by boat, also by an airplane directly from Osaka.

11 «part 2» Gotoba Joko photo
Gotoba Joko (owned by Minase Shrine) This picture is public domain

11 «part 2» .Oki-no-Shima map

44|Part 2 of —– 10|Middle Kamakura Period Bizen-Den (鎌倉中期備前伝)

This chapter is the detailed section of Chapter 10.  Please read chapter 10  one more time before you read this chapter.

Middle Kamakura period was the height for the Bizen Den.  Often, in a different region other than Bizen, swordsmiths are affected by people’s preferences and politics in their region.  But Bizen was not affected by those elements as much throughout the time.  The clients of Bizen-Den were from all over the country.  Therefore, the swords that were created by Bizen area tends to be the kind liked by everybody.

The general style of Bizen Den

  • Their style tends to be likable by everybody in general.
  • Style, the Width of the blade, the Thickness of the body, and tempered line are not unusual. Seldom you see out of ordinary
  • Nioi base
  • Soft feeling Jigane
  • Utsuri (cloud-like shadow) shows.
  • Tempered line tends to have the same width, not too wide not too narrow.

 

Fukuoka Ichimonji group

Names of swordsmiths among Fukuoka Ichimonji group:  Fukuoka Ichimonji Norimune (福岡一文字則宗),  Fukuoka Ichimonji Sukemune ( 福岡一文字助宗  )Those two are the main Fukuoka Ichomnji group (福岡一文字 ).

Among Fukuoka Ichimonji group, six swordsmiths received the honor as “Gobankaji” from the Emperor Gotoba (後鳥羽上皇 ), Including  Norimune and Sikemune.  I saw Fukuoka Ichimonji Yoshimune at  Mori Sensei’s class on June 25.  The year was not written.  Probably, from 1971 to 1973.  My note said I saw a lot of Utsuri (shadow) on the blade.

Sugata (shape or figure) ———- Graceful and classy shape.  Generally well proportioned.  The width difference between the top width and bottom width is not much.  Sometimes stout looking Kissaki like Ikubi Kissaki.

Hi and Engraving ———- The tip of Hi maybe a little bit higher.   Machi area finishes with a square end, or kakinagashi  (refer to chapter 9 «part 2» Middle Kamakura Period –Yamashiro-Den

Hamon  ———- So-called wide Ichimonnji-Choji tempered line.  From the bottom to the top, same width temper line.  Front and back is the same type of Hamon.  O-Choji –Midare (large clove shape), Jyuka-Choji Midare (looks like overwrapped).  Nie base.  Inazuma, Kinsuji appears.

Boshi ———- Hamon continues into Boshi area and end with Yakizume or turn slightly.  Sometimes O-maru.

Jihada or Jitetsu ———- Fine and soft look, with woodgrain,  lots of Utsuri (cloud-like shadow or reflection)

 

10«part 2» ichimonji photo
   Ichimonji  Sano Museum Catalogue (佐野美術館Permission granted   This is O-Suriage.  Because you can see Hi inside the Nakago that means it was shortened