This is the series of entry-level lectures of the Japanese sword and its history for those who are interested in studying Japanese swords.

The Japanese sword was basically designed as a weapon, but Japanese swordsmiths imbued qualities of grace and beauty into the blades as well as functional superiority.  The intricate patterns of surface and texture formed by their highly developed forging and tempering techniques were done only in Japan.  In the past, the Japanese looked at swords as a spiritual symbol of temples, shrines, and samurai.  Nowadays, the Japanese regard the sword as a cultural art object made of steel.

Varieties of the appearance of swords are closely related to historical events.  Texture, contours and tempering designs are characteristics of a particular school (den 伝 ) of swordsmiths.  This is a series of lectures that discuss the history of each period, then talk about the swordsmith school (den 伝) that were active in a particular province at the time.  Because of that, each section starts with the history of that time.   It is necessary to discuss the history to show the flow of the events that affect the shape and style of the swords.

Since the subject matter covers many centuries, I will concentrate more on “Koto” (古刀) that is from Heian period (平安時代  794 – 1185) until the end of Sengoku period (戦国時代 16th century).  These lectures will be discussed with my illustrations and photos of my father’s sword* and Sano Museum Catalogue.**  Also, I referenced the several books like, “Nihonto no Okite to Tokucho 日本刀の掟と特徴 (The rules and characteristics of Japanese Sword)” by Mr. Honami Koson, because my sword teacher Mori Sensei used the book as a textbook in his class.  Several other books are, “Token no Mikata 刀剣のみかた (The way to look at swords)” by Mr. Koichi Hiroi whom I have known since my intern days in the sword museum.  Others are “Nihonto Taikan 日本刀大鑑”, “Nihonto Koza 日本刀講座” and several others.  The detailed information on these referenced books will be on the reference page.

*My father took the photos of his swords and they were his swords at the time the photos were taken.  But after his death, they are no longer owned by my family.

**Some photos are from Sano Museum Catalogue.  The permission to use was granted by the Sano Museum.


3 thoughts on “1 | Preface

  1. What a wonderful and clever thing for you to have done, Yurie. I’m so thankful you sent me the website address!!! I’ll read this entire study very carefully.


    1. Hi Ellen, thank you very much for writing me back. I really appreciate it. Most of the time, people ignore me. Please read it. I finished the entire series but I realized many chapters needed to be redone. So I am editing, adding more photos, and re-phrasing sentences. Many areas are confusing.
      So far, I am receiving good responses from Europe, South America, Russia, Canada, Asia even from African countries, and Arabic countries. It is not easy but when I receive the repose like yours, it gives me feeling to go on. Thank you.


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