42|Part 2 of — 9 Middle Kamakura Period : Bizen Den (鎌倉中期備前伝)

This chapter is a detailed part of Chapter 9.  Please read 9 | Middle Kamakura Period (Bizen Den) 鎌倉中期備前伝  before reading this chapter.

0-timeline - size 24 Middle Kamakura

                         The red circle indicates the time we discuss in this section

The middle Kamakura period was the height of the Bizen Den.  In different regions other than Bizen, swords styles often reflected people’s preferences and politics in the particular areas.  But the Bizen sword had its own style and was not affected much by those elements throughout the time.  The clients of Bizen swords came from all over the country.  Therefore, the Bizen swordsmiths created the swords liked by everybody. 

The general style of Bizen Den

  • In general, their style is likable by everybody.
  • The shape, the width of the blade, the thickness of the body, and the tempered line are a standard size or usual design, seldom out of the ordinary.
  • Nioi base
  • Soft feeling Ji-gane (steel)
  • Utsuri (cloud-like shadow) appears.
  • The tempered line tends to have the same width, not too wide, not too narrow.

Fukuoka Ichimonji group

 Names of swordsmiths among Fukuoka Ichimonji group

Fukuoka Ichimonji Norimune (福岡一文字則宗),  Fukuoka Ichimonji Sukemune ( 福岡一文字助宗  )Those two were the main swordsmiths among the Fukuoka Ichomonji group (福岡一文字 ).  From this group, six swordsmiths including  Norimune and Sukemune, received the honor as the “Gobankaji” from Emperor Gotoba (後鳥羽上皇 ).   I saw Fukuoka Ichimonji Muneyoshi (福岡一文字宗吉) at Mori Sensei’s class on June 25, 1972.  My note pointed out a lot of Utsuri (shadow) on the blade.

 Sugata (shape) ————– Graceful and classy shape.  Generally, well- proportioned shape.  The difference between the top width and bottom width is not much.  Sometimes stout-looking Kissaki like Ikubi-kissak (refer 11| Ikubi Kissaki (猪首切先)  appears.

Hi and Engraving ———-The tip of Hi may follow the Ko-shinogi line.  See below.  The end of Hi goes under Machi ending with square, or Kakinagashi  (refer to 41| Part 2 of —– 8 Middle Kamakura Period (Yamashiro Den) 鎌倉中期山城伝 )

44 hisaki agaru

Hamon  ———- Wide Ichimonji-choji tempered line.  It means the same width tempered line from the bottom to the top.  The same Hamon front and back.  O-choji-midare  (large clove-like pattern), Juka-choji (overwrapped-looking Choji).  Nie base.  Inazuma and/or Kinsuji appear.

Boshi ————– Same Hamon continues into the Boshi area and ends with Yakizume or turn slightly.  Sometimes O-maru.

Jihada ———– Fine and a soft look.  Itame (Woodgrain pattern).   Lots of Utsuri (cloud-like shadow or reflection)

10«part 2» ichimonji photo

44 Ichimonjio hamon

Ichimonji  Sano Museum Catalogue (佐野美術館) Permission granted  Above sword is O-suriage.  The end of Hi is lower than Mekugi-ana inside Nakago.

 

           

41| Part 2 of — 8 Middle Kamakura Period: Yamashiro Den 鎌倉中期山城伝

This chapter is a detailed part of Chapter 8| Middle Kamakura Period –Yamashiro Den(鎌倉中期山城伝).   Please read Chapter 8 before reading this chapter.

0-timeline - size 24 Middle Kamakura

      The red circle indicates the time we discuss in this section

During the Middle Kamakura period, there were three main groups among the Yamashiro Den.  They are Ayano-koji (綾小路) group, Awataguchi (粟田口) group, and Rai (来) group.

When we refer to a certain group, we say, “xxx haxxx ippa   “, or  “xxx ichimon “.  We use those three words interchangeably.  They all basically mean a “group”.  For example, we say Ayano-koji Ippa, means Ayano-koji group.

Ayano-Koji Ippa (綾小路 )

  • Sugata (shape) —————- In general, gentle or graceful Kyo-zori shape.  The difference between the width of the Yokote line and Machi is not much.  The sword is slender yet thick.  Small Kissaki 
  • Hi and Engraving ———————- Bohi (one groove) or Futasuji-hi (double grooves)   
  • Hamon ————————– Nie base with Ko-choji (small clove shape) and Ko-midare (small irregular).  Small Inazuma (lightning like line) and Kin-zuji (golden streak) may show.  Double Ko-choji (two Ko-choji side by side) may appear.                                     
  • Boshi (tempered line at tip area) ——————Ko-maru (small round), Yakizume (refer to the illustration below), and Kaen (flame like pattern)                                           
  • Ji-hada ————– Small wood grain with a little Masame (straight grain)  Ji-nie shows.   
  • Nakago (hilt) ————————– Long, slightly fat feeling
  • Ayano-Koji  swordsmiths——Ayano-koji Sadatoshi (綾小路定利), Sadanori (定則)

Awataguchi Ichimon (粟田口)

Many swordsmiths from Awataguchi Ichimon (group) received the honor of the Goban Kaji (meaning top swordsmith) from Gotoba Joko (Emperor Gotoba 後鳥羽上皇 ).  Their general  characteristic is as follows.

  • Sugata (Shape) ————————————– Elegant shape Torii-zori (or Kyo-zori) shape
  • Hi and Engraving ————– The tip of Hi comes all the way up and fill in the Ko-shinogi.  The end of the Hi can be Maru-dome (the end is round), Kakudome (the end is square) or kakinagashi

9 «part 2» 大小丸,焼詰,丸角止, 掻流     

              Maru-dome (rounded end)             Kaku-dome (square)          Kakinagashi

  • Hamon ————— The slightly wider tempered line at the bottom then it becomes narrow tempered line at the top.  Nie base (this is called Nie-hon’i).  Straight tempered line mixed with Ko-choji (small clove) or wide straight line mixed with choji.  Awataguchi-nie appears.  Awataguchi-nie means fine, deep and sharp shiny Nie around tempered line area.   Fine Inazuma (lightning-like line) and Kinsuji (golden streak) appear.
  • Boshi (tempered line at the tip area) ————- Ko-maru (small round)  or O-maru (large round).   The return is sharrow.  Yakizume, Nie Kuzure, and Kaen (flame)9-«part-2»-大小丸焼詰丸角止-掻流-1-e1547925390685.jpg

Yakizume      O-maru     Ko-maru         Yakikuzure

  • Ji-hada ————- Fine Ko-mokume (wood swirls) with Ji-nie.  Nie on Ji-hada. Yubashiri, Chikei appears.                                                                                                     
  • Nakago ——————————– Often two letter inscription
  • Names of Awataguchi swordsmiths —– Awataguchi Kunitomo (粟田口国友 ),  Hisakuni (久国), Kuniyasu (国安),  Kuniyasu (国安), Kunikiyo (国清)

 Rai Ha ()

A general characteristic of Rai group is as follows.  However, each swordsmith has own characteristics.

  • Sugata (shape) ———— Graceful with dignity.  Thick body.  Rai made Ikubi Kissaki.   
  • Hi and Engravings ———————— Wide and shallow Hi.                                                       
  • Hamon —————— Nie base.  Suguha (straight).  Wide Suguha with Ko-midare (small irregular) and Choji (clove).  Sometimes large Choji at the lower part and narrow Suguha at the top.  Inazuma and Kin-suji appear around Yokote area.
  • Boshi ————————————  Komaru, Yakizume (refer to the illustration above)
  • Ji-hada ———– Finely forged Itame (small wood grain) sometimes mixed with Masame (parallel grain).  Fine Nie.  Rai group sporadically shows Yowai Tetsu (weak surface) which may be the core iron.
  • Swordsmiths of Rai Ha —— Rai Kuniyuki (来国行), Kunitoshi (国俊), Ryokai (了戒 ) 

Rai Kunitoshi is said to be Rai Kuniyuki’s son.  Ryokai is said to be Rai Kunitoshi ‘s son.

img017

    Rai Kuniyuki (来国行)Once my family sword, photo taken by my father with his  writing.    
9 «part 2» Rai Kuniyuki photo.jpg       Rai Kuniyuki hamon
Rai Kuniyuki (来国行)Sano Museum Catalogue (佐野美術館)  (permission granted)