64| Part 2 of –30 Shin Shin-To : Bakumatsu sword (新々刀)

This Chapter is a detailed Chapter of the 30|Bakumatsu Period, Shin Shin-to.  Please read Chapter 30 before reading this chapter.

0-timeline - size 24 Bakumatsu

                  The circle Above indicates the time we discuss in this chapter.

Swords made between the Tennmei era (天明 1781) and the end of the Keio era (慶應) are called shin shin-to.  Please refer to the timeline above.  This period was when Japan was moving toward the Meiji Restoration, known as the Bakumatsu era.  During this time, sword-making became active again.  Below are the well-known swordsmiths from the main areas.

Musashi no Kuni  (武蔵の国: Tokyo today)                                                       

Suishinshi Masahide (水心子正秀) ——— When Suishinshi Masahide made Yamashiro-den style swords, their shapes resembled those of ko-to period swords; funbari, an elegant shape; chu-suguha (medium straight); komaru-boshi, with fine wood grain. When he forged in the Bizen style, he made a Koshi-zori shape, similar to a ko-to made by Bizen Osafune.  Nioi with ko-choji, and katai-ha (refer to  30| Bakumatsu Period Sword 新々刀).  In my old sword textbook, I noted that  I saw Suishinshi in November 1970 and October 1971.

Taikei Naotane (大慶直胤) ————————–Although Taikei Naotane was part of the Suishinshi group, he was one of the top swordsmiths.  He had an exceptional ability to forge a wide range of sword styles beautifully.  When he made a Bizen-den style, it resembled Nagamitsu from the Ko-to era, with nioi.  Also, he did sakasa-choji as Katayama Ichimonji had done.  Katai-ha appearsThe notes in my old textbook indicate I saw Naotane in August 1971.

Minamoto no Kiyomaro (源清麿) ————————– Kiyomaro wanted to join the Meiji Restoration movement as a samurai; however, his guardian recognized Kiyomaro’s talent as a master swordsmith and helped him become one.  It is said that because Kiyomaro had a drinking problem, he was not very eager to make swords.  At age 42, he committed seppukuKiyomaro, who lived in Yotsuya (now part of Shinjuku, Tokyo), was called Yotsuya Masamune because he was as good as Masamune.  His swords featured wide-width, shallow sori, stretched kissaki, and fukura-kereru.  The boshi is komaru-boshi.  Fine wood grain ji-gane.

Settsu no Kuni   ( 摂津の国:  Osaka today)

Gassan Sadakazu (月山貞一) ———- Gassan excelled in the Soshu-den and Bizen-den styles, but he was capable of making in any style.  He was as much a genius as Taikei Naotane.  You must pay close attention to notice a sword made by Gassan from genuine ko-to.  He also had remarkable carving skills.  His hirazukuri-kowakizashi, forged in the Soshu-den style, looks just like a Masamune or a Yukimitsu.  He forged in the Yamashiro-den style, with Takenoko-zori, hoso-suguha, or chu-suguha in nie.  Additionally, he forged the Yamato-den style with masame-hada.

 

 

17| Nanboku-cho Period History 1333-1392(南北朝歴史)

0-timeline - size 24 Nanboku-cho

            The red circle above indicates the time we discuss in this section.

After Jokyu-no-ran (Chapter 10 Jokyu-no-ran), the power of the Imperial Court declined significantly.  The successor, the Hojo clan, which was a dominant force during the Kamakura period, also began to face financial difficulties and began to lose control over regional lords.  One reason was the costs incurred by the Mongol invasion.  The Kamakura bakufu (government) could not adequately reward the samurai who fought hard during the war.  As a result, they became very dissatisfied with the bakufu.  Seeing this as an opportunity, Emperor Go-Daigo attempted to attack the Kamakura bakufu twice but failed both times.  He was exiled to Oki Island.  In the meantime, Ashikaga Takauji (足利尊氏) and several groups of anti-Kamakura samurai gathered armed forces and succeeded in destroying the Kamakura bakufu in 1333.  This war ended the Kamakura period.                                                                                                                                                  

Emperor Go-Daigo, who had been exiled to Oki Island, returned to Kyoto and attempted political reforms.  This reform was known as Kenmu-no-chuko (or Kenmu-no-shinsei, 建武の中興).  However, his reforms failed to satisfy most of the ruling class.  Seeing an opportunity, Ashikaga Takauji attacked the Imperial Court in Kyoto, deposed Emperor Go-Daigo, and installed a member of a different branch of the Imperial family as emperor. 

Emperor Go-Daigo, however, insisted on his legitimacy, moved to Yoshino in the south of Kyoto, and established another Imperial court.  Thus, the Northern and  Southern Dynasties began.  With much strife between these rival courts and internal problems within each court,  more samurai groups began to move to the Northern Dynasty.  About sixty years later, the Southern Dynasty was forced to accept the Northern Dynasty’s proposal.  Consequently, the Northern Dynasty became the legitimate imperial court.  This sixty-year period is referred to as the Nanboku-cho or Yoshino-cho period. 

During the Nanboku-cho period, samurai preferred longer, more elaborate, yet practical swords.  The Soshu-den was at the height of its prominence.  However, the Soshu group was not the only one to produce Soshu-den-style swords.  Other schools and provinces in different areas also made Soshu-den-style swords.

Late Kamakura Period Swordsmiths (Early Soshu-Den time)

  • Tosaburo Yukimitsu (藤三郎行光)  
  • Goro Nyudo Masamune (五郎入道正宗)     
  • Hikoshiro Sadamune (彦四郎貞宗)

 17 Masamune hamon (Sano)             Masamune from Sano Museum Catalog (permission granted)

Nanboku-cho Period Swordsmiths  (Middle Soshu-Den time)

  • Hiromitsu (広光)   
  • Akihiro (秋広)

 20 Hitatsura Hiromitsu Hitatura )                  Hiromitsu from Sano Museum Catalog (permission granted)

Muromachi Period Swordsmiths (Late Soshu-Den time)

  • Hiromasa (広正)    
  • Masahiro (正広)