63|Part 2 of – – – 27|Overview of Shin-To (新刀)

This chapter is the detailed chapter of  27|Over view of Shinto (新刀).  Please read chapter 27 before you start reading this chapter.

The difficulty of Shin-To Kantei

During Ko-To time, one could tell the approximate time when the sword was made by the style and the shape.  The condition of the Hamon,  how the Jigane appears indicates the approximate Gokaden (五ヶ伝) of Ko-To time.  But in Shin-To time, that can not be done.  Even though among Shin-To time, there was some difference between early Edo period that is around Keicho (慶長) era, the middle Edo period that is Kanbun (寛文) and the later part Edo period that is Genroku Era (元禄), but that differences are not much.  The same is true with Gokaden (五ヶ伝). In Ko-To time, Bizen sword smiths forged Bizen characteristic, Yamato sword smiths usually shows Yamato-Den characteristic.  But Shin-To time, a swordsmith of one area did the other area’s Den.  From those reasons, it is hard to determine the swordmaker.  For shin-To, we study the characteristics of 7 main locations.  This will follow the next chapter.

Picturesque Hamon

Around the Genroku Era (1688 – 1704), some picturesque Hamon became a trendy style.  Some swordsmiths made picturesque Hamon on wakizashi or short swords and it became very fashionable.  But many foreigners loved those swords and majority of them were exported to outside of Japan around Meiji restoration time (1868).  Very few are left in Japan today.

The swordsmiths those who made picturesque  Hamon 

From Yamashiro area, Iga-no-kami Kinmichi (伊賀守金道) and Omi-no-kami Hisamichi (近江守久道) forged picturesque Hamon.  From Settsu-no-Kuni (摂津) area,  Tanba-no-Kami Yoshimichi  (丹波守吉道),  Yamato-no-Kami Yoshimichi (大和守吉道) did picturesque Hamon.  And many more.  The below are examples.  Fuji is the Mount fuji designKikusui is chrysanthemum in the water.

63 fuji sakura hamon
 

Fuji                                                      Kikusui

 

 

 

45|Part 2 of —- 11|Jyokyu-no-Hen and Gotoba Joko 後鳥羽上皇 1221

Chapter 11 (11|Jokyu-no-ran (承久の乱) 1221 ) was how Jyokyu-no-Hen ( 承久の変 ) started.  In the end, Emperor Gotoba (or  Gotoba- Joko) was exiled to Oki Island (隠岐の島 ).  He was a very talented man in many fields.  He was very good at Waka (和歌 ).  Waka is a short poem.   It requires to express scenery, one’s inner feeling with the refined sentiment, or the surrounding state with a limited number of words.  It requires literary talent.  He was also good at equestrianism, Kemari (ball game for upper class at that time), a great swimmer, Sumo, good at music, archery, swordsmanship, calligrapher, painter and became a great swordsmith.  His contribution toward sword made the Golden Age of sword making at the middle Kamakura period.  Surprisingly, Gotoba Joko was not only good at in the different field, he really accomplished all those fields to the top level.  Especially his Waka (poetry) is highly regarded.  He also edited Shin-Kokin-Wakashu (新古今集).  This is a collection of Waka.

Emperor Gotoba was enthroned at the age of four

Emperor Gotoba was enthroned at the age of four (some say three).  The problem was the Emperor Antoku already existed at the same time.  They were both about the same age.  Two emperors at the same time is a big problem.  How did it happen? To become an Emperor, the head of the Emperor family has to appoint the next emperor.  While the Emperor Go-Shirakawa (後白河天皇) was in jail, Emperor Antoku was appointed by Taira –no- Kiyomori (平清盛), who was the head of powerful Samurai but not the Emperor family.  That is against the tradition.  Remember, Taira-no-Kiyomori was the most powerful man of the Heike clanThis was not accepted by the Go-Shirakawa Emperor (後白河天皇 ).  Go-Shirakawa Emperor was furious toward Taira-no-Kiyomori and he picked his own choice and enthroned Gotoba as the Emperor.  This is how two emperors coexisted.   One more thing, to be an Emperor, the Emperor must have Sanshu-no-Jingi (三種の神器 Three Sacred Treasures ) that is three items the Emperor must have to be a legitimate Emperor.  They are Mirror, sword, and Magatama (jewelry)*.   But Sanshu-no-Jingi was taken by the Heike family together with the Emperor Antoku when they fled from Genji.  The Heike clan was chased by the Genji all the way to Dan-no-Ura (壇ノ浦) and the Heike clan was defeated there.   Dan-no-Ura is a sea between Kyushu (九州 ) and Honshu (本州 ).  When it became obvious for the Heike family, that they were defeated,  all the Heike people including the young Emperor Antoku jumped into the sea and drowned.   They took Sanshu-no-Jingi with them into the ocean.   Later people searched for the Sanshu-no-Jingi frantically, but they could only recover jewelry, and mirror,  could not find the sword.  Because of the tradition that the Emperor must have Sanshu-no-Jingi otherwise not a legitimate Emperor, Gotoba Joko was tormented for a long time.  Today, those mirror and jewelry are with the present Emperor family.  The sword is still missing.

* Sanshu-no-Jingi (三種の神器 )—–sword (Kusanagi no Tsurugi(草薙の剣),   Mirror (Yata-no-Kagami八咫の鏡),  Magatama (Yasakani-no-Magatama  八尺瓊勾玉)

Politics by  Gotoba-Joko

 Gotoba-Joko wanted political power back from the Kamakura Bakufu.  He was a very impulsive and passionate and unpredictable quick-tempered person.   He wanted to revive the politics controlled by Chotei (朝廷).  Chotei is the central government controlled by the Emperor and aristocrats.  Gotoba-Joko decided to rely on the armed power for this.  He set up the Saimen-no-Bushi (armed forces directly under the Emperor create by Gotoba-Joko).  When he saw Minamoto-no-Sanetomo was killed, he realized Kamakura Bakufu must be in a turmoil.  Thinking this is a good chance, he sent out the Emperor’s order to fight against Kamakura Bakufu to all over Japan to fight against Kamakura Bakufu.  He expected an easy victory, but Kamakura Bushi was united tightly and maneuvered well under Hojo Masako as a one organized armed forces.  Gotoba-Joko side was not very organized.  They were not used to fighting.  In the end, Gotoba-Joko side lost.  After he realized he has lost, he claimed it was not him, it was done by his men only, nothing to do with the Emperor.  So he claimed it is wrong to punish him.  But of course, Kamakura Bakufu did not believe that and exiled him to Oki Island.  Gotoba-Joko ended his life on the island.  As smart as he was and accomplished so many different fields, he could not win against the grandma Shogun,  Hojo Masako.

Sword making by Gotoba-Joko

Gotoba Joko had a superior ability to connoisseur sword and he became the superior swordsmith himself.   He invited many top-level sword smiths from different sword groups to his court and gave them the title and made them as his assistants or instructor.  He invited top-class sword smiths every two months from a place like Bizen, Awataguch, and Bicchu.  Those who were invited were called Gobankaji (御番鍛冶), an honorary title.  On the sword he created, he did not inscribe his name; instead, he inscribed Chrithantamum with 16 petals which are still used present Emperor as the Emperor’s crest.  The sword which has this Chrithantamus is called Kiku Gosaku (菊御作).  Today, in Oki island you can visit Emperor Gotoba museum and there are a few sites that are believed to be the Emperor’s sword making site.  Some people say the sites are debatable.

Today, Oki Island is a beautiful resort island.  It can be reached by ferries from Shimane Prefecture.  It is about 2 hours by boat, also by an airplane directly from Osaka.

11 «part 2» Gotoba Joko photo
Gotoba Joko (owned by Minase Shrine) This picture is public domain

11 «part 2» .Oki-no-Shima map

8| Overview of the Kamakura Period Swords (1192-1333)

 

7 Kamakura period timeline
The circle indicates  the time we are discussing in this section

 

Introduction Of The 5 Main Sword School (Den)

There are five main sword schools (Den).   They are Yamashiro Den (山城), Bizen Den (備前), Soshu Den (相州), Yamato Den (大和) and Mino Den (美濃).  During the Heian period, Yamashiro Den was the main school.  Also, there was a school called Ko-Bizen (means old Bizen) that is a part of Bezen Den but we treat them separately.   Their style was a little different than Bizen Den we see later.  They were somewhat close to Yamashiro Den.  During the Heian period, Yamashiro Den was the most active sword school.  Swordsmiths lived around the Kyoto area, the capital city of Japan then.  In the early Kamakura period, Yamashiro Den continued their style similar to the one during the Heian period.  Bizen Den appeared in the middle Kamakura period.  Soshu Den appeared in the late Kamakura period in the Kamakura area.  Mino school appeared Muromachi period

 

Early Kamakura Period (鎌倉) (1192 – 1218)

We divide the Kamakura period into 3 stages. early Kamakura, middle Kamakura, late Kamakura period.  In the early Kamakura period, the sword style is almost the same as the one during the Heian period, the previous time.   Yamashiro Den was the active sword school in the early part of the Kamakura period.

Middle Kamakura Period (1219 – 1277)

In the middle Kamakura period, we have three different styles to talk about. Yamashiro Den style, Bizen Den style, and Ikubi kissaki style (猪首切先) sword.  Ikubi Kissaki is a new style.  We say there are no mediocre swords among the Ikubi-Kissaki (猪首切先) swords.  As I described in the previous section, the Kamakura government (鎌倉幕府) had political and military power, yet the Emperor still existed in Kyoto(京都).  Emperor Gotoba raised an army and attacked the Kamakura government in order to regain the political power back. This war (1221) is called Jyokyu-no-Ran (承久の乱). The live experience from this war changed the shape of the sword to sturdier-looking shape, that is what we call Ikubi-kissaki style.

Late Kamakura Period (after Mongolian Invasion— (1274 and 1281)

In this section, adding to the Yamashiro Den and Bizen Den, Soshu Den started to appear.  After the Mongolian invasion (that is called Genko (元寇) in 1274 and 1281), a longer Kissaki and a longer in length and wider sword started to appear.  Soshu Den swordsmiths forged this type of swords.

Engravings on Sword

Carvings have three meanings in Ko-To time.  One is to reduce the weight of the sword.  They are Hi, Bohi (single groove), Gomabashi (wide, narrow, short or long grooves).  The second is for religious purposes.  For that reason, swordsmiths often carve the Buddhistic figures.  The third is for decoration.  In shin-To time, carvings became mainly decoration purposes.

8 Hi, Suken, Bonji                    8 gomabashi            8 Hi

Suken                       Bonji (sanskrit)                 Gomabashi                     Hi