Itame – Study of Japanese Sword

April 26, 2019May 25, 2021 Yurie Endo 遠藤由利江 52| Part 2 of ---17| Late Kamakura Period Tanto(Early Soshu Den), Uncategorized

50|Part 2 of –16 Late Kamakura Period: Tanto (Early Soshu-Den 鎌倉末短刀, 正宗墓)

Chapter 50 is a continued part of 16| Late Kamakura period Tanto (Early Soshu-Den 鎌倉末短刀). Please read Chapter 16 before reading this section.

0-timeline - size 24 Late Kamakura

The red circle above indicates the time we discuss in this section.

In 16| Late Kamakura period: Tanto (Early Soshu-Den 鎌倉末短刀) , the general characteristics of the late Kamakura period Tanto style (early Soshu Den) was described. The next two photos fit in with the typical features of early Soshu Den Tanto.

Masamune

Goro Nyudo Masamune (五郎入道正宗) was born in Kamakura as a son of Tosaburo Yukimitu (藤三郎行光). Today, Masamune is a very well-known swordsmith, even among those who are not very familiar with the Japanese sword. His father, Tosaburo Yukimitsu was also one of the top swordsmiths among the early Soshu Den. Masamune’s tomb is in Honkaku-JI (本覚寺) Temple, approximately a 6 minutes’ walk from Kamakura station.

Masamune photo (above) —– Hira-zukuri (flat). Very slightly Sakizori (tip area curves slightly outward). Bo-hi and Tsure-hi (parallel thin grooves). Komaru-boshi. Itame-hada (wood grain pattern). Hamon is Notare (wavy). The illustration above shows Sunagashi and Niju-ba (double Hamon). This type of Nakago is called Tanago-bara. Masamune Tanto is often Mu-mei (no signature). This particular tanto is called Komatsu Masamune (小松政宗). The Sano Museum Catalog’s description stated that connoisseurs in the past had difficulty determining this is Masamune sword. Because the wide Mihaba with sori and hamon was a little different from other Masamune’s. Judging from the clear Nie, Chikei, and Kinsuji, they determined it was a Masamune Tanto.

Enju Photo below

Higo Province Enju Kunisuke From Sano Museum Catalog
(permission granted)

Enju (延寿) group lived in Higo (肥後) Province in Kyushu. The characteristics of the Enju group is very similar to that of the Yamashiro Den’s. It is because Enju Kunimura was related to Rai Kuniyuki of Yamashiro-Den.

Enju (Photo above) —-Hamon is Hoso-suguha (straight temper line). Boshi is Komaru. The front engraving is Suken (left photo left side), and the engraving on the back is Gomabashi (left photo right side). Ji-hada is a tight Itame. It is confusing to Kantei (determining who made the sword) a sword like this because even though this sword is from the late Kamakura period, it does not have the typical early Soshu Den look.

Masamune’s Tomb in Honkaku-ji Temple

Masamune’s (正宗) tomb is in the Honkakuj-Ji Temple (本覚寺) in Kamakura. Here is a map of the Honkaku-Ji Temple and Masamune Kogei store in Kamakura. This store is owned by Tsunahiro Yamamura, the 24^th generation of Masamune. Honkaku-Ji Temple is circled in red, and Masamune Kogei store is the red circle with X. Both are approximately a 6 to 7 minutes walking distance from Kamakura station.

To get to Honkaku-Ji Temple from Tokyo

Take the Yokosuka line train from Tokyo station (approx. one hour) → Get off at Kamakura Station (one stop after Kita-Kamakura) → Exit from the East Exit (front exit) → Go straight and cross the road → Turn right and go up to the post office → Turn left at the post office (Honkaku-ji Temple sign is at the corner of the post office) →The temple is at a short distance from the post office.

52 Honkakuji map in red

From Kamakura Tourist map

52 Honnkakuji 2 54 large Masamune monument only

52 Honkakuji 54 Small Masamune tomb only

Honkakuji Temple (本覚寺) and Masamune Tomb (正宗墓 ) My trip in 2019

April 13, 2019May 25, 2021 Yurie Endo 遠藤由利江 51| Part 2 of ----- 16 The Revival of Yamato-Den, Uncategorized

49| Part 2 of — 15 The Revival of Yamato Den (大和伝復活)

This chapter is a continued part of Chapter 15|The Revival of Yamato Den. Please read chapter 15 before reading this section.

0-timeline - size 24 Late Kamakura The red circle above indicates the time we discuss in this section

At the end of the Kamakura period, in the Yamato area, powerful temples expanded their territories. See the map below for the location of the Yamato area. Several big temples, especially those with large territories, had political and military power to control the area at the end of the Kamakura period. Those big territories were called Shoen (荘園). They employed a large number of monk soldiers called So-hei. The demand for swords was increased by the increased number of Sohei (僧兵). The increased demand revived the Yamato Den.

Some of the prominent temples had their own swordsmiths within their territory. Todaiji Temple (東大寺) backed Tegai (手掻) sword group. The Senjuin (千手院 ) sword group lived near Senju-do (千手堂) where Senju Kannon (千手観音) was enshrined. The name of the sword group, Taima came from the Taima-ji Temple (当麻寺). Shikkake group (尻懸) and Hosho group (保昌) were also Yamato Den sword groups. Those five groups are called Yamato Goha (Yamato five groups).

51 Japan map Yamato

General Characteristic of Yamato Den

Yamato Den (大和伝) sword always shows Masame (柾目: straight grain-like pattern) somewhere on Ji-hada, Jigane, or Hamon. Refer to 15| The Revival of Yamato Den（大和伝復活） for the general characteristic. Masame is sometimes mixed with Mokume (burl like pattern) or Itame (wood-grain like). Either way, Yamato Den shows Masame somewhere. Some swords show Masame on the entire body, and some show less. Because of Masame, the Hamon tends to show Sunagashi (brush stroke-like pattern) or a double line called Niju-ha.

Taima (or Taema) group (当麻)

Shape ———————– Middle Kamakura period shape and Ikubi-kissaki style
Hamon ———–Mainly medium Suguha. Double Hamon. Suguha mixed with Choji. Often shows Inazuma and Kinsuji, especially Inazuma appear under the Yokote line.
Boshi ————————- Often Yakizume. Refer Yakizume on 15| The Revival of Yamato Den（大和伝復活）
Ji-hada ——————– Small wood grain pattern and well-kneaded surface. At the top part of the sword, the wood grain pattern becomes Masame.

Shikkake Group (尻懸)

Shape —————- Late Kamakura period shape. Refer 14| Late Kamakura Period: Sword (鎌倉末太刀)
Hamon ————————- Mainly Nie (we say Nie-hon’i). Medium frayed Suguha, mixed with small irregular and Gunome (half-circle like pattern). Double-lined, brush stroke-like Pattern may appear. Small Inazuma and Kinsuji may show.
Boshi ———————— Yakizume, Hakikake (bloom trace like pattern) and Ko-maru (small round)
Ji-hada ———- Small burl mixed with Masame. The Shikkake group sometimes shows Shikkake-hada, the Ha side shows Masame and the mune side shows burl.

Tegai Group ( 手掻 )

Shape —— Early Kamakura shape and thick Kasane (body). High Shinogi. Koshizori.
Hamon ————- Narrow tempered line with medium Suguha hotsure (frayed Suguha). Mainly Nie. Double tempered line. Inazuma and Kinsuji appears.
Boshi ————————————— Yakizume (no turn back), Kaen (flame like).
Ji-Hada ————————————————— Fine burl mixed with Masame.

Tegai Kanenaga of Yamato. From Sano Museum Catalogue (permission granted). The illustration (called Oshigata) shows Notare (wave-like Hamon) and Suguha-hotsure (frayed Suguha) with kinsuji.

Below is my Yamato sword. I obtained this sword at an Annual San Francisco swords show a few years back.

Characteristics: Munei (shortened and no signature). Yamato Den, Tegai-ha (Yamato school Tegai group). Length is two shaku two sun eight &1/2 bu (27 1/4 inches): very small kissaki and funbari.

My Yamato sword

The entire view of the sword and Kantei-sho (NBTHK Certification). The ranking is “Tokubetsu Hozon Token”.

My Yamato sword 5

My Yamato sword 4

My Yamato sword.jpg 2

In Hamon, Sunagashi, Niju-ba shows very faintly. My photo of Boshi is not good, but it looks like Yakizume. Ji–hada is Itame with Masame, almost Nashiji-hada (possibly because of my eyes). Nie-hon’i. Please ignore the cloth pattern underneath reflecting on the blade.

January 19, 2019May 24, 2021 Yurie Endo 遠藤由利江 9| «Part 2» Middle Kamakura Period Yamashiro Den, Uncategorized

41| Part 2 of — 8 Middle Kamakura Period: Yamashiro Den 鎌倉中期山城伝

This chapter is a detailed part of Chapter 8| Middle Kamakura Period –Yamashiro Den（鎌倉中期山城伝). Please read Chapter 8 before reading this chapter.

0-timeline - size 24 Middle Kamakura

　　　　　The red circle indicates the time we discuss in this section

During the Middle Kamakura period, there were three main groups among the Yamashiro Den. They are Ayano-koji (綾小路) group, Awataguchi (粟田口) group, and Rai (来) group.

When we refer to a certain group, we say, “xxx ha”, “xxx ippa “, or “xxx ichimon “. We use those three words interchangeably. They all basically mean a “group”. For example, we say Ayano-koji Ippa, means Ayano-koji group.

Ayano-Koji Ippa (綾小路 )

Sugata (shape) —————- In general, gentle or graceful Kyo-zori shape. The difference between the width of the Yokote line and Machi is not much. The sword is slender yet thick. Small Kissaki
Hi and Engraving ———————- Bohi (one groove) or Futasuji-hi (double grooves)
Hamon ————————– Nie base with Ko-choji (small clove shape) and Ko-midare (small irregular). Small Inazuma (lightning like line) and Kin-zuji (golden streak) may show. Double Ko-choji (two Ko-choji side by side) may appear.
Boshi (tempered line at tip area) ——————Ko-maru (small round), Yakizume (refer to the illustration below), and Kaen (flame like pattern)
Ji-hada ————– Small wood grain with a little Masame (straight grain) Ji-nie shows.
Nakago (hilt) ————————– Long, slightly fat feeling
Ayano-Koji swordsmiths–——Ayano-koji Sadatoshi (綾小路定利), Sadanori (定則)

Awataguchi Ichimon (粟田口)

Many swordsmiths from Awataguchi Ichimon (group) received the honor of the Goban Kaji (meaning top swordsmith) from Gotoba Joko (Emperor Gotoba 後鳥羽上皇 ). Their general characteristic is as follows.

Sugata (Shape) ————————————– Elegant shape Torii-zori (or Kyo-zori) shape
Hi and Engraving ————– The tip of Hi comes all the way up and fill in the Ko-shinogi. The end of the Hi can be Maru-dome (the end is round), Kakudome (the end is square) or kakinagashi

9 «part 2» 大小丸,焼詰,丸角止, 掻流　　

Maru-dome (rounded end) Kaku-dome (square) Kakinagashi

Hamon ————— The slightly wider tempered line at the bottom then it becomes narrow tempered line at the top. Nie base (this is called Nie-hon’i). Straight tempered line mixed with Ko-choji (small clove) or wide straight line mixed with choji. Awataguchi-nie appears. Awataguchi-nie means fine, deep and sharp shiny Nie around tempered line area. Fine Inazuma (lightning-like line) and Kinsuji (golden streak) appear.
Boshi (tempered line at the tip area) ————- Ko-maru (small round) or O-maru (large round). The return is sharrow. Yakizume, Nie Kuzure, and Kaen (flame)

Yakizume 　　　　　O-maru　　　　　Ko-maru　　　 Yakikuzure

Ji-hada ————- Fine Ko-mokume (wood swirls) with Ji-nie. Nie on Ji-hada. Yubashiri, Chikei appears.
Nakago ——————————– Often two letter inscription
Names of Awataguchi swordsmiths —– Awataguchi Kunitomo (粟田口国友 ), Hisakuni (久国), Kuniyasu (国安), Kuniyasu (国安), Kunikiyo (国清)

Rai Ha (来)

A general characteristic of Rai group is as follows. However, each swordsmith has own characteristics.

Sugata (shape) ———— Graceful with dignity. Thick body. Rai made Ikubi Kissaki.
Hi and Engravings ———————— Wide and shallow Hi.
Hamon —————— Nie base. Suguha (straight). Wide Suguha with Ko-midare (small irregular) and Choji (clove). Sometimes large Choji at the lower part and narrow Suguha at the top. Inazuma and Kin-suji appear around Yokote area.
Boshi ———————————— Komaru, Yakizume (refer to the illustration above)
Ji-hada –———– Finely forged Itame (small wood grain) sometimes mixed with Masame (parallel grain). Fine Nie. Rai group sporadically shows Yowai Tetsu (weak surface) which may be the core iron.
Swordsmiths of Rai Ha —— Rai Kuniyuki (来国行), Kunitoshi (国俊), Ryokai (了戒 )

Rai Kunitoshi is said to be Rai Kuniyuki’s son. Ryokai is said to be Rai Kunitoshi ‘s son.

Rai Kuniyuki (来国行）Once my family sword, photo taken by my father with his writing.

Rai Kuniyuki (来国行）Sano Museum Catalogue (佐野美術館) (permission granted)

March 17, 2018May 21, 2021 Yurie Endo 遠藤由利江 20 Nanboku-Cho Tanto, Uncategorized

19 | Nanboku-Cho Period Tanto（南北朝短刀）

The circle indicates the time we discuss in this section

During the Nanboku-cho period, a type of Tanto called Hirazukuri Ko-wakizashi Sun-nobi Tanto was made. Hirazukuri means a flat sword without the Yokote line and Shinogi. Ko-wakizashi means a shorter sword. Sun-nobi Tanto means longer than standard Tanto. This is also called Enbun Jyoji Ko-wakizashi Tanto. It is called this way because majority of this type of Tanto were forged around Enbun and Jyoji imperial era. In Japan, a new imperial period starts when a new emperor ascends to the throne. The Enbun era was from 1356 to 1361, and the Jyoji period was from 1362 to 1368.

20 Enbun Jyoji Kowakizashi Tanto

Sugata (姿: shape) ——- The length of a standard size Tanto is approx. one Shaku. Shaku is an old Japanese measurement unit for length and, one Shaku is very close to 1 foot.

8.5 Sun (the Sun is another old Japanese measurement unit for length) is approximately 10 inches. Ten inches is the standard size Tanto called Josun Tanto. Anything longer than Josun Tanto is called Sun-nobi Tanto. Anything shorter than Josun is called Sun-zumari Tanto.

Most of the Nanboku-cho tantos are longer than Josun Tanto, approximately 1 foot 2 inches long. Therefore they are called Hirazukuri Ko-wakizashi Sun-nobi Tanto.

Saki-zori (curved outward at the top. See the illustration above). Wide width and thin body. Fukura Kareru (no Fukura means less arc). Shin-no-mune. See the drawing below.

20 Fukura 20 Shin-no-Mune

Hi, (樋: Grooves) and Horimono (彫り物: Engraving) —- A groove or grooves on the Mune side. Bonji (Sanscrit, described in Chapter 16 Late Kamakura Period (Early Soshu-Den Tanto 鎌倉末短刀, Koshi-bi (Short groove), Tumetuki Ken, Tokko-tsuki Ken (see below) appear. Ken (dagger) is curved widely and deeply in the upper part and shallower and narrower in the lower part. This is called Soshu-bori (Soshu stule carving).

20 Tokko, tume Ken

Hamon (刃: Tempered line) —– The narrowly tempered at the lower part gradually becomes wider toward the top. Then a similar wide Hamon goes into the Boshi area. Hamon in the Kissaki area is Kaeri-fukashi (turn back deep). See the illustration below. Coarse Nie. O-midare (large irregular Hamon pattern).

20 Hitatsura

From Sano Museum Catalogue

Ji-hada (地肌: Area between shinogi-ji and tempered line)——— Loose wood grain pattern called Itame. Yubashiri (refer Chapter 16| Late Kamakura period: Early Soshu-Den Tanto (鎌倉末短刀)), Tobiyaki (Irregular patchy tempered spot) appear. Crowded (or busy) Tobiyaki is called Hitatsura (drawing above).

Nakago (茎: Tang) —- Short Tanago-bara. Tanago-bara means the shape of the belly of a Japanese fish Tanago (bitterling).

20 Tanago Bara

Tanto Sword-smiths during Nanboku-Cho Period

Soshu Den ———————————————————-Hiromitu( 広光) Akihiro (秋広) Yamashiro Den ————————————————–Hasebe Kunishige (長谷部国重) Bizen Den ——————————————————— Kanemitu (兼光) Chogi (長義 )

Compton Hiromitsu Soshu Hiromitsu “Nippon-To Art Sword of Japan “ The Walter A. Compton Collection