64| Part 2 of –30 Shin Shin-To : Bakumatsu sword (新々刀)

Chapter 64 is a detailed chapter of 30|Bakumatsu Period, Shin Shin-to.  Please read chapter 30 before reading this chapter.

0-timeline - size 24 Bakumatsu

                  The circle Above indicates the time we discuss in this chapter.

Swords made between the Tennmei era (天明 1781) and the end of Keio era (慶應) are called Shin Shin-to.  Please see the timeline above.  It was the time Japan was moving toward the Meiji Restoration.  It was the Bakumatsu time.  During the time, sword making was active again.  Below are the well-known swordsmiths in the main areas.

Musashi no Kuni  (武蔵の国: Tokyo today)

Suishinshi Masahide (水心子正秀) ———- When Suishinshi Masahide made Yamashiro Den style swords, the shape was similar to one of the Ko-to time swords; Funbari, elegant shape, Chu-suguha (medium straight), Komaru-boshi, fine wood grain.  When he forged the Bizen style, he made a Koshizori shape, just like a Ko-to by Bizen Osafune.  Nioi with Ko-choji, and Katai-ha (Refer to  30| Bakumatsu Period Sword 新々刀).  I wrote  in my sword textbook that I saw Suishinshi in November 1970 and October 1971.

Taikei Naotane  (大慶直胤) ————-Although Taikei Naotane was within the Suishinshi group, he was among the top swordsmiths.  He had an amazing ability to forge all kinds of different styles of swords wonderfully.  When he made a Bizen Den style, it looked like Nagamitsu from the Ko-to time with Nioi.  Also, he did Sakasa-choji as Katayama Ichimonji had done.  Katai-ha appearsMy note on the textbook says that I saw Naotane in August 1971.

Minamoto no Kiyomaro (源清麿) —————— Kiyomaro desired to join the Meiji Restoration movement as a Samurai; still, his guardian realized Kiyomaro’s ability as a great swordsmith and helped him become one.  It is said that because Kiyomaro had a drinking problem, he was not so eager to forge swords.  At age 42, he committed SeppukuKiyomaro, who lived in Yotsuya  (a part of Shinjuku, Tokyo, today), was called Yotsuya Masamune because he was as good as Masamune.  His swords were wide width, shallow Sori, stretched Kissaki, and Fukurakareru Boshi has Komaru-boshi.  Fine wood grain Ji-gane.

Settsu no Kuni    摂津の国   (Osaka today )

Gassan Sadakazu  (月山貞一) ——- Gassan was good at Soshu Den style and Bizen Den style, but he could make any kinds of style.  He was as genius as Taikei Naotane.  One needs to pay attention to notice a sword made by Gassan from a real Ko-to.  He also had an amazing ability in carving.  His hirazukuri-kowakizashi forged in Soshu Den style looks just like a Masamune or a Yukimitsu.  He forged the Yamashiro Den style with Takenoko-zori with Hoso-suguha or Chu-suguha in Nie.  He also forged the Yamato Den style with Masame-hada.

 

 

 

 

27|Shinto Sword — Main Seven Regions (Part A :主要7刀匠地)

0-timeline - size 24 Shin-to

                            The red circle indicates the subject we discuss in this section

In Shin-to time, there were seven main prosperous areas where many swordsmiths gathered and actively made swords.  Those are Yamashiro (山城) in Kyoto, Settsu (摂津) in Osaka, Musashi (武蔵 ) in Edo, Hizen (肥前) in Saga, Satsuma (薩摩) in Kagoshima, Echizen (越前) in Fukui,  and Kaga (加賀) in Kanazawa.  Swordsmiths of each area shared their own common regional characteristics of these places.  Knowing each of these characteristics is the easiest way to understand Shin-to.  But keep it in mind that each swordsmith in one group also has his own unique way of sword making.  The followings are only the general descriptions of these characteristics.

Below is a map of Japan.  Hokkaido is omitted from the map because swords were not made there at that time.

64Map with number with 8

1.  Yamashiro (山城) Kyoto

Yamashiro Shin-to sword has a solid and strong look.  Hamon at the lower part of the blade right above the Machi (区) area shows Suguha (straight hamon).  This is called Kyo-yakidashi (京焼出), which means starting with a straight Hamon.  Then it shows a sudden change to the design of O-midare (大乱).  O-midare (irregular waviness) becomes less wavy at one or two inches below the Yokote line, then continues into the Boshi as a wavy Hamon.  The design in the Boshi is Komaru-boshi.   See the illustration below. 

Ji-hada ———— Somewhat rough (this depends on the swordsmith).  Masame-hada (straight grain pattern) may show on Shinogi-ji (the area between ridgeline and back). 

Among Yamashiro Shin-to group, there was a group called Mishina Group (三品).  They were Mino Den (美濃) related.  Therefore, their Boshi was often Jizo-boshi (地蔵鋩子).  This is called Mishina-boshi ( 三品鋩子).  Jizo-boshi is a image of the side of a man’s head.

Well known swordsmiths in Yamashiro area: Umetada Myoju (梅忠明寿)                                                                                                   Horikawa Kunihiro (堀川国広)                                                                                               Dewadaijyo Kunimichi (出羽大掾国路)

28 Mishina-Boshi Komaru-boshi, Kyo-Yakidashi

img067 Iganokami Kinnmichi (伊賀守金道) Yamashiro Den Once my family sword

2.Settu (摂津) Osaka (大阪)

Settsu (Osaka) created more Wakizashi than Katana.  They tend to make it slightly Sakizori (top half curves outward) and slightly stretched Boshi.  Settsu sword also has Yakidashi the same way as the previous Yamashiro sword.  Yet, unlike Yamashiro’ sword, in the area where Suguha changes into Notare (wavy pattern), the transition is not sudden but relatively smooth.  This is called Osaka Yakidashi.

Osaka Boshi ———Hamon continues up to the Yokote line, then Komaru with a turn.  Ji-hada————-Very fine, almost no pattern, solid surface like especially, Shinogi-ji (between ridgeline and back).  This is called Osaka-tetsu (iron).

29 Osaka Yakidashi Komaru Boshi

Well-known swordsmiths in Settsu area— Osaka Tsuda Sukehiro (大阪津田助広)                                                                                 Tsuda Sukenao (津田助直)                                                                                                   Ikkanshi Tadatsuna (一竿子 忠綱)

img073

 Ikkanshi Tadatsuna (一竿子忠綱) Once my family sword