49| Part 2 of — 15 The Revival of Yamato Den (大和伝復活)

This chapter is a detailed part of Chapter 15, Revival of Yamato Den.  Please read Chapter 15 before reading this section.

0-timeline - size 24 Late Kamakura                          The red circle above indicates the time we discuss in this section

At the end of the Kamakura period, powerful temples expanded their territories in the Yamato region.  Refer to the map below for the location of the Yamato region.  Several prominent temples, especially those with large territories, held political and military power to control the area at the end of the Kamakura period.  These large territories were called shoen (荘園).  They employed many monk soldiers known as so-hei.  The demand for swords increased because of the rising number of Sohei (僧兵).  This increased demand revived the Yamatoden.  

Some prominent temples had their own swordsmiths within their territories. Todaiji Temple (東大寺) supported the Tegai (手掻) sword group.  The Senjuin (千手院) sword group lived near Senju-do (千手堂), where Senju Kannon (千手観音) is enshrined.  The Taima sword group originated from the Taima-ji Temple (当麻寺).  The Shikkake group (尻懸) and the Hosho group (保昌) were also part of the Yamato-den sword groups.  These five groups are known as Yamato Goha (the Yamato five groups).

51 Japan map Yamato

General Characteristic of Yamato Den

The Yamato-den (大和伝) sword always shows masame (柾目: straight grain-like pattern) somewhere on the ji-hada, ji-gane, or hamon.  Refer to Chapter 15, Revival of Yamato Den.   Masame is sometimes mixed with mokume (burl-like pattern) or itame (wood-grain-like pattern).  Either way, Yamato-den always shows masame somewhere.  Some swords display masame across the entire blade, while others show less.  Because of the masame, the hamon often shows sunagashi (a brush stroke-like pattern) or a double line called niju-ha.

Taima (or Taema) group (当麻)

  • Shape ———————– Middle Kamakura period style and Ikubi-kissaki style    
  • Hamon ———–Mainly medium Suguha.  Double HamonSuguha mixed with Choji.  Often shows Inazuma and Kinsuji, especially Inazuma appear under the Yokote line.
  • Boshi ————————- Often Yakizume.  Refer Yakizume on 15| The Revival of Yamato Den(大和伝復活)
  • Ji-hada ——————– Small wood grain pattern and well-kneaded surface.  At the top part of the sword, the wood grain pattern becomes Masame.

Shikkake Group (尻懸 

  • Shape —————- Late Kamakura period shape. Refer 14| Late Kamakura Period: Sword (鎌倉末太刀) 
  • Hamon ————————- Mainly Nie (we say Nie-hon’i).  Medium frayed Suguha, mixed with small irregular and Gunome (half-circle pattern).  A double-lined, brush-stroke-like Pattern may appear.  Small Inazuma and Kinsuji may also be shown.      
  • Boshi ———————— Yakizume, Hakikake (bloom trace like pattern) and Ko-maru (small round)     
  • Ji-hada ———- Small burl mixed with Masame.  The Shikkake group sometimes shows Shikkake-hada (the Ha side shows Masame, and the mune side shows burl.)

Tegai Group ( 手掻 )

  • Shape —— Early Kamakura style with thick Kasane (body).  High ShinogiKoshizori.
  • Hamon ————- Narrow tempered line with medium Suguha hotsure (frayed Suguha).   Mainly Nie.   Double tempered line.  Inazuma and Kinsuji may show.                                                                 
  • Boshi ————————————— Yakizume (no turn back), Kaen (flame-like).   
  • Ji-Hada ————————————————— Fine burl mixed with Masame. 

51 Kanenaga photo Yamato51 Kanenaga ilustration Yamato

Tegai Kanenaga of Yamato.  From the Sano Museum Catalogue (permission granted).   The illustration (called Oshigata) shows notare (wave-like hamon) and suguha-hotsure (frayed suguha pattern) with kinsuji.

My Yamato sword Acquired at the Annual San Francisco Swords Show.

Characteristics: Munei (shortened and without signature).  Yamato-den, Tegai-ha (Yamato school Tegai group).  Length is two shaku, two sun, eight &1/2 bu (27 1/4 inches), small kissaki and funbari. HamonNiju-ba, Sunagashi.  Boshi: Yakizume.  Ji-hada: Itame with masame, Nie-hon’i .                                                                                                                                     

My Yamato sword

The full view of the sword and Kantei-sho (NBTHK Certification). “Tokubetsu Hozon Token”.

My Yamato sword 5

My Yamato sword 4

My Yamato sword.jpg 2

My sword: acquired at Dai Token Ichi (大刀剣市)Bizen Osafune Tomomitsu (備前長船倫光) Length: 2 feet 4 inches,  Shape: Shinogi zukuri,  Hada:itame midare-utsuri, Hamon: konotare gunome choji

5 |Heian Period Swords  (平安時代太刀)

0-timeline - size 24 Heian

                       
                                      The circle indicates the time we discuss in this section

The Heian period is when the sword shape changed to the current curved form.  Before that, swords were straight.  It is widely accepted that the study of Japanese swords begins in the Heian period.   Swords made before the Heian period are considered archaeological artifacts.  The main reason is that sword-making techniques improved significantly after the start of the Heian period.

The elegant and graceful lifestyle of Heian culture is reflected in the style of swords.  A group of swordsmiths in the Kyoto region developed a specific sword style called Yamashiro-den (Yamashiro School).  The shape of their swords exhibits a graceful line.  The most famous sword of this period is Sanjo-Munechika (三条宗近 page 20), a national treasure today.  The Yamashiro-den represents the swords of the Heian period.                                                                                                                                 

                                                                                                                 

                                                                                                      6a Heian period sword style

General Heian period sword style

The shape —————The length of a sword is about 30 inches ± a few inches.  It has an elegant, graceful shape, with a narrow blade and a small kissaki (小切先).  The curvature is deep.  This style is called Kyo-zori (京反り) or Torii-zori (鳥居ぞり).  In the Kyo-zori style, the deepest part of the curvature is near the middle of the blade.  The lower part of the sword flares out, creating an A-line shape similar to the lower part of the Eiffel Tower.  This flared shape is called funbari (踏ん張り).                                                                      

6b A line bottom

Hamon(刃文)———- Hamon is the line formed during the process of tempering.  The hamon on Heian period swords is narrow and usually suguha (直刃).  Suguha means a straight line.  The hamon is also Nie-based.  Nie(沸) are tiny particles in the hamon.   As shown below, if you look closely, you can see fine sand-like particles within the hamon line.

6 Straigh tempered line(Suguha)

10 Nie & Nioi

Ji-hada (地肌) ——–Fine wood-grained pattern.  The location of ji-hada (or ji-tetsu) is between the hamon and shinogi (see Chapter 3 |Names of Parts).

Nakago (中心)——– The nakago is the hilt area.  Sword makers inscribed their names there. During the Heian period, the nakago was often shaped like a kijimomo (雉腿), meaning a pheasant’s thigh.

6 Kijimomo-nakago

Hi and engrave ———- Hi (樋) means an engraved straight line.  Hi and other engraved designs were rare during the Heian period.  These became more common later on.

Kissaki (切先) ———– The shape of kissaki on a Heian sword is ko-gissaki, meaning small kissaki. The hamon line at the kissaki is called boshi.  During this period, the type of boshi design is called komaru, meaning small, round, and wrapping around the tip.

Names of the Heian period swordsmiths

  • Yamashiro School——–  Sanjo Munechika(三条宗近) Sanjo Yoshiie(三条吉家)                                                 Gojo Kanenaga(五条兼長) Gojo Kuninaga (五条国永)
  • Yamato School ————-Senju-in (千手院)
  • Bizen School ————— Bizen Tomonari(備前友成) Bizen Masatsune(備前正恒)                                                  Bizen Kanehira (備前包平)
  • Hoki (伯耆) —————–  Yasutsuna (安綱) Sanemori (真守)
  • Buzen (豊前) ————–   Cho-en (長円) Sinsoku (神息)
  • Satsuma (薩摩) ———— Naminohira (波平)