67| Part 2 of —-31|Shin-Shin-To (Bakumatsu Period Sword) 1781-1867

Chapter 67 is the detailed chapter of 31|Shin Shin-to of Bakumatsu Period.  Please read chapter 31 before start reading this chapter.

30 Timeline (Bakumatsu)

The circled area is the subject of this chapter.

Swords made after Tenmei Era (天明 1781) till the end of Keio Era (慶應) is called shin-shin-To (1781).  This is the time the society was moving toward the Meiji Restoration, called Bakumatsu time.  During Bakumatu time, sword making became active again.  Below are the well-known sword smiths during this time from several main areas.

Musashi no Kuni  武蔵 (Tokyo today)

Suishinshi Masahide 水心子正秀----When he made Yamashiro-Den style, the shape is like the one of the Ko-To time; Funbari, elegant shape, Chu-Suguha (medium straight), Komaru boshi, fine wood grain.  When he made Bizen style, Koshizori shape, just like Ko-To Bizen Osafune, Nioi with Ko-choji.  It shows katai-Ha (Refer to  31|Shin Shin-to of Bakumatsu Period.   I saw Suishinshi on Nov/1970 and Oct/1971.

Taikei Naotane   大慶直胤 ーーーーThough Taikei Naotane was under Suishinshi group, he was the among the top swordsmith.  He had an amazing ability to forge all kinds of different styles of sword wonderfully.  When he made Bizen-Den style, it looks like Nagamitsu of Ko-To time with Nioi.  Also did Sakasa-Choji like Katayama Ichimonji.  Katai-Ha appears.  I saw Naotane in August/1971.

67 Naotane photo

Taikei Naotane (大慶直胤)   Photo is from “Token no Mikata (The way to look at swords)” written by Koichi Hiroi,  Published 1971

Minamoto Kiyomaro     源清麿---- Kiyomaro intended to work as a Samurai for Meiji Restoration movement, his supporter realized Kiyomaro’s ability as a great swordsmith,  he helped him to be a swordsmith.  But Kiyomaro drank a lot and he only forged a few swords.  At the age of 42 years old, he committed SeppukuKiyomaro was called Yotsuya Masamune because he was said to be as good as Masamune who lived in Yotsuya (part of Shinjuku today).  His sword has wide width, shallow curvature, stretched Kissaki, Fukura Kareru.   Boshi has Komaru Boshi.  Fine wood grain Jigane.

67 Kiyomaro photo

Minamoto no Kiyomaro (源清麿)   Photo is from “Token no Mikata ( The way to look at swords)”, written by Koichi Hiroi, published 1971

 

Settsu no Kuni    摂津の国   (Osaka today )

Gassan Sadakazu    月山貞一 ーーーーGassan was good at Soshu-Den style and Bizen-Den style, but he could make any kinds of style.  He was as genius as Taikei Naotane.  Because of his ability, when he made Ko-To style sword, it is hard to distinguish his sword and real Ko-To sword.   One needs to distinguish with the Ko-To like a sword made by Gassan and real Ko-To. He also had an amazing ability in carving.  His Hirazukuri-Kowakizashi forged in Shoshu style looks just like Masamune or Yukimitsu.  He forged Yamashiro style Takenoko-zori with Hoso-Suguha or Chu-Suguha in Nie.  He also forged Yamato-Den, Masame -Hada sword.

67 Gassan photo

Minamoto no Kiyomaro (源清麿)   Photo is from “Token no Mikata ( The way to look at swords)”, written by Koichi Hiroi, published 1971

 

 

 

 

43| Part 2 of —– 9| Middle Kamakura Period Yamashiro Den (鎌倉中期山城伝)

This is the detailed section of Chapter 9.   Please read chapter 9 one more time before reading this chapter.

During Middle Kamakura Period, there are three main groups among Yamashiro Den.  They are Ayano-Koji (綾小路) group, Awataguchi (粟田口) group, and Rai (来) group.

Ayano-Koji group (綾小路 )

Names of Swordsmiths among Ayano-Koji:  Ayano-Koji Sadatoshi (綾小路定利) Sadanori (定則) .

When we refer to a certain group, we say, “xxx haxxx ippa   “, or  “xxx ichimon “.  We use those three words interchangeably.  For example, we say Ayano-Koji ichimon, indicate Ayano-Koji group.

Sugata (shape or figure) ———- In general, gentle or graceful Kyo-zori shape.  The difference between the width of the  Yokote line and the width of Machi is not much.  The sword is slender yet thick.  Small Kissaki                                   

Hi and Engraving ———- Bohi (one groove) or Futasuji-hi (double groove)        

Hamon ———- Nie base with Ko-choji (small clove shape) and Ko-midare (small irregular).   Small Inazuma and Kinzuji.   Double Ko-choji appears.                      

Boshi (tip area) ———- Ko-maru (small round), Yakizume (refer to the illustration below), and Kaen (flame like shape)  

Jitetsu ———- Small wood grain with a little Masame (straight grain)  Ji-nie       

Nakago (tang) ———- Long, slight fat feeling

Awataguchi group (粟田口)

Names of Swordsmiths among Awataguchi group:  Awataguchi Kunitomo (粟田口国友 ),  Hisakuni (久国),  Kuniyasu (国安),  Kuniyasu (国安), Kunikiyo (国清)

Many swordsmiths of Awataguchi group (or Awataguchi Ichimon) received the honor as the Goban Kaji from Gotoba Joko (Emperor Gotoba 後鳥羽上皇 ).  In general, their typical characteristic is as follows.

Sugata (Shape or figure) ———- Elegant shape  Torii-zori (or Kyo-zori)

Hi and Engraving ———- The tip of Hi are all the way up and fill in the Ko-shinogi The end of the Hi can be Maru-dome (the end is round),  Kakudome  (the end is square) or kakinagashi.

9 «part 2» 大小丸,焼詰,丸角止, 掻流     Maru-dome (rounded end)             Kaku-dome (square)                Kakinagashi

Hamon ———- The slightly wider tempered line at the bottom then the narrow tempered line at the top.  Nie base (this is called Nie honni).    Straight tempered line, straight-tempered line mixed with Ko-Choji (small clove)  or Ko-Choji.  Sometimes wide straight line mixed with Choji.  Awataguchi Nie appearance.  Awataguchi Nie means fine, deep and sharp shiny Nie around tempered line area.   Fine Inazuma (lightning) and Kinsuji (golden streak) appearance.

Boshi (tip area) ———- Ko-maru (small round)  or O-maru (large round) both return is sharrow.  Yakizume, Nie Kuzure, and Kaen (flame).Yubashiri

 

9-«part-2»-大小丸焼詰丸角止-掻流-1-e1547925390685.jpg

Yakizume       O-maru       Ko-maru     Yakikuzure

Jitetsu ———- Fine Ko-Mokume(wood swirls) with Ji-nie.  Yubashiri, Chikei appears.       

Nakago ———- Often two letter inscription

Rai group ()

Names of swordsmiths among Rai group:  Rai Kuniyuki (来国行),  Rai Kunitoshi (来国俊) or Niji Kunitoshi (二字国俊),  Ryokai (了戒 )

Rai Kunitoshi is said to be Rai Kuniyuki’s son.  Ryokai is said to be Rai Kunitoshi ‘s son

A general characteristic of Rai Kuniyuki and Kunitoshi is as follows.  However, each sword has its own different characteristic.

Sugata (shape or figure) ———- Gracefull with dignity.  Thick body.  Rai made Ikubi Kissaki.                                                                                                                 

Hi and Engravings ———- Wide and shallow Hi.                                             

Hamon ———- Nie base.  Suguha (straight), wide suguha, ko-midare (small irregular), and choji  (clove).  Sometimes large choji at the lower part and narrow suguha at the top.  Inazuma and Kinsuji appear around yokote area.

Boshi ———-  Komaru, Yakizume (refer to the illustration above)

Jitetsu ———- Finely forged Itame (small wood grain) sometimes mixed with masame (parallel grain).  Fine Nie.  Rai group sporadically shows Yowai Tetsu which means weak surface.  This may be the core iron.

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Rai Kuniyuki (来国行)Juyo Bijutsuhin   (重要美術品)Once family owned Photo taken by my father with his writing on the left

 

9 «part 2» Rai Kuniyuki photo.jpg

Rai Kuniyuki (来国行)Sano Museum Catalogue (佐野美術館)  permission granted

 

 

16|The Revival of Yamato Den (大和伝復活)

 

14 Late Kamakura Period timeline

The circle represents the time we are discussing in this section

It is said that the first sword making started from Yamato province (present Nara prefecture) during the Nara period (710 to 704).  In the early sword making days, their forging technique was primitive.  At that time a large number of swordsmiths lived in Yamato, yet as time passes, the sword making declined in this area.

At the end of the Kamakura period, several powerful temples had power struggles against each other in Yamato area.  Temples had a strong political power and military power to control a large territory called Shoen (荘園) with their large number of worrier monks called Sohei (僧兵).  The most powerful group were called Nanto Sohei (南都僧兵)*.

The groups of Sohei demanded more swords to arm themselves.  The high demand of the swords from Sohei revitalized the Yamato Den (School) and led to increase the number of the swordsmiths in Yamato.   As a result, Yamato Denl became active again. Yamato Den style is somewhat similar to that of Yamashiro Den.  See chapter 6.

 

*Nanto Sohei (南都僧兵)———Since around the 11th century, Buddhistic temples became powerful under the protection of JoKo (retired Emperor).  Those temples had a large number of Sohei (low-level monks who also acted as soldiers) under them.  When the power struggles between the temples occurred, Sohei fought as a soldier in the battlefields.  Nanto Sohei were monk soldiers of Kofuku-Ji temple (興福寺).  Several large temples like Todai-Ji (東大寺) temple and other temples controlled the Yamato area.

Shape (Sugata姿) —————-1. Graceful Yamashiro style. 2. Shinogi is high.  3. Mune is thin.  4. Some group of Yamato school has shallow Sori (curvature).

16 Yamato sword cross section

Hamon (Tempered line) ——-Narrow tempered line.  Mainly Nie (沸).  Chu-Suguha-Hotsure (medium straight with frayed look中直刃ほつれ), Ko-Choji-Midare (small clove-like pattern and irregular mixture 小丁子乱), Ko-Midare ( fine irregular小乱), Ko-gunome-komidare (small irregular continuous half circle 小五の目小乱).  The main characteristic of Yamato school is Masame (straight grain), therefore, the tempered line often shows double straight line called Nijyu-ha, Hakikake (brushed sand) and Uchinoke (Crescent-shape line).  See the illustration below.

16 Hamon Yamato

Boshi (鋩子)———-Inside the Boshi area, straight grain pattern also appears. Yakizume, Kaen(refer 13 Tanto Middle Kamakura period), O-maru, Ko-maru, Nie-kuzure (refer 15 Late Kamakura Period)

13 Hamon and Hi15 O-maru Ko-maru Niekuzure

 

Jihada or Jitetsu (the area between shinogi and hamon )——Mostly Masame hada (straight grain pattern 柾目肌). Fine ji-nie, Chikei, and Yubashiri shows (refer 15 Late Kamakura Period).

16 Masame Hada

Nakago (Hilt)——————Often shows the finishing file pattern as shown below.  This is called Higaki Yasuri (檜垣).

16 Higaki Yasuri

Names of the Yamato School Sword-smiths

Taema(当麻) Group————–Taema Kuniyuki(当麻国行) Taema Tomokiyo(当麻友清) Shikkake (尻懸) Group———————————————–Shikkake Norinaga (尻懸則長) Tegai (手掻) group —————–Tegai Kanenaga (手掻包永) Tegai Kanekiyo(手掻包清) Hoshou (保昌) group——–Hosho Sadayoshi ( 保昌貞吉) Hosho Sadamune (保昌貞宗)

16 Shaya Ensou

Yamato Senjuin Shaya Enso (大和千手院沙弥円宗) was once family sword

15|Late Kamakura Period Sword

14 Late Kamakura Period timeline                      The circle represents the time we discuss in this section

The beginning of the Soshu style

A new sword style called Soshu Den emerged after the Mongolian invasion of the latter part of the Kamakura period.  Kamakura area became prosperous under the rule of the Hojo (北条).  Many swords smiths moved to Kamakura.  Those people are Kunituna (国綱 )and his group from Yamashiro area and Fukuoka Ichimonji Sukezane (福岡一文字助真), Kunimune (国宗) from Bizen area.  They are the origin of Soshu Den (school 相州).  A star swordsmith, Goro-Nyudo-Masamune (五郎入道正宗) appeared during this time.

15 Soshu sword with explanation

 

Shape (Sugata 姿) ——- O-Kissaki (large-Kissaki 大切先) and Chu-Kissaki (medium kissaki 中切先).   Tip of Hi ends lower (see below illustration).  HamaguriHa was eliminated, instead, it became a thinner body.  The original length was approximately 3 feet or so but the majority of them were shortened to 2 feet and 3 or 4 inches in a later time.  This is called O-Suriage(大磨上).

15 Kissak shape of 4

15 Hi ends lower

Hamon——————–Narrow Hamon and wide Hamon.     

Narrow Hamon ——-Suguha (straight) mixed with Ko-Choji (small clove) and Ko-Gumome (continuous half-circle like).  Small Nie base. (left drawing below)

10 Nie & Nioi

Wide Hamon———–Notare (wavy) midare, O-gunome.  Nie base.  Ashi-Iri (short line goes inward, the right drawing below).  Inazuma (lightning-like line), Kinsuji (a gold line like) appears on a tempered line.  But Inazuma and Kinsuji require trained eyes to detect.  It is hard to notice the Inazuma, Kinsuji, etc. for beginners.

15 Late Kamakura Soshu Hamon

Boshi————-The same type of Hamon into Boshi area then turn back a little or Yakizume.  You may also see O-maru  (large round), Ko-maru (small round), Kaen (flame like), and Nie-kuzure.  Refer chapter 13 Middle Kamakura period Tanto for Yakizume and Kaen.

15 three boshi name

 

Jihada or Jitetsu (between Shinogi and Tempered line)—– Strong Ji-Nie (地沸), that is a sand-like small dots appears on Ji (between tempered line and Mune).  Yubashiri (cluster of Ji-Nie),  Kinsuji (lined Nie looks like a golden line), Inazuma  (lightning-like irregular line) and Chikei (similar to Kinsuji appears on Ji-Hada).

15 Yubashiri, Chikei, Inazuma

Late Kamakura Period Soshu School Sword Smiths

From Bizen———–Fukuoka Ichimonji Sukezane (福岡一文字助真) Kunimune (国宗 )   From Yamashiro ————————————–Toroku- Sakon- Kunituna (藤六左近国綱) 

Those above three are the beginning of Kamakura swordsmiths.  Later, Tosaburo-Yukimitu and his son, famous Goro-Nyudo-Masamune appeared.

Masamune Juttetsu  (Main Soshu Style swordsmiths other than above)

From Yamashiro (山城)—— Rai Kunitsugu (来国次), Hasebe Kunishige (長谷部国重) From Ettshu (越中) province ———————Gou- no-Yoshihiro (郷義弘) Norishige (則重) From   Mino (美濃) province ——————————————–Kaneuji (兼氏) Kinjyu (金重) From   Chikuzen (筑前) province —————————————————-Samoji (左文字)

15 Masamune (Sano) 15 Masamune hamon (Sano)     Goro-Nyudo-Masamune(正宗)   Sano Museum Catalogue (佐野美術館図録) Permission granted    *Because Masamune lived in Kamakura that is a beach town, his Hamon style was inspired by an ocean wave.  Therefore his Hamon sometimes looks like wave design.

15 Masamune, Yoshioka Ichimonji Endo

 

15 Masamune, Yoshioka IchimonjiOnce family-owned swords

12|Ikubi Kissaki (猪首切先)

12 time line
The circle indicates the time we are discussing in this chapter.

After the live experience of the war of Jokyu-no-ran (Chapter 11), people started to move toward sturdier, grander, wider swords.  The swords made around this time is called Ikubi Kissaki (猪首切先).  Ikubi means a wild boar neck.  Ikubi Kissaki style sword has a stout look like a wild boar neck.  This is the era of the golden time of sword making.  Many top swords smiths created wonderful swords during this time.  It is said that there is no mediocre sword among Ikubi Kissai swords.

12 Ikubi Kissaki sword style

 

SUGATA (shape) —— Originally 3 feet or longer, therefore it is often shortened at a later time.  Wide width, thick Kasane (thick body) with Hamaguri-ha (蛤刃).  Hamaguri-ha means the thickness of the sword is shaped like a clam.  The width at the Yokote line area and the width at the Machi are not much different.  Shinogi (鎬) is high, and shinogi width is narrow.  Illustration of the Cross-section of the sword below.

12 蛤刃と鎬

 

KISSAKI  —— Ikubi kissaki.  Ikubi means a wild boar neck.  Wild boar looks like no neck, stout look shape.  Short Kissaki but wide at the yokote line.  The illustration below is exaggerated a little to show the idea

12 Ikubi Kissak drawing

Hamon (刃文) —— Kawazuko-Choji (tadpole head shape). O- Choji (clove-like shape) and Ko-Choji mixed.  Irregular waviness mixed with a straight line and choji, this is called suguha-choji.

12 Hamon Kawazuko-choji                     O-choji                          Ko-choji                  Suguha-choji     (tadpole head)                   (large clove)                (small clove)      (straight and clove)

Boshi(鋩子) ——— Yakizume, that is Hamon ends close to the tip, as below.  Nagamitu(長光), Kagemitu( 景光), Sanenaga(真長) created  Boshi called Sansaku Boshi(三作鋩子).  Sansaku Boshi narrows down at Yokote Line, Illustration below.

12 Yakizume
Yakizume
12 Sansaku Boshi(三作
Sansaku-Boshi

 

 

 

 

                                                  

 

Ikubi Kissaki Sword Smiths

Fukuoka Ichimonji Group (福岡一文字) ————–Fukuoka Ichimonji Norimune (則宗) Kamakura Ichimonji Group(鎌倉一文字) ———— Kamakura Ichimonji Sukezane (助真) Soshu Bizen Kunimune Group(相州備前国宗)——– Soshu Bizen Kunimune (国宗)Bizen Osafune Group(長船)——————Bizen Osafune Mitutada(長船光忠) Nagamitsu(長光)   Ugai Group————————————————————————- Ugai Unji (鵜飼雲次)

 

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From Sano Museum Catalogue (permission granted)                                                                    Osafune Nagamitsu(長船長光 )

 

img028   img027

Osafune Mitsutada(長船光忠)                          Osafune Mitsutada(長船光忠)                        *Were family sword This photo was taken by my father and writings on the white paper were written by him.