64|Part 2 of — 28 Shin-To Main 7 Region (part B)

 

This chapter is a continued part of chapter 28 Shin-to Main 7 Regions (part B).  Please read chapter 28 before reading this chapter.  Below are the regions 2,3,7, skipped 4,5,6.

0-timeline - size 24 Shin-to

The circle above indicates the time we discuss in this section    

29 Map with number 7

 

2. Settu (摂津) at Osaka (大阪 )

Settu Osaka has many well-known swordsmiths.  They are Kawachi-no-Kami Kunisuke (河内守国助), Tsuda Echizen-no-Kami Sukehiro (津田越前守助広), Inoue Shinkai (井上真改), Ikkanshi Tadatsuna (一竿子忠綱), etc.  The main characteristic of the Settsu Osaka sword is: The surface is beautiful and fine, almost no pattern, no design like a flat surface.  The below two photos are Settsu’s sword.

65 Ikkanshi illustration 65 Ikkanshi photo 

Ikkanshi Tadatsuna from Sano Museum Catalogue.  Permission granted to use.

Ikkanshi Tadatsuna (一竿子忠綱) is famous for his carvings.  His father was also a well-known swordsmith, Omi-no-Kami Tadatsuna (近江守忠綱).  Ikkanshi Tadatsu is the second generation of Omi-no-kami Tadatsuna.  Therefore he is also known as Awataguchi Omi-no-Kami Fujiwara Tadatsuna (粟田口近江守藤原忠綱), as you see on the Nakago above photo.  The characteristics of Ikkanshi Tadatsuna: Longer Kissaki and Sakiziri (curved at a higher part of the body)The wide tempered line with Nie.  Osaka Yakidashi (transition between the sugu-ha above machi and midare is smooth ).   Refer to 27 Shinto Sword –  Main 7 Regions(part A) for Osaka Yakidashi.  O-notare with Gunome.  Komaru boshi with turn backVery fine Ji-hada, almost no pattern on the surface.

 65-inoue-shinkai-photo-.jpg  65 inoue Shinkai illustration

Inoue Shinkai (井上真改) from Sano Museum Catalogue.  Permission granted to use.

Inoue Shinkai was the second generation of Izumi-no-Kami Kunisada (和泉守国定), he was the student of Kunihiro.  The characteristic of his sword:  Osaka Yakidashi.   The tempered line gets wider gradually toward the top.  O-Notare and deep Nie.  His Ji-hada is very fine, almost no design on the surface.

3. Musashi (武蔵:Edo)

We find many famous swordsmiths in Edo also.  They are 1st, 2nd, 3rd generations of Yasutsugu(康継), Kotetsu(虎徹), Noda Hankei (野田繁慶), Hojoji Masahiro (法成寺正弘), and more. 

 Two photos below are swordsmiths from Musashi (武蔵:Tokyo).   

65 Yasutsugu photo 65-yasutsugu-illustration-e1567313224375.jpg

Yasutsugu  From Sano Museum Catalogue.  Permission granted to use

Characteristics of Yasutusgu (康継):  Shallow curvature.  Chu-Gissaki (medium Kissaki). Hamon is wide Notare, Midare, O-gunome (sometimes double gunome).  The trace of Soshu Den and Mino Den shows in his work.  Woodgrain mixed with Masame on Shinogi-Ji.

65 Kotetsu photo    65 kotetu illustration

Kotetsu (虎徹) from Sano Museum Catalogue, permission granted to use

Here is the famous Kotetsu.  The formal name is Nagasone Okisato Nyudo Kotetsu (長曽祢興里入道虎徹).   Kotetsu began to make swords after he passed 50 years old.  Before that, he was an armor maker.   The characteristics of Kotetsu: Shallow curvature and wide width.  The wide tempered line with Nie.  Around the Machi area, the hamon is small Irregular, then the upper part of the blade becomes wide Suguha like Notare.  Fine Nie.  Boshi has Komaru with a short turn back.  Ji-hada is fine wood grain and burl.  Sometimes, you see O-hada (black core iron show through) at the lower part above the Machi area.  The illustration above shows the thick (or wide? Which should I use) tempered line between Ha and Ji consisted of Nie.  This is Kotetsu’s characteristic.  Once you see it, you will remember.  The next region is 7; skip the regions 4,5,6.

7. Satsuma (Kyushu)

65 Satsuma Masakiyo illustration 65 Satsuma Masakiyo photo

Miyahara Mondonosho Masakiyo (宮原主水正正清) from Sano Museum Catalogue, permission granted to use.

Miyahara Mondonosho Masakiyo was highly regarded by the Shimazu family of Satsuma Han (Satsuma domain).  Later he was chosen to go to Edo to forge swords for Shogun Yoshimune.  The characteristics of Mondonosho Masakiyo: Well balanced sword shape.  Shallow curvature.  Wide and narrow hamon with squarish hamon and pointed hamon mixed as in the photo above.  He engraved the Aoi crest (the hollyhock crest of the Tokugawa family) on Nakago.

 

 

 

 

59| Second Part of — 23 Sengoku Period Sword (戦国時代刀)

Chapter 59 is a detailed part of Chapter 23,  Sengoku Period Sword.  Please read Chapter 23 Sengoku period sword before reading this section.

0-timeline - size 24 Sengoku Period

                                      The circle above indicates the time we discuss in this section

During the Sengoku (Warring States) period, the Mino Den group and Bizen Osafune group were the primary sword makers.  During almost 100 years of the Warring States period, all Daimyos needed a large number of swords.  If suppliers were closer, that was even better.  Many Sengoku Daimyos could reach to Mino area easily because the location was convenient (central) location.  Since the Heian period, Mino swordsmiths were creating swords there. 

One of the well-known swordsmiths of Mino Den at the end of the Kamakura period was Shizu Kane’uji (志津兼氏).  He was one of the Masamune Jutteru (正宗十哲)*.   But the real height for the Mino Den was the Sengoku period

During the Sengoku period, the Shizu group and the Tegai group from the Yamato area and many swordsmiths from Yamashiro (Kyoto) area moved to Mino. Mino became the busiest sword making place.  They made very practical swords for the Warring Stated period.

60-mino-map.jpg

*Masamune Juttetsu (正宗十哲) —–The original meaning of Masamuren Juttetsu was the top 10 Masamune studentsBut later, the word was used more broadly.

Three examples of Sengoku period swords

The three swords below are examples of the Sengoku period blades.  Please note that every sword is different.  Even each swords made by the same swordsmith is different.  Please refer to Chapter 23 Sengoku Period Sword for the primary common characteristics of the blades made in the Sengoku period,

60-sukesada-photo-e1563148031935.jpg 60 Sukesada illustration

Bizen Osafune Yosozaemon Sukesada (備前国住長船与三左衛門尉祐定) from Sano Museum Catalog, permission granted.

Common points of Sengoku period characteristics that show on the sword above

Hamon is Kani-no-tsume (crab claw shape, see above hamon).  Kani-no-tsume type hamon never appeared in the Heian, Kamakura, or Nanboku-cho period.  This type of hamon is one of the decisive points of the Sengoku time.  Marudome-hi (the end of the groove is round ) often appears on the Bizen Den sword during the Sengoku period.  Wide tempered area.  Midare-komi boshi (same type of hamon on the body and the boshi) has a long turn-back and an abrupt stop.  Hamon is the Nioi base.  Most Bizen swords have Nioi, with a few exceptions.

60 Kanesada photo  60 kanesada illustration Izuminokami Fujiwara Kanesada (和泉守藤原兼) from Sano Museum Catalog

Common points of Sengoku Period characteristic shows on the sword above

The last letter of the Kanji(Chinese characters) of this swordsmith above is “”.  We use this letter in place of “ 定”  for him.  The reason is there are two Kanesadas.  To distinguish him from the other Kanesada (兼定), we instead use the letter “ “ and call him Nosada “のさだ.”

Izuminokami Fujiwara Kanesada (Nosada) is the top swordsmith of Mino Den at the time.  The shape of the sword is the typical Sengoku period sword style: shallow curvature, Chu-gissaki (medium size kissaki), and pointed Gunome hamon.  The width of the hamon is wide and narrow.  Often, Nosada and other Mino Den swordsmiths have wood grain with Masame on Ji-HadaNioi base, mixed with coarse Nie.

60 Norimitsu photo  60-norimitsu-illustraton.jpg                     Bizen Osafune NorimitsTu (備前長船法光) from Sano Museum Catalog, permission granted.

The common points of Sengoku period characteristic shows on the sword above

Shallow curvature.  Sturdy look.   Marudome-hi (Hi ends round)Pointed hamon called Togari-ba (尖り刃).  Nioi base mixed with Nie.  Slight Masame and wood grain on Ji-hada.

 

 

 

50| Part 2 of —– 15 The Revival of Yamato Den (大和伝復活)

This chapter is the continued part of Chapter 15|The Revival of Yamato Den.   Please read chapter 15 before reading this section.

0-timeline - size 24 Late Kamakura

                               The circle above indicates the time we discuss in this section

At the end of the Kamakura period, in the Yamato area, powerful temples expanded their territories.  See the map below for the location of the Yamato area.  Several big temples had a political and military power to control the area at the end of the Kamakura period, especially, the one with large territories.   Those big territories were called Shoen (荘園).  They employed a large number of monk soldiers called So-hei.  The demand for swords was increased by the increased number of Sohei (僧兵).  The increased demand revived the Yamato Den.

Some of the big temples had their own swordsmiths within their territory. Todaiji-temple (東大寺) backed Tegai (手掻) sword group.  The Senjuin (千手院 ) sword group lived near Senju-Do (千手堂) where Senju Kannon (千手観音) was enshrined.  The name of the sword group, Taima came from the Taima-Ji Temple (当麻寺).  Shikkake group (尻懸) and Hosho group (保昌) were also Yamato Den sword group.  Those five groups are called Yamato Goha (Yamato five group).

51 Japan map Yamato

General Characteristic of Yamato Den

Yamato Den (大和伝) sword always shows Masame (柾目: straight grain-like) somewhere on Ji-hada, Jigane, and/or hamon.   Please refer to 15| The Revival of Yamato Den(大和伝復活for its general characteristic.  Masame is sometimes mixed with Mokume (burl like) or Itame (wood grain like).  Either way, Yamato Den sword shows Masame somewhere.  Some sword shows Masame entirely or some show a lesser amount. Because of Masame, the hamon tends to show Sunagashi (brush stroke-like) or a double line called Niju-ha.

Taima or Taema group (当麻)

Shape ——————— Middle Kamakura period shape and Ikubi-kissaki style              Hamon —————-Mainly medium Suguha.  Double hamonSuguha mixed with choji.  Often shows Inazuma, Kinsuji, especially under Yokote line Inazuma appeares.         Boshi —– Often Yakizume.  (Refer 15| The Revival of Yamato Den(大和伝復活)        Ji-hada ———– Small wood grain and well-knead surface.  At the top part of the sword, the wood grain pattern becomes Masame.

Shikkake Group (尻懸)

Shape ——————— Late Kamakura period shape. Refer 14| Late Kamakura SwordHamon–Mainly Nie (nie-hon’i).  Medium frayed suguha, mixed with small irregular and Gunome (half-circle).  Double-lined, brush stroke-like pattern.  Small Inazuma, KinsujiBoshi ——————Yakizume, Hakikake (swept trace like) and Ko-maru ( small round)    Ji-hada —————— Small burl mixed with Masame.  Shikkake group sometimes shows Shikkake-hada, which is, that the ha side shows Masame and mune side shows burl.

Tegai Group ( 手掻 )

Shape ——— Early Kamakura shape and thick kasane (body).  High ShinogiKoshizori. Hamon ————————- Narrow tempered line with medium suguha hotsure (frayed suguha). Mainly Nie.  Double tempered line. Inazuma, Kinsuji shows.                              Boshi ———————————————–Yakizume (no turn back), Kaen (flame like).      Ji-Hada ————————————————- Fine burl mixed with Masame.

51 Kanenaga photo Yamato51 Kanenaga ilustration Yamato

Tegai Kanenaga of Yamato.  From Sano Museum Catalogue (permission granted).  The illustration shows Notare (wave-like hamon) and Suguha hotsure (frayed Suguha) and Kinsuji.

Below is my Yamato sword.  I obtained this sword at an annual San Francisco swords show a few years back.

Characteristic:  Munei (cut short and no signature).  Yamato Den, Tegai-ha (Yamato school Tegai group).  Length is 2 shaku 2 sun 8 &1/2 bu (27&1/4 inches).  Very small Kissaki and funnbari.

My Yamato sword

The entire view of the sword and Kantei-sho (NBTHK Certification).  It is ranked as “Tokubetsu Hozon Token”.

My Yamato sword 5

My Yamato sword 4

My Yamato sword.jpg 2

On Hamon, Sunagashi, Niju-ba shows very faintly.   I could not take a good photo of boshi.  But it is Yakizume like.  JiHada is Itame with faint Masame, almost Nashiji-Hada (possibly because of my eyes).  Nie-hon’i. 

42| Part 2 of —– 8 Middle Kamakura Period (Yamashiro Den) 鎌倉中期山城伝

This chapter is the detailed part of Chapter 8| Middle Kamakura Period –Yamashiro Den(鎌倉中期山城伝).   Please read Chapter 9 before reading this chapter.

13 Red Middle Kamakura Timeline

                          The circle indicates the time we discuss in this section

During the Middle Kamakura period, there were three main groups among the Yamashiro Den.  They are Ayano-koji (綾小路) group, Awataguchi (粟田口) group, and Rai (来) group.

When we refer to a certain group, we say, “xxx haxxx ippa   “, or  “xxx ichimon “.  We use those three words interchangeably.  They all basically mean a “group”.  For example, we say Ayano-koji Ippa, means Ayano-koji group.

Ayano-Koji Ippa (綾小路 )

Sugata (shape) ————- In general, gentle or graceful Kyo-zori shape.  The difference between the width of the yokote line and machi is not much.  The sword is slender yet thick.  Small Kissaki                                                                                                           

Hi and Engraving ——————— Bohi (one groove) or Futasuji-hi (double groove)   

Hamon ———————- Nie base with Ko-choji (small clove shape) and Ko-midare (small irregular).  Small inazuma (lightning like line) and Kinzuji (golden streak) may show.  Double Ko-choji (two Ko-choji side by side) may appears.                                     

Boshi (tip area) ——————Ko-maru (small round), Yakizume (refer to the illustration below), and Kaen (flame like pattern)                                           

Ji-hada ———- Small wood grain with a little Masame (straight grain)  Ji-nie shows.   

Nakago (tang) ———- Long, slighlyt fat feeling

Names of Ayano-Koji group ——Ayano-koji Sadatoshi (綾小路定利) Sadanori (定則)

Awataguchi Ichimon (粟田口)

Many swordsmiths of Awataguchi Ichimon (group) received the honor of the Goban Kaji (meaning top swordsmith) from Gotoba Joko (Emperor Gotoba 後鳥羽上皇 ).  In general, their typical characteristic is as follows.

Sugata (Shape) ——————————————– Elegant shape Torii-zori (or Kyo-zori)

Hi and Engraving ————– The tip of Hi are all the way up and fill in the Ko-shinogi.  The end of the Hi can be Maru-dome (the end is round), Kakudome (the end is square) or –kakinagashi

9 «part 2» 大小丸,焼詰,丸角止, 掻流     

Maru-dome (rounded end)             Kaku-dome (square)                Kakinagashi

Hamon ————— The slightly wider tempered line at the bottom then becomes narrow tempered line at the top.  Nie base (this is called Nie-hon’i).  Straight tempered line mixed with Ko-choji (small clove) or wide straight line mixed with choji.  Awataguchi-nie appears.  Awataguchi-nie means fine, deep and sharp shiny nie around tempered line area.   Fine inazuma (lightning-like line) and kinsuji (golden streak) appears.

Boshi (tip area) ————- Ko-maru (small round)  or O-maru (large round) both return is sharrow.  Yakizume, Nie Kuzure, and Kaen (flame).

9-«part-2»-大小丸焼詰丸角止-掻流-1-e1547925390685.jpg

Yakizume      O-maru     Ko-maru         Yakikuzure

Ji-hada ————- Fine Ko-mokume(wood swirls) with Ji-nie.  Ji-nie is nie on Ji-hada. Yubashiri, Chikei appears.                                                                                                     

Nakago ——————— Often two letter inscription

Names of Awataguchi group ————– Awataguchi Kunitomo (粟田口国友 ),  Hisakuni (久国), Kuniyasu (国安),  Kuniyasu (国安), Kunikiyo (国清)

 Rai Ha ()

A general characteristic of Rai group is as follows.  However, each swordsmith has own characteristics.

Sugata (shape) ————— Graceful with dignity.  Thick body.  Rai made Ikubi Kissaki.   

Hi and Engravings ————– Wide and shallow Hi.                                                       

Hamon —————— Nie base.  Suguha (straight).  Wide suguha with ko-midare (small irregular) and choji (clove).  Sometimes large choji at the lower part and narrow suguha at the top.  Inazuma and Kinsuji appears around yokote area.

Boshi ———————-  Komaru, Yakizume (refer to the illustration above)

Ji-hada ———— Finely forged Itame (small wood grain) sometimes mixed with masame (parallel grain).  Fine nie.  Rai group sporadically shows Yowai Tetsu (weak surface) which may be a core iron.

Names of Rai Ha —  Rai Kuniyuki (来国行),  Rai Kunitoshi (来国俊) or Niji Kunitoshi (二字国俊),  Ryokai (了戒 )

Rai Kunitoshi is said to be Rai Kuniyuki’s son.  Ryokai is said to be Rai Kunitoshi ‘s son.

img017

                  Rai Kuniyuki (来国行)Once family-owned, photo taken by my father with his  writing.    
9 «part 2» Rai Kuniyuki photo.jpg       Rai Kuniyuki hamon
Rai Kuniyuki (来国行)Sano Museum Catalogue (佐野美術館)  (permission granted)

15| The Revival of Yamato Den(大和伝復活)

0-timeline - size 24 Late Kamakura

The circle indicates the time we discuss in this section

It is said that the first sword making started from Yamato province (present Nara prefecture) during the Nara period (710 to 794).  In the early sword making days, their forging technique was primitive.  At that time a large number of swordsmiths lived in Yamato, yet as time passes, the sword making declined in this area.

At the end of the Kamakura period, several powerful temples had power struggles against each other in the Yamato area.  Temples had strong political power and military power to control a large territory called Shoen (荘園) with their large number of worrier monks called Sohei (僧兵).  The most powerful group were called Nanto Sohei (南都僧兵)*.

The groups of Sohei demanded more swords to arm themselves.  The high demand for the swords from Sohei revitalized the Yamato Den (School) and led an increase in the number of swordsmiths in Yamato.   As a result, Yamato Den became active again. Yamato Den’s style is somewhat similar to that of Yamashiro Den.

*Nanto Sohei (南都僧兵)———Since around the 11th century, Buddhistic temples became powerful under the protection of the Joko (retired Emperor).  Those temples had a large number of Sohei (low-level monks who also acted as soldiers) under them.  When the power struggles between the temples occurred, Sohei fought as a soldier in the battlefields.  Nanto Sohei were monk soldiers of Kofuku-Ji temple (興福寺).  Several large temples like Todai-Ji (東大寺) temple and other temples controlled the Yamato area.

Shape (Sugata姿) —————-1. Graceful Yamashiro style. 2. Shinogi is high.  3. Mune is thin.  4. Some group of Yamato school has shallow Sori (curvature).

16 Yamato sword cross section

Hamon (Tempered line) ——-Narrow tempered line.  Mainly Nie (沸).  Chu-Suguha-Hotsure (medium straight with frayed look中直刃ほつれ), Ko-Choji-Midare (small clove-like pattern and irregular mixture 小丁子乱), Ko-Midare ( fine irregular小乱), Ko-gunome-komidare (small irregular continuous half-circle 小五の目小乱).  The main characteristic of Yamato school is Masame (straight grain), therefore, the tempered line often shows a double straight line called Nijyu-ha, Hakikake (brushed sand), and Uchinoke (Crescent-shape line).  See the illustration below.

16 Hamon Yamato

Boshi (鋩子)———-Inside the Boshi area, straight grain pattern also appears. Yakizume, Kaen(refer 13 Tanto Middle Kamakura period), O-maru, Ko-maru, Nie-kuzure (refer 15 Late Kamakura Period)

13 Hamon and Hi15 O-maru Ko-maru Niekuzure

Jihada or Jitetsu (the area between shinogi and hamon )——Mostly Masame hada (straight grain pattern 柾目肌). Fine ji-nie, Chikei, and Yubashiri shows (refer 15 Late Kamakura Period).

16 Masame Hada

Nakago (Hilt)——————Often shows the finishing file pattern as shown below.  This is called Higaki Yasuri (檜垣).

16 Higaki Yasuri

Names of the Yamato School Sword-smiths

Taema(当麻) Group————–Taema Kuniyuki(当麻国行) Taema Tomokiyo(当麻友清) Shikkake (尻懸) Group———————————————–Shikkake Norinaga (尻懸則長) Tegai (手掻) group —————–Tegai Kanenaga (手掻包永) Tegai Kanekiyo(手掻包清) Hoshou (保昌) group——–Hosho Sadayoshi ( 保昌貞吉) Hosho Sadamune (保昌貞宗)

16 Shaya Ensou

Yamato Senjuin Shaya Enso (大和千手院沙弥円宗) was once family sword