65|Part 2 of —29 |Main 7 Area Among Shin-To Sword (part B)

 

This chapter is the detailed part of chapter 29|Main 7 Areas Among Sin-To Sword (part B).  In Chapter 29, the location 1 to 7 was discussed but here the location 1,2,3,7 and 8 will be discussed.  Please read chapter 29 before reading this chapter.

65 Map with number with 8

  1. Settu (摂津) at Osaka (大阪 )

Settu Osaka has many well-known swordsmiths, like Kawachi-no-Kami Kunisuke (河内守国助), Tsuda Echizen -no-Kami Sukehiro (津田越前守助広), Inoue Shinkai (井上真改), Ikkanshi Tadatsuna (一竿子忠綱), etc.  The main characteristic of Settsu Osaka sword is very pretty fine Jitetsu (surface), almost no pattern, no design flat like surface.  The below two photos are Settsu sword.

65 Ikkanshi illustration 65 Ikkanshi photo

Ikkanshi Tadatsuna from Sano Museum Catalogue.  Permission granted to use.

Ikkanshi Tadatsuna is famous for his carvings.  His father was Omi-no-Kami Tadatsuna.  Ikkanshi Tadatsu is the second generation of Omi-no-kami Tadatsuna.  Therefore he is also known as Awataguchi Omi-no-Kami Fujiwara Tadatsuna as you see on the Nakago above photo. The characteristics of his sword are:  Longer Kissaki and Sakiziri.  Wide tempered line with Nie.  Osaka Yakidashi.  O-Notare with Gunome.  On the illustration above, one Gunome between Notare shows.  Boshi Komaru (turn back)Very fine Ji-Hada almost no pattern on the surface.

 

 65-inoue-shinkai-photo-.jpg  65 inoue Shinkai illustration

Inoue Shinkai (井上真改) from Sano Museum Catalogue.  Permission granted to use.

Inoue Shinkai is the second generation of Izumi-no-Kami Kunisada who was the student of Kunihiro.  The characteristics of his sword are:  Osaka Yakidashi, gradually wider tempered line toward the top, O- Notare, Deep Nie, Fine Ji-Hada is so fine almost no design on the surface.

3. Musashi (Edo)

We find many famous swordsmiths in Edo also.  They are 1st, 2nd,  3rd generations of Yasutsugu(康継), Kotetsu(虎徹), Noda Hankei (野田繁慶), Hojoji Masahiro (法成寺正弘), etc.  Two photos below are swordsmiths from Musashi.

65 Yasutsugu photo 65-yasutsugu-illustration-e1567313224375.jpg

Yasutsugu  From Sano Museum Catalogue.  Permission granted to use

Characteristics of Yasutusgu:  Shallow curvature.  Chu-Gissaki (medium Kissaki). Hamon is wide Notare, Midare, O-Gunome (sometimes same shape Gunome line up side by side).  The trace of Soshu-Den and Mino-Den shows in his work.  Woodgrain mixed with Masame on Shinogi-Ji.

 

65 Kotetsu photo    65 kotetu illustration

Kotetsu From Sano Museum Catalogue.  Permission granted to use.

Here is the famous Kotetsu.  The formal name is Nagasone Okisato Nyudo Kotetsu (長曽祢興里入道虎徹).   Kotetsu started to make sword around 50 years old, until then, he was an armor maker.   The characteristics of Kotetsu: Shallow curvature and wide width.  Wide tempered line with Nie.  Around Machi area, the Hamon is small Irregular, the upper part becomes wide Suguha like Notare.  Fine Nie.  Boshi is Komaru with short turn back.  Ji-Hada is fine wood grain, burl.  Sometimes,  O-Hada (black iron show through) shows at the lower part (right above Machi) of the sword.  The illustration above shows the thick (or wide) borderline between Ha and Ji consisted of Nie ( in other words, wide hazy not clear line).  This is Kotetsu’s characteristic.  Once you see it you will remember.

7. Satsuma (Kyushu)

65 Satsuma Masakiyo illustration 65 Satsuma Masakiyo photo

Miyahara Mondonosho Masakiyo (宮原主水正正清) From Sano Museum Catalogue, permission granted to use.

Miyahara Mondonosho Masakiyo was highly regarded by Shimazu family of Satsuma Han (Satsuma domain).  Later he was chosen to go to Edo by Shogun Yoshimune to forge Shogun’s sword.  The characteristics of Mondonosho Masakiyo: Well balanced sword shape.  Shallow curvature.  Wide and narrow Hamon with squarish Hamon and pointed Hamon mixed as in the photo above.  He engraved Aoi crest (the hollyhock crest of the Tokugawa family) on Nakago.
8. Sendai

65 仙台山城大掾藤原国包photo 65 仙台山城大掾藤原国包

Yamashiro Daijo Fujiwara Kunikane (山城大掾藤原国包 ) From Sano Museum Catalogue, Permission granted to use.

Fujiwara Kunikane is from Sendai.  He was favored by Date Masanune (伊達政宗) and was sent to Kyoto to study sword making.   It is said he was the descendant of the Yamato Hosho group.   Characteristics of Fujiwara Kunikane:  The shape of the sword is like Ko-To with Funbari (refer 6 |Heian Period Swords)Narrow width with high Shinogi.  Narrow tempered line with Chu-Suguha Hotsure (frayed medium straight tempered line).  Niju-Ha and Uchinoke shows.   Boshi is Yakizume (10 | Middle Kamakura Period — Bizen School(鎌倉中期備前伝)).  Ji-Hada shows neatly arranged Masame.  Sometimes mistaken as the Yamato Hosho (大和保昌) of Ko-To Yamato-Den.

 

 

 

60| Second Part of —24|Sengoku Period Sword

This chapter is a detailed part of Chapter 24.  Please read Chapter 24|Sengoku Period Sword(戦国時代) before start reading this chapter.

During the Sengoku Period, MinoDen group and Bizen Osafune group was the main sword makers.  Because of almost 100 years of the Warring States period, all the Daimyo needed a large number of swords.  If a supplier is closer, that is even better.  Mino area could be reached from many Sengoku Daimyo conveniently because of its location.  Mino swords smiths existed since the Heian period and the Kamakura period.  Mino became the busiest sword making area around the Muromachi and the Sengoku period.   Shizu group and Tegai group from Yamato area, and many swordsmiths from Yamashiro (Kyoto) moved to Mino area.  Mino-Den, Shizu Kaneuji (志津兼氏) from the Kamakura period is one of the Masamune Juttetsu (正宗十哲)*.  Their swords are very practical swords for the Warring Stated period.

60-mino-map.jpg

*Masamune Juttetsu (正宗十哲) —–strictly meaning, top 10  Masamune students but often it means top swordsmiths.

Three examples of Sengoku Period sword

Every sword is different.  Even the sword made by the same swordsmith is different.  Please refer to the basic common characteristic of the sword made during the Sengoku period, 24 Sengoku Period Sword.

 

60-sukesada-photo-e1563148031935.jpg 60 Sukesada illustration

Bizen Osafune Yosozaemon Sukesada (備前国住長船与三左衛門尉祐定) from Sano Museum Catalog

Common Sengoku Period characteristic that shows on the sword above.

Hamon is Kani-no-Tsume (crab claw shape).  This type of hamon never appeared Heian, Kamakura, Nanbokucho period.  This type of Hamon is a deciding point of the Sengoku time.  Marudome-Hi (round end groove) often appear on Bizen Den sword of Sengoku period.  Wide tempered area.  Midare-komi Boshi, with turn back deep and stop sharp.  Hamon is Nioi base.  Bizen does Nioi mostly with some exception.

60 Kanesada photo  60 kanesada illustration

Izuminokami Fujiwara Kanesada (和泉守藤原兼定) from Sano Museum Catalog

Common Sengoku Period characteristic that shows on the sword above

The last letter of Kanji of this swordsmith is not ”定”, instead “宀” and “之”.  But my computer does not have one.  To distinguish from the other Kanesada (兼定), we call “宀 “ and “之 “, Nosada (のさだ) Izuminokami Fujiwara Kanesada is the top sword smith of Mino-Den at this time.  The shape of the sword is the typical Sengoku sword.  Shallow curvature, Chu-gissaki (medium Kissaki), pointed gunome Hamon.  The width of the Hamon is wide and narrow.  Often, Nosada and other Mino-Den have woodgrain on Ji-Hada with Masame mixed.  Nioi base with coarse Nie mixed.

 

60 Norimitsu photo  60-norimitsu-illustraton.jpg

Bizen Osafune NorimitsTu (備前長船法光)   from Sano Museum Catalog

The common Sengoku period characteristic that shows on the sword above

Shallow curvature.  This style of sword including the shallow curvature  (the degree in which the sword turns), the width of the blade and the sturdy look is very typical of Sengoku period.  Marudome-Hi.  Pointed Hamon called Togari-Ba ( 尖り刃).  Nioi base mixed with Nie.  Slight Masame and wood grain on Ji-Hada.

My Yamato Sword (大和所有刀剣)

Chapter 16|The Revival of Yamato Den(大和伝復活)and  Chapter 51| Part 2 of —– 16 The Revival of Yamato Den (大和伝復活) was the discussion about Yamato-Den.  It may be appropriate to show my Yamato sword here.  I obtained this sword at the yearly San Francisco swords show a few years back.

Characteristic:  Munei (cut short and no signature).  Yamato Den, Tegai-ha (Yamato school Tegai group).  Length is 2尺 (shaku) 2寸(sun) 8 1/2 分(bu) —27&1/4 inches.  Very small Kissaki and Funnbari.  This shape is typical of the end of Heian to early Kamakura period though nobody said so.

my-yamato-sword-e1555694162999.jpg

 

The Entire view of the sword and Kantei-Sho (NBTHK* Paper).  It is ranked “Tokubetsu Hozon Token”.  * Nihon Bijutsu Token Hozon Kyoukai (日本美術刀剣保存協会)

My Yamato sword 4

My Yamato sword.jpg 2

My Yamato sword 3

My Yamato sword 5

On Hamon, Sunagashi, Nijyu-ba shows very faintly.   I could not take a good photo of boshi.  But it is Yakizume like.  Ji-Hada is Itame with faint Masame, almost Nashiji-Hada (possibly because of my eyes).  Nie-Honni . 

 

51| Part 2 of —– 16 The Revival of Yamato Den (大和伝復活)

This chapter is the continued part of chapter 16|The Revival of Yamato Den (大和伝復活 .   Please read chapter 16 before reading this chapter.

51 Japan map Yamato

At the end of the Kamakura period, in the Yamato area, powerful temples expanded their territory.  They had the political and military power to control the area.  Especially a few powerful temples owned a large territory.   They were called Shoen (荘園).  The demand for the Sword increased by warrior monks called Sohei (僧兵).  That started the revival of Yamato school.  Some of the big temples had their own swordsmiths within their territory.  Todaiji-temple (東大寺) backed Tegai (手掻 ) group.  Senjuin (千手院 ) group lived near Senju-Do (千手堂 ) where Senju Kannon (千手観音 ) was enshrined.  The name of the Taima group came from Taima-Ji temple (当麻寺).  Shikkake group (尻懸 ) and Hosho group (保昌 ) as well.  Those five groups are called Yamato Goha  (Yamato five groups).

General Characteristic of Yamato Den

Yamato Den (大和伝) sword always shows Masame (柾目, straight grain like) on somewhere on Ji-Hada,  Jigane or Hamon.   Please refer to the 16 Revival of Yamato Den (大和伝復活) for its general characteristic.  Masame is sometimes mixed with Mokume (burl like) or Itame (wood grain like).  Either way, Yamato sword shows Masame somewhere.  Some sword shows Masame entirely or some shows a lesser amount.  Because of that, Hamon tends to show Sunagashi (brush stroke like) or a double line like Hamon called Nijyu-ha.

Taima or Taema group (当麻 )

  • Shape —– Middle Kamakura period shape and Ikubi Kissaki style
  • Hamon —–Mainly  Medium Suguha.  Double Hamon.  Suguha mixed with Choji. Shows Inazuma, Kinsuji, especially under Yokote line Inazuma appears.
  • Boshi —– Often Yakizume. Refer Yakizume on 16 Revival of Yamato Den (大和伝復活)
  • Ji-Hada Ji-Tetsu —– Small wood grain and well knead surface.  At the top part of the sword, wood grain pattern becomes Masame.

 Shiikkake Group (尻懸  )

  • Shape —– Late Kamakura period shape. Refer 15 Late Kamakura Period Sword
  • Hamon —– Mainly Nie (we say Nie Honni). Medium suguha frayed, mixed with small irregular and Gunome (half circle).  Double lined, brush stroke like pattern.  Small Inazuma, Kinsuji
  • Boshi —– Yakizume, Hakikake (swept trace by broom) and Ko-maru ( small round)
  • Ji-Hada, Ji-Gane —– Small burl mixed with Masame.  Shikkake group sometimes shows Shikkake Hada.  That is,  Ha side shows  Masame and Mune side shows burl.

Tegai Group ( 手掻 )

  • Shape —– Early Kamakura Thick Kasane (body).  High Shinogi.  Koshizori.
  • Hamon —– Narrow tempered line with medium Suguha Hotsure (frayed Suguha).  Mainly Nie.  Double tempered line. Inazuma, Kinsuji shows.
  • Boshi —– Yakizume (no turn back ), Kaen (flame like).
  • Ji-Hada Ji-Gane —– Fine burl mixed with Masame.  

 

51 Kanenaga photo Yamato51 Kanenaga ilustration Yamato

Tegai Kanenaga of Yamato.  From Sano Museum Catalogue (permission granted)

The illustration shows Notare (wave-like Hamon) and Suguha Hotsure (frayed Suguha) and Kinnsuji.

Example of Kantei process how to figure out the maker of the sword using the above photo

  • To determine Jidai (time) by Sugata (shape) —-—-Heian (possible),  Early Kamakura (possible),   Middle Kamakura (possible),  Late Kamakura (possible),  Nanboku – Cho (unlikely),  Muromachi (possibly No),   Sengoku (possibly No),  Shinto ( possibly No),  Shinshin-To (No)
  • To judge from Hamon (actual view shows Masame)——-Yamashiro-Den (possible),  Yamato-Den (very possible),  Bizen-Den (unlikely possible),  Soshu-Den (unlikely possible),  Mino- Den (No)
  • Jihada (actual view shows Nie a lot) —–Yamashiro-Den (possible),  Yamato-Den (very possible),  Shoshu-Den (unlikely possible),  Bizen-Den (unlikely ),  Mino-Den (unlikely)

By looking at the bold letter above, analyzing the above information, you conclude and come up with the name of the swordsmith.  In reality, to Kantei, bring more checkpoints and come up the name.

 

43| Part 2 of —– 9| Middle Kamakura Period Yamashiro Den (鎌倉中期山城伝)

This is the detailed section of Chapter 9.   Please read chapter 9 one more time before reading this chapter.

During Middle Kamakura Period, there are three main groups among Yamashiro Den.  They are Ayano-Koji (綾小路) group, Awataguchi (粟田口) group, and Rai (来) group.

Ayano-Koji group (綾小路 )

Names of Swordsmiths among Ayano-Koji:  Ayano-Koji Sadatoshi (綾小路定利) Sadanori (定則) .

When we refer to a certain group, we say, “xxx haxxx ippa   “, or  “xxx ichimon “.  We use those three words interchangeably.  For example, we say Ayano-Koji ichimon, indicate Ayano-Koji group.

Sugata (shape or figure) ———- In general, gentle or graceful Kyo-zori shape.  The difference between the width of the  Yokote line and the width of Machi is not much.  The sword is slender yet thick.  Small Kissaki                                   

Hi and Engraving ———- Bohi (one groove) or Futasuji-hi (double groove)        

Hamon ———- Nie base with Ko-choji (small clove shape) and Ko-midare (small irregular).   Small Inazuma and Kinzuji.   Double Ko-choji appears.                      

Boshi (tip area) ———- Ko-maru (small round), Yakizume (refer to the illustration below), and Kaen (flame like shape)  

Jitetsu ———- Small wood grain with a little Masame (straight grain)  Ji-nie       

Nakago (tang) ———- Long, slight fat feeling

Awataguchi group (粟田口)

Names of Swordsmiths among Awataguchi group:  Awataguchi Kunitomo (粟田口国友 ),  Hisakuni (久国),  Kuniyasu (国安),  Kuniyasu (国安), Kunikiyo (国清)

Many swordsmiths of Awataguchi group (or Awataguchi Ichimon) received the honor as the Goban Kaji from Gotoba Joko (Emperor Gotoba 後鳥羽上皇 ).  In general, their typical characteristic is as follows.

Sugata (Shape or figure) ———- Elegant shape  Torii-zori (or Kyo-zori)

Hi and Engraving ———- The tip of Hi are all the way up and fill in the Ko-shinogi The end of the Hi can be Maru-dome (the end is round),  Kakudome  (the end is square) or kakinagashi.

9 «part 2» 大小丸,焼詰,丸角止, 掻流     Maru-dome (rounded end)             Kaku-dome (square)                Kakinagashi

Hamon ———- The slightly wider tempered line at the bottom then the narrow tempered line at the top.  Nie base (this is called Nie honni).    Straight tempered line, straight-tempered line mixed with Ko-Choji (small clove)  or Ko-Choji.  Sometimes wide straight line mixed with Choji.  Awataguchi Nie appearance.  Awataguchi Nie means fine, deep and sharp shiny Nie around tempered line area.   Fine Inazuma (lightning) and Kinsuji (golden streak) appearance.

Boshi (tip area) ———- Ko-maru (small round)  or O-maru (large round) both return is sharrow.  Yakizume, Nie Kuzure, and Kaen (flame).Yubashiri

 

9-«part-2»-大小丸焼詰丸角止-掻流-1-e1547925390685.jpg

Yakizume       O-maru       Ko-maru     Yakikuzure

Jitetsu ———- Fine Ko-Mokume(wood swirls) with Ji-nie.  Yubashiri, Chikei appears.       

Nakago ———- Often two letter inscription

Rai group ()

Names of swordsmiths among Rai group:  Rai Kuniyuki (来国行),  Rai Kunitoshi (来国俊) or Niji Kunitoshi (二字国俊),  Ryokai (了戒 )

Rai Kunitoshi is said to be Rai Kuniyuki’s son.  Ryokai is said to be Rai Kunitoshi ‘s son

A general characteristic of Rai Kuniyuki and Kunitoshi is as follows.  However, each sword has its own different characteristic.

Sugata (shape or figure) ———- Gracefull with dignity.  Thick body.  Rai made Ikubi Kissaki.                                                                                                                 

Hi and Engravings ———- Wide and shallow Hi.                                             

Hamon ———- Nie base.  Suguha (straight), wide suguha, ko-midare (small irregular), and choji  (clove).  Sometimes large choji at the lower part and narrow suguha at the top.  Inazuma and Kinsuji appear around yokote area.

Boshi ———-  Komaru, Yakizume (refer to the illustration above)

Jitetsu ———- Finely forged Itame (small wood grain) sometimes mixed with masame (parallel grain).  Fine Nie.  Rai group sporadically shows Yowai Tetsu which means weak surface.  This may be the core iron.

img017
Rai Kuniyuki (来国行)Juyo Bijutsuhin   (重要美術品)Once family owned Photo taken by my father with his writing on the left

 

9 «part 2» Rai Kuniyuki photo.jpg

Rai Kuniyuki (来国行)Sano Museum Catalogue (佐野美術館)  permission granted

 

 

16|The Revival of Yamato Den (大和伝復活)

 

14 Late Kamakura Period timeline

The circle represents the time we are discussing in this section

It is said that the first sword making started from Yamato province (present Nara prefecture) during the Nara period (710 to 704).  In the early sword making days, their forging technique was primitive.  At that time a large number of swordsmiths lived in Yamato, yet as time passes, the sword making declined in this area.

At the end of the Kamakura period, several powerful temples had power struggles against each other in Yamato area.  Temples had a strong political power and military power to control a large territory called Shoen (荘園) with their large number of worrier monks called Sohei (僧兵).  The most powerful group were called Nanto Sohei (南都僧兵)*.

The groups of Sohei demanded more swords to arm themselves.  The high demand of the swords from Sohei revitalized the Yamato Den (School) and led to increase the number of the swordsmiths in Yamato.   As a result, Yamato Denl became active again. Yamato Den style is somewhat similar to that of Yamashiro Den.  See chapter 6.

 

*Nanto Sohei (南都僧兵)———Since around the 11th century, Buddhistic temples became powerful under the protection of JoKo (retired Emperor).  Those temples had a large number of Sohei (low-level monks who also acted as soldiers) under them.  When the power struggles between the temples occurred, Sohei fought as a soldier in the battlefields.  Nanto Sohei were monk soldiers of Kofuku-Ji temple (興福寺).  Several large temples like Todai-Ji (東大寺) temple and other temples controlled the Yamato area.

Shape (Sugata姿) —————-1. Graceful Yamashiro style. 2. Shinogi is high.  3. Mune is thin.  4. Some group of Yamato school has shallow Sori (curvature).

16 Yamato sword cross section

Hamon (Tempered line) ——-Narrow tempered line.  Mainly Nie (沸).  Chu-Suguha-Hotsure (medium straight with frayed look中直刃ほつれ), Ko-Choji-Midare (small clove-like pattern and irregular mixture 小丁子乱), Ko-Midare ( fine irregular小乱), Ko-gunome-komidare (small irregular continuous half circle 小五の目小乱).  The main characteristic of Yamato school is Masame (straight grain), therefore, the tempered line often shows double straight line called Nijyu-ha, Hakikake (brushed sand) and Uchinoke (Crescent-shape line).  See the illustration below.

16 Hamon Yamato

Boshi (鋩子)———-Inside the Boshi area, straight grain pattern also appears. Yakizume, Kaen(refer 13 Tanto Middle Kamakura period), O-maru, Ko-maru, Nie-kuzure (refer 15 Late Kamakura Period)

13 Hamon and Hi15 O-maru Ko-maru Niekuzure

 

Jihada or Jitetsu (the area between shinogi and hamon )——Mostly Masame hada (straight grain pattern 柾目肌). Fine ji-nie, Chikei, and Yubashiri shows (refer 15 Late Kamakura Period).

16 Masame Hada

Nakago (Hilt)——————Often shows the finishing file pattern as shown below.  This is called Higaki Yasuri (檜垣).

16 Higaki Yasuri

Names of the Yamato School Sword-smiths

Taema(当麻) Group————–Taema Kuniyuki(当麻国行) Taema Tomokiyo(当麻友清) Shikkake (尻懸) Group———————————————–Shikkake Norinaga (尻懸則長) Tegai (手掻) group —————–Tegai Kanenaga (手掻包永) Tegai Kanekiyo(手掻包清) Hoshou (保昌) group——–Hosho Sadayoshi ( 保昌貞吉) Hosho Sadamune (保昌貞宗)

16 Shaya Ensou

Yamato Senjuin Shaya Enso (大和千手院沙弥円宗) was once family sword