64| Part 2 of –30 Shin Shin-To : Bakumatsu sword (新々刀)

This Chapter is a detailed Chapter of the 30|Bakumatsu Period, Shin Shin-to.  Please read Chapter 30 before reading this chapter.

0-timeline - size 24 Bakumatsu

                  The circle Above indicates the time we discuss in this chapter.

Swords made between the Tennmei era (天明 1781) and the end of the Keio era (慶應) are called shin shin-to.  Please refer to the timeline above.  This period was when Japan was moving toward the Meiji Restoration, known as the Bakumatsu era.  During this time, sword-making became active again.  Below are the well-known swordsmiths from the main areas.

Musashi no Kuni  (武蔵の国: Tokyo today)                                                       

Suishinshi Masahide (水心子正秀) ——— When Suishinshi Masahide made Yamashiro-den style swords, their shapes resembled those of ko-to period swords; funbari, an elegant shape; chu-suguha (medium straight); komaru-boshi, with fine wood grain. When he forged in the Bizen style, he made a Koshi-zori shape, similar to a ko-to made by Bizen Osafune.  Nioi with ko-choji, and katai-ha (refer to  30| Bakumatsu Period Sword 新々刀).  In my old sword textbook, I noted that  I saw Suishinshi in November 1970 and October 1971.

Taikei Naotane (大慶直胤) ————————–Although Taikei Naotane was part of the Suishinshi group, he was one of the top swordsmiths.  He had an exceptional ability to forge a wide range of sword styles beautifully.  When he made a Bizen-den style, it resembled Nagamitsu from the Ko-to era, with nioi.  Also, he did sakasa-choji as Katayama Ichimonji had done.  Katai-ha appearsThe notes in my old textbook indicate I saw Naotane in August 1971.

Minamoto no Kiyomaro (源清麿) ————————– Kiyomaro wanted to join the Meiji Restoration movement as a samurai; however, his guardian recognized Kiyomaro’s talent as a master swordsmith and helped him become one.  It is said that because Kiyomaro had a drinking problem, he was not very eager to make swords.  At age 42, he committed seppukuKiyomaro, who lived in Yotsuya (now part of Shinjuku, Tokyo), was called Yotsuya Masamune because he was as good as Masamune.  His swords featured wide-width, shallow sori, stretched kissaki, and fukura-kereru.  The boshi is komaru-boshi.  Fine wood grain ji-gane.

Settsu no Kuni   ( 摂津の国:  Osaka today)

Gassan Sadakazu (月山貞一) ———- Gassan excelled in the Soshu-den and Bizen-den styles, but he was capable of making in any style.  He was as much a genius as Taikei Naotane.  You must pay close attention to notice a sword made by Gassan from genuine ko-to.  He also had remarkable carving skills.  His hirazukuri-kowakizashi, forged in the Soshu-den style, looks just like a Masamune or a Yukimitsu.  He forged in the Yamashiro-den style, with Takenoko-zori, hoso-suguha, or chu-suguha in nie.  Additionally, he forged the Yamato-den style with masame-hada.

 

 

60|Part 2 of – – 26 Overview of Shin-To (新刀概要)

Chapter 60 is a detailed part of Chapter 26, Overview of Shinto (新刀概要).  Please read Chapter 26 before reading this section.

0-timeline - size 24 edo Period

                   The red circle above indicates the time we discuss in this section    

The difficulty of Shin-to Kantei

Regarding swords from the ko-to period, you can estimate when they were made by analyzing their style and shape.  Several factors indicate which period and which Gokaden (五ヶ伝) created the sword by examining several points, such as the appearance of the hamon or the appearance of the ji-gane.  However, swords from the shin-to period do not follow this method.     

Although there are differences among shin-to swords made during the early Edo period, around the Keicho (慶長: 1596 ~) era, the middle Edo period, that is around the Kanbun (寛文: 1661 ~) era, and the late Edo period, that is the Genroku era (元禄: 1688 ~), these differences are not much. 

The same applies to the Gokaden (五ヶ伝) during the shin-to period.  In the ko-to time, Bizen swordsmiths forged swords with Bizen characteristics.  Swords made by Yamato swordsmiths usually showed the Yamato-den features.  However, during the shin-to period, a swordsmith from one specific den sometimes forged blades in the style of another den’s featuresAs a result, it is difficult to determine the maker of a particular sword. 

For shin-to, we will study the characteristics of the seven main locations, which will be discussed in the following chapters.

Picturesque Hamon

During and after the Genroku era (元禄1688 – 1704), some picturesque hamon style became trendy.  Several swordsmiths created picturesque hamon on wakizashi and short swords.  As it gained popularity, especially among foreigners, most of these swords were exported from Japan during the Meiji Restoration.  Today, very few remain in Japan.

The swordsmiths who made picturesque  Hamon 

Yamashiro (山城) area ———————————-Iga-no-kami Kinmichi (伊賀守金道),                                                                                       Omi-no-kami Hisamichi (近江守久道)

Settsu (摂津) area ———————————Tanba-no-Kami Yoshimichi  (丹波守吉道)                                                                                 Yamato-no-Kami Yoshimichi (大和守吉道)

Below are examples.  Fuji is the Mount Fuji designKikusui is a chrysanthemum in the water.

63 fuji sakura hamon

        Fuji                                      Kikusui

34| Part 2 — 1 Timeline

Chapter 34 is a continued part of Chapter 1 Time line.   Please read Chapter 1 before reading this section.

   0 timeline - Gendai-to                             The red circle indicates the time we discuss here

In the “Chapter 1 Timeline,” the gendai-to (現代刀) are swords made from the Meiji Restoration (明治維新1868) up to the present day.  It has been about 150 years since the Meiji Restoration.  Although all swords made after the Meiji Restoration are grouped under the gendai-to, there are many differences in quality and style.  One notably different type is the gun-to (軍刀).  These are military swords forged during World War I and World War II.  Some of them have a saber-like handle.  With a few exceptions, these were made without using traditional sword-making techniques of heating and folding.  Among the gendai-to, gun-to are usually considered less valuable.  The gun-to swords made around and during World War II are called Showa-to.  It often has a brown leather scabbard.  Gun-to is not a part of the study of the Japanese sword.

*Refer to” https://en.wikipedia.org/wiki/Gunt%C5%8D”  for the Japanese military sword.

                                Gun-to    From Wikimedia Commons, the free media repository

At the time of the Meiji Restoration (明治維新), swords called Meiji-ishin-to (明治維新刀) or Kin’no-to (勤王刀) were made.  These swords were owned by famous historical figures such as Saigo Takamori (西郷隆盛) and Sakamoto Ryoma (坂本龍馬).  They are important historical figures who advanced the Meiji Restoration.  These swords are long, some almost 3 feet long, and have no curvature.

Today, many famous swordsmiths are making excellent swords.  Some are recognized as living national treasures.  Gendai-to refers to swords made after the Meiji Restoration to the present, but keep in mind that there is a wide range of differences in quality, type, and purpose among them.

Sword forged by a living national treasure, Mr. Miyairi Shohei (宮入昭平)My brother’s sword.

25| Edo Period History 1603 – 1867  (江戸時代歴史)

 
edo Period with Momoym
The circle above indicates where we discuss in this chapter.

Between the Sengoku period (戦国時代) and the Edo period (江戸時代) in Japanese political history, there was a time called the Azuchi-Momoyama period (安土桃山).  It lasted from around 1573 to 1614, as shown in the third (bottom) timeline above.  This was the era when Oda Nobunaga (織田信長), Toyotomi Hideyoshi (豊臣秀吉), and Tokugawa Ieyasu (徳川家康) played central roles in politics. 

After Tokugawa Ieyasu (徳川家康) won the Battle of Sekigahara (関ヶ原の戦い) in 1600 and defeated Toyotomi’s vassals (Toyotomi Hideyoshi had already passed away by then), Tokugawa Iyeyasu became the shogun (将軍) in 1603.  This marked the start of the Edo Period (江戸).  In sword history, as shown in the middle timeline above, the Edo period follows immediately after the Sengoku period.

At the end of the Sengoku period and throughout the Azuchi-Momoyama period, the economy grew significantly, and new cultures flourished.  Beautiful and impressive art forms, such as paintings, architecture, and interior design, were created.  The tea ceremony was developed by Sen No Rikyu (千の利休), and Kabuki began to be performed during this period.  This era was somewhat similar to the European Renaissance. Interestingly, this emergence occurred in Japan and Europe around the same time.  

Around this time, many Europeans came to Japan.  That was during the era of European exploration in the East.  They were from England, Spain, Holland, and Portugal.  The novel “Shogun” by James Clavell is based on the true stories of William Adams and Jan Joosten Van Londersteyn*¹ from that period.  Today, you can see Jan Joosten’s statue at Tokyo Station.  I stay at a hotel near Tokyo Station on my yearly trip to Japan.  I often pass by in front of “Jan Joosten’s” statue.   It is located underground inside Tokyo Station, right in the busy shopping area.  It can be easily missed unless you look for it.  There is also another statue of him outside the station.

Shogun Tokugawa Iyeyasu hired William Adams and Jan Joosten (the Japanese call him Jan Joosten, not his full name) as his advisors, and he gained information about Europe from them.  Shogun Tokugawa Iyeyasu treated them well.  The area where Jan Joosten lived is now called Yaesu (八重洲), named after him.  William Adams changed his name to Miura Anjin and lived in the Miura area.  This place is about an hour and a half south of Tokyo today.  The records of these two men are well-kept and easily accessible. 

Europeans introduced many European goods and ideas to Japan.  Although Christianity became popular and spread widely during the early Azuchi-Momoyama period, Toyotomi Hideyoshi later banned it.  After the Meiji Era (1868), religious restrictions were lifted.

The Edo period started when Tokugawa Iyeyasu became shogun (1603) and ended with the Meiji (明治) Restoration in 1868. The Tokugawa bakufu, or Tokugawa government, was the sole governing entity in the country during this period.  Although emperors still existed, political power shifted to the Tokugawa bakufu.  

Gradually, ports for European ships were restricted.  Eventually, Spaniards were no longer allowed to come to Japan, and then the Portuguese.  The Japanese were also banned from traveling abroad.  By around 1640, Dejima, a port town in Hirato, Nagasaki Prefecture, was the only place in Japan where foreigners could do business with the Japanese.  Only the Dutch were allowed to arrive from Europe.  Japan isolated itself from the outside world until the Meiji Restoration (1868).

During the Azuchi-Momoyama and early Edo periods, many European ships visited Japan. Strangely, a lot of these ships wrecked near Japan’s shores. One reason is that Japan is a volcanic island. Even if the sea’s surface appears calm, there are many obstacles beneath the surface, such as underwater mountains and large hidden reefs. The Europeans lacked the waterway information common among Japanese seamen.

Additional stories to share just for fun

Another reason many ships were wrecked was that they were searching for gold.  When Marco Polo traveled to China, he heard from the Chinese people about a small island country farther to the east.  This land was prosperous, and the emperor’s palace was made of gold and silver.  After Marco Polo returned to Italy, he published a book (in the late 1300s) about his journey.  In his book, he mentioned what he had heard about the island nation of Japan in China, even though he had never visited Japan himself.  The book was widely read across many European countries.  Once traveling to the East became possible for Europeans, they came to Japan in search of gold. 

Yes, Japan produced a large amount of gold.  However, for the Europeans, it was too late.  By then, the Fujiwara family had already mined most of the gold in the Oh-shu area (奥州, northern Japan).  This area includes the present-day prefectures of Aomori, Akita, Fukushima, and Miyagi, where the devastating tsunami hit in 2011.  Toyotomi Hideyoshi also owned many gold mines, but they had already been mined as much as possible with the skills available at that time.  Japan once had many gold and silver mines across the country.  Those mines are now depleted, and only a few remain available for mining today.

Throughout history, there have been facts and rumors about “maizo-kin: 埋蔵金.”  Maizo-kin refers to gold buried or hidden by people such as the Tokugawa Shogun, Toyotomi Hideyoshi, wealthy daimyo, and merchants.  Without vaults, the only way to store gold was to bury it in secret places.  Several maizo-kins have been discovered, including one in the middle of Tokyo, Ginza.  There are still several large ones that haven’t been found yet.  These include Hideyoshi’s maizo-kin, the Tokugawa bakufu maizo-kin, and several othersAlthough several maps indicated the locations of these maizo-kin, they were, of course, fake.  Today, whenever the ground is dug up to build a large structure, people start discussing the discovery of a big maizo-kin.

Gold gradually flowed out of Japan over the centuries until the Meiji Restoration, because the exchange rate between gold and silver was much cheaper in Japan than elsewhere. Today, we still mine gold on a small scale.

It is said that the name of the country, Japan, originates from Marco Polo’s book.  He referred to Japan as “Chipangu,” which means “gold country,” in his book. *²   From “Chipangu” to “Zipang” to ‘Jipang,” it eventually became “Japan.”  The Japanese don’t call the country Japan but “Nihon” or “Nippon” (日本).

ヤン ヨーステン Jan Joosten van Lodenstijn https://www.weblio.jp Or Jan Joosten van Londensteyn 

*² Wikipedia “Names of Japan” or Check (Click) right to go to the link Jipangu 

26 map of Cipangu1492

Cipangu was described in 1492 by Martin Beham’s globe                                                    From Wikimedia Commons, the free media repository (Names of Japan)