49| Part 2 of — 15 The Revival of Yamato Den (大和伝復活)

This chapter is a detailed part of Chapter 15, Revival of Yamato Den.  Please read Chapter 15 before reading this section.

0-timeline - size 24 Late Kamakura                          The red circle above indicates the time we discuss in this section

At the end of the Kamakura period, powerful temples expanded their territories in the Yamato region.  Refer to the map below for the location of the Yamato region.  Several prominent temples, especially those with large territories, held political and military power to control the area at the end of the Kamakura period.  These large territories were called shoen (荘園).  They employed many monk soldiers known as so-hei.  The demand for swords increased because of the rising number of Sohei (僧兵).  This increased demand revived the Yamatoden.  

Some prominent temples had their own swordsmiths within their territories. Todaiji Temple (東大寺) supported the Tegai (手掻) sword group.  The Senjuin (千手院) sword group lived near Senju-do (千手堂), where Senju Kannon (千手観音) is enshrined.  The Taima sword group originated from the Taima-ji Temple (当麻寺).  The Shikkake group (尻懸) and the Hosho group (保昌) were also part of the Yamato-den sword groups.  These five groups are known as Yamato Goha (the Yamato five groups).

51 Japan map Yamato

General Characteristic of Yamato Den

The Yamato-den (大和伝) sword always shows masame (柾目: straight grain-like pattern) somewhere on the ji-hada, ji-gane, or hamon.  Refer to Chapter 15, Revival of Yamato Den.   Masame is sometimes mixed with mokume (burl-like pattern) or itame (wood-grain-like pattern).  Either way, Yamato-den always shows masame somewhere.  Some swords display masame across the entire blade, while others show less.  Because of the masame, the hamon often shows sunagashi (a brush stroke-like pattern) or a double line called niju-ha.

Taima (or Taema) group (当麻)

  • Shape ———————– Middle Kamakura period style and Ikubi-kissaki style    
  • Hamon ———–Mainly medium Suguha.  Double HamonSuguha mixed with Choji.  Often shows Inazuma and Kinsuji, especially Inazuma appear under the Yokote line.
  • Boshi ————————- Often Yakizume.  Refer Yakizume on 15| The Revival of Yamato Den(大和伝復活)
  • Ji-hada ——————– Small wood grain pattern and well-kneaded surface.  At the top part of the sword, the wood grain pattern becomes Masame.

Shikkake Group (尻懸 

  • Shape —————- Late Kamakura period shape. Refer 14| Late Kamakura Period: Sword (鎌倉末太刀) 
  • Hamon ————————- Mainly Nie (we say Nie-hon’i).  Medium frayed Suguha, mixed with small irregular and Gunome (half-circle pattern).  A double-lined, brush-stroke-like Pattern may appear.  Small Inazuma and Kinsuji may also be shown.      
  • Boshi ———————— Yakizume, Hakikake (bloom trace like pattern) and Ko-maru (small round)     
  • Ji-hada ———- Small burl mixed with Masame.  The Shikkake group sometimes shows Shikkake-hada (the Ha side shows Masame, and the mune side shows burl.)

Tegai Group ( 手掻 )

  • Shape —— Early Kamakura style with thick Kasane (body).  High ShinogiKoshizori.
  • Hamon ————- Narrow tempered line with medium Suguha hotsure (frayed Suguha).   Mainly Nie.   Double tempered line.  Inazuma and Kinsuji may show.                                                                 
  • Boshi ————————————— Yakizume (no turn back), Kaen (flame-like).   
  • Ji-Hada ————————————————— Fine burl mixed with Masame. 

51 Kanenaga photo Yamato51 Kanenaga ilustration Yamato

Tegai Kanenaga of Yamato.  From the Sano Museum Catalogue (permission granted).   The illustration (called Oshigata) shows notare (wave-like hamon) and suguha-hotsure (frayed suguha pattern) with kinsuji.

My Yamato sword Acquired at the Annual San Francisco Swords Show.

Characteristics: Munei (shortened and without signature).  Yamato-den, Tegai-ha (Yamato school Tegai group).  Length is two shaku, two sun, eight &1/2 bu (27 1/4 inches), small kissaki and funbari. HamonNiju-ba, Sunagashi.  Boshi: Yakizume.  Ji-hada: Itame with masame, Nie-hon’i .                                                                                                                                     

My Yamato sword

The full view of the sword and Kantei-sho (NBTHK Certification). “Tokubetsu Hozon Token”.

My Yamato sword 5

My Yamato sword 4

My Yamato sword.jpg 2

My sword: acquired at Dai Token Ichi (大刀剣市)Bizen Osafune Tomomitsu (備前長船倫光) Length: 2 feet 4 inches,  Shape: Shinogi zukuri,  Hada:itame midare-utsuri, Hamon: konotare gunome choji

48|Part 2 of — 14|Late Kamakura Period Sword : Early Soshu Den (鎌倉末刀)

This is a detailed section of Chapter 14| Late Kamakura Period Sword.  Please read Chapter 14 before this part.

0-timeline - size 24 Late Kamakura

                         The red circle above indicates the time we discuss in this section.

14 Ikubi kissaki Damadge

In Chapter 14, “Late Kamakura Period Sword (鎌倉末太刀),” the ikubi-kissaki sword is explained.  The illustration above shows a flaw caused when the damaged area was repaired.  To compensate for this flaw, swordsmiths developed a new sword style during the late Kamakura period.  They forged swords with a longer kissaki and lowered the tip of the hi below the yokote line.   This way, if the yokote line were lowered during repairs, the tip of the hi would remain below the yokote line.

15 Masamune (Sano)   15 Masamune hamon (Sano)

The above photo shows a sword by Goro Nyudo Masamune (五郎入道正宗).  Please observe the size and shape of the kissaki.  This differs from the previous ikubi-kissaki and ko-gissaki stylesThis style represents a typical late Kamakura period kissaki style.  It is o-suriage (a largely shortened form). 

Under the Kamakura Bakufu, many swordsmiths moved to KamakuraThey were Toroku Sakon Kunituna (藤六左近国綱) of the Yamashiro Awataguchi group (山城粟田口), Fukuoka Ichimonji Sukezane (福岡一文字助真), and Kunimune (国宗) from the Bizen area.  They were the origin of Soshu-den (相州伝)Eventually, Tosaburo Yukimitsu (藤三郎行光) and his famous son, Masamune (正宗), emergedIn the drawing above, kinsuji and inazuma are shown within the hamon.  The shining lines inside the hamon are inazuma and kinsuji.  Inazuma and kinsuji are collections of nie.  Masamune is well-known for his inazuma and kinsuji.  He lived in Kamakura, a seaside town, and his hamon resembles ocean waves when viewed from the side.

50 part 2 of 15 吉岡.photo 50 part 2 of 15 吉岡

The picture above shows a sword made by the swordsmith Yoshioka Ichimonji group (吉岡一文字).  The kissaki resembles one of Masamune’s swordsIt is longer than the previous ikubi-kissaki or ko-gissaki.  This is chu-gissaki.  The kissaki, like this, is one of the key points in determining the period when the sword was made.  The hamon has choji, gunome, togariba (pointed tip), and very tight nie.

50 part 2 of 15 運生 photo 50 part 2 of 15 運生 

The photo above shows a sword by Ukai Unsho (鵜飼雲生) from Bizen-den.  This sword is also from the late Kamakura period, but it has a ko-gissaki.  This sword does not have the late Kamakura period chu-gissaki style.  Narrow hoso-suguha are more characteristic of an earlier time than the late Kamakura periodThis sword indicates that swords do not always exhibit the style of their period.  To kantei*: first examine the style and shape, then give yourself an idea of the period it was made in.  However, the kissaki in this case does not indicate the late Kamakura period.  The next step is to look at the various characteristics of the sword one by one, such as the hamon, nie or nioi, ji-hada, etc., to determine the period, the den, and the province, and then come up with the name. This process is called kantei.

*Kantei – the process of identifying a swordsmith’s name by analyzing the sword’s characteristics without seeing the mei (the inscribed smith’s name).  The mei might be gone if it has been shortened.   All the photos above are from the Sano Museum Catalogue.  Permission to use them is granted.

47| Part 2 of –13 Late Kamakura Period: Genko (鎌倉末元寇)

This is a detailed section of Chapter 13, Late Kamakura Period, Genko(鎌倉末元寇).  Please read Chapter 13 before reading this section.

0-timeline - size 24 Late Kamakura

                      The red circle above indicates the time we discuss in this section.

Genko (元寇):  Mongolian Invasion 

Chapter 13 briefly describes the Mongolian invasion.  Here is a more detailed description.  The Mongol Empire was a vast empire that stretched from present-day Mongolia to Eastern Europe during the 13th and 14th centuries.  The grandson of Genghis Khan, Kublai Khan, sent several official letters to Japan demanding that it become a dependent state of the Mongol Empire (元: Yuan) and ordering Japan to send tribute.  They threatened Japan, warning that they would invade if Japan did not meet their demands.  Hojo Tokimune (北条時宗), who was in power at the Kamakura bakufu (government) at the time, refused and ignored the letters multiple times.  This led to two invasions by the Mongol Empire.  It is often said that a powerful typhoon hit Japan on each occasion, and these two powerful typhoons drove the Mongols away.  This is correct, but the whole story was much more than this.

Bun’ei-no-eki (文永の役)  1274

The first Mongolian invasion was called Bun’ei-no-eki.  In early October 1274, Mongol troops (Mongols, Han Chinese, and Koreans) totaling around 40,000 men* set out from the Korean Peninsula on about 900* large and small ships and headed toward Japan.  After arriving on Tsushima Island (対馬), Mongol soldiers burned villages and killed many residents, including local villagers.  Villagers were captured and sent to the top Mongol officials as slaves.  It was a heartbreaking scene. 

The Mongols moved to Iki Island (壱岐の島), Hizen Shore (肥前), Hirado Island (平戸)、Taka Island (鷹島), and Hakata Bay (博多).  In each location, the disastrous and sorrowful scenes were the same as everywhere.    On every battlefield, Japanese soldiers and villagers were killed in large numbers.  The Kamakura bakufu sent a large number of samurai troops into battle.  The Japanese forces sometimes won and pushed the Mongols back, but they mostly lost.  Many Japanese wives and children near the battlefields were captured. 

Eventually, no soldiers dared to fight the Mongols. The Mongols’ arrows were short and not very powerful, but they coated the tips with poison and shot them all at once like rain.  Also, this was the first time the Japanese faced firearms. The loud sound of explosions frightened horses and samurai.  Japanese troops had to retreat, and the situation was grim for them.  But one morning, there was a big surprise!  All the ships had vanished from the shore.  They were all gone on the morning of October 21 (today’s date, November 19).  All the Mongols had disappeared from the coast of Hakata

What happened was that the Mongols decided to end the fight and head back home.  The reason was that, although they were winning, they had also lost many soldiers and one of their key leaders in the army.  The Mongols realized that no matter how many victories they achieved, the Japanese kept coming more and more from everywhere.  Also, the Mongols realized they could not expect reinforcements from their homeland across the ocean.  Their supplies of weapons were running low.  The Mongols decided to go back.  However, there was a twist.  Around the end of October (November by today’s calendar), the sea between Hakata (where the Mongols were stationed) and Korea was very dangerous because of bad weather—only clear days with south winds allowed sailing across the sea.  The sea they had to cross is called Genkai Nada (玄界灘), known for its rough waters.  For some reason, the Mongols decided to go back during the night.  That was a mistake.  They might have caught a brief moment of the south wind, but it did not last long.  Consequently, they encountered a usual severe rainstorm.  Many ships collided with each other, crashed into cliffs, capsized, and people fell into the ocean.  Several wrecked vessels were found on the shores of Japan. 

The Mongol invasion ended here.  This war is called Bun’ei-no-eki (文永の役).  The Mongols lost many people, ships, soldiers, food, and weapons.  In fact, Korea suffered greatly.  They were forced to supply the Mongols with people, food, weapons, and more.  After the war, in Korea, only older men and children were left to work on farms.  Additionally, they faced both drought and prolonged rainfall.

Ko’an-no-eki (弘安の役) 1281

The second Mongolian invasion, known as Ko’an-no-eki, occurred in 1281.  After the first attempt to invade Japan, Kublai Khan kept sending messengers to Japan, demanding that Japan become a Mongol dependency.  The Kamakura bakufu ignored and executed these messengers.  Kublai Khan decided to attack Japan again in 1281.  His top advisers tried to persuade him not to go through with it because the ocean was too dangerous, the country was too small, the distance was too far, and there was nothing to gain even if they succeeded.  Despite these, Kublai Khan insisted on the attack. 

This time, they arrived in two groups.  One was the east-route troops with 40,000* soldiers on 900 ships, and the other was the south-route troops with 100,000* soldiers on 3,500 ships.  This was one of the largest forces in history.  They planned to depart from their designated port and meet on Iki Island (壱岐の島) by June 15 to fight together.  The east-route troops arrived there before the south-route troops.  Instead of  waiting for the south-route forces to arrive, the east-route troops started attacking Hakata Bay (博多) on their own.  However, since the previous invasion of the Bun’ei-no-eki, Japan had prepared for battle by building a 20-kilometer-long stone wall.  This stone wall was 3 meters high and 2 meters thick.  The troops had to give up landing at Hakata and moved to Shiga-no-Shima Island (志賀島).  There, the fight between the Mongols and Japanese was evenly matched, but ultimately, the east-route troops lost and retreated to Iki Island, where they decided to wait for the south-route forces to arrive. 

The south-route troops never arrived. They had changed their plans.  On top of that, while waiting for the south-route forces to come, they lost over 3,000 men to an epidemic.  Some suggested returning home because of the difficulties, but they chose to wait for the south-route troops as long as their supplies lasted. 

Meanwhile, the south-route troops decided to head to Hirado Island (平戸島), which was closer to Dazaifu (太宰府).  Dazaifu was the final and most important place they wanted to attack.   Later, the east-route troops found that the south-route troops had gone to Hirado Island.  Finally, the two forces joined on Hirado Island, with each group stationed on a nearby island called Takashima Island (鷹島).  The problem was that the ships were not easily maneuverable because this island had very high tides and low tides.

Meanwhile, 60,000 Japanese men headed toward the area where the Mongols were stationed.  Before the Japanese soldiers arrived to fight the Mongols, a massive typhoon struck on July 30, and the Mongols were caught in a huge storm.  Their ships collided, and many sank.  People fell overboard and drowned.

By this time, it had been about three months since the east-route troops left Mongolia in early May.  That means they had been at sea for roughly three months.  In northern Kyushu (九州), typhoons usually occur about 3.2 times between July and September.  The Mongols had been at sea and along Japan’s coast for around three months.  So, they were likely to be hit by a typhoon sooner or later.

The Mongol Empire lost 2/3 of its naval forces during the event at Ko’an-no-eki.   Even after the Mongols failed in two invasions, Kublai Khan still insisted on attacking Japan again, despite his advisers’ warnings not to.  Ultimately, the plan was delayed and then terminated due to numerous rebellions and upheavals, and no lumber was left to build ships.  Soon after, Kublai died in 1294.  Historical records of the Mongols indicate that Mongolian officials highly praised Japanese swords.  Some even suggest that one reason it was difficult to defeat Japan was because of its long, sharp swords. The experience of the Mongolian invasion changed the ikubi kissaki (猪首切先) sword into a new Soshu-den (相州伝) style.  The next chapter describes this new style of sword, the Soshu-den swords.

49 Photo of part 2 of 14 Late KamakuraThe stone wall scene.  Photo from Wikipedia.  Public Domain

* Number of soldiers by https://kotobank.jp/word/元寇-60419 .  Referred to several different reference sources.  They all have similar numbers of soldiers and ships.

42|Part 2 of — 9 Middle Kamakura Period : Bizen Den (鎌倉中期備前伝)

This chapter is a detailed part of Chapter 9.  Please read 9 | Middle Kamakura Period (Bizen Den) 鎌倉中期備前伝  before reading this chapter.

0-timeline - size 24 Middle Kamakura

                         The red circle indicates the time we discuss in this section

The middle Kamakura period marked the height of the Bizen-den.  In many regions outside Bizen, sword styles often reflected local preferences and politics in specific areas.  However, the Bizen sword has its own style and has not been significantly influenced by these elements throughout time.  The clients of Bizen swords come from across the country.  Therefore, Bizen swordsmiths created swords that appealed to everyone. 

The general style of Bizen Den

  • In general, their style appeals to everyone.
  • The shape, the width of the blade, the thickness of the body, and the tempered line are of standard size or usual design, rarely out of the ordinary.
  • Nioi base
  • Soft feeling Ji-gane (steel)
  • Utsuri (cloud-like shadow) appears.
  • The tempered line tends to have a consistent width, neither too wide nor too narrow.

Fukuoka Ichimonji group

 Names of swordsmiths among the Fukuoka Ichimonji group

Fukuoka Ichimonji Norimune (福岡一文字則宗) and Fukuoka Ichimonji Sukemune (福岡一文字助宗) were the leading swordsmiths of the Fukuoka Ichimonji group (福岡一文字).   From this group, six swordsmiths, including Norimune and Sukemune, received the honor of “Gobankaji” from Emperor Gotoba (後鳥羽上皇).   I saw Fukuoka Ichimonji Muneyoshi (福岡一文字宗吉) in Mori Sensei’s class on June 25, 1972.  My notes pointed out a lot of utsuri (shadows) on the blade.

Sugata (shape) ——————- A graceful and elegant shape.  Generally, it has well-balanced proportions.  The difference between the top width and the bottom width is minimal.  Occasionally, a stout-looking kissaki called ikubi-kissaki (refer to Chapter 11, Ikubi Kissaki (猪首切先) appears.

Hi and Engraving ———–The tip of the hi may follow the ko-shinogi line.  See below.  The end of the hi goes under machi, ends with a square or kakinagashi (see Chapter 41)

44 hisaki agaru

Hamon  ———- Wide ichimonji-choji tempered line.  It indicates the consistent width of the tempered line from the bottom to the top.  The same hamon appears on both sides.  O-choji-midare  (large clove-like pattern), juka-choji (overwrapped-looking choji).  Nie base.  Inazuma and/or kinsuji may appear.

Boshi ————– Same Hamon continues into the Boshi area and ends with Yakizume or turns slightly.  Sometimes O-maru.

Jihada ———– A fine and soft appearance.  Itame (woodgrain pattern).   Lots of utsuri (cloud-like shadow or reflection)

                   44 Ichimonjio hamon

                 Ichimonji  Sano Museum Catalogue (佐野美術館) Permission granted

*The sword above is o-suriage.  The end of the hi is lower than the mekugi-ana inside the nakago.

 

           

41| Part 2 of — 8 Middle Kamakura Period: Yamashiro Den 鎌倉中期山城伝

This chapter is a detailed part of Chapter 8| Middle Kamakura Period –Yamashiro Den(鎌倉中期山城伝).   Please read Chapter 8 before reading this chapter.

0-timeline - size 24 Middle Kamakura

      The red circle indicates the time we discuss in this section

During the middle Kamakura period, the Yamashiroden consisted of 3 main groups: the Ayano-koji (綾小路) group, the Awataguchi (粟田口) group, and the Rai (来) group.

When referring to a specific group, we use terms like “xxx ha,” “xxx ippa,” or “xxx ichimon.”   We use these three terms interchangeably.  They all mean “group.”   For example, when we say “Ayano-koji ippa,” we refer to the Ayano-koji group.

Ayano-koji Ippa (綾小路)

Sugata (shape) —————–Generally, a gentle or graceful kyo-zori shape.  The difference in width between the yokote line and the machi is minimal.  The sword is slender, yet thick, with a small kissaki.                                                                                                                         

Hi and Engraving ———————– Bo-hi (single groove) or futasuji-hi (double grooves) 

Hamon ——————— Nie base with ko-choji (small clove shape) and ko-midare (small irregular).  Small inazuma (lightning-like lines) and kinsuji (golden streaks) may be present.   Double ko-choji (two ko-choji side by side) may appear.   

Boshi (tempered line at the kissaki area) ———————– Ko-maru (small round), yakizume (see the illustration below ), and kaen (flame-like pattern)   

Ji-hada —————– Small wood grain with a little masame (straight grain).  Ji-nie shows. 

Nakago (hilt) ———————— Long, slightly thick feel  

Ayano-koji Ippa swordsmiths ———-Ayano-koji Sadatoshi (綾小路定利)  Sadanori (定則)        

Awataguchi Ichimon (粟田口)

Many swordsmiths from the Awataguchi Ichimon (or Awataguchi group) were honored as the Goban Kaji (the top swordsmith) by Gotoba Joko, Emperor Gotoba (後鳥羽上皇).  Their general characteristics are as follows.

Sugata (Shape) ————————- Elegant torii-zori (or kyo-zori) shape.     

Hi and Engraving ————– The tip of the hi extends all the way up and fills in the ko-shinogi.   The end of the hi can be maru-dome (the end is round), kaku-dome (the end is square), or kakinagashi.

 

9 «part 2» 大小丸,焼詰,丸角止, 掻流     

              Maru-dome (rounded end)             Kaku-dome (square)          Kakinagashi

  • Hamon ———— The slightly wider tempered line at the bottom, then it becomes narrower at the top.  Nie base (called Nie-hon’i).  A straight tempered line mixed with ko-choji (small cloves) or a wide straight line combined with choji.  Awataguchi-nie appears.  Awataguchi-nie, which refers to a fine, deep, sharp, shiny nie that appears around the tempered line area. Fine inazuma (lightning-like lines) and kinsuji (golden streaks) emerge.

  • Boshi (tempered line at the tip area) —————— Ko-maru (small round)  and/or O-maru (large round).   The return is sharrow.  Yakizume, Nie Kuzure, and Kaen (flame)9-«part-2»-大小丸焼詰丸角止-掻流-1-e1547925390685.jpg

       Yakizume      O-maru     Ko-maru         Yakikuzure

  • Ji-hada ————– Fine ko-mokume (wood swirls) with ji-nie.  Ji-nie is nie on ji-hada. Yubashiri and/or chikei appear.                                                                               
  • Nakago ——————————– Often featuresa two-letter inscription
  • Names of Awataguchi swordsmiths —– Awataguchi Kunitomo (粟田口国友 ),  Hisakuni (久国), Kuniyasu (国安),  Kuniyasu (国安), Kunikiyo (国清)

 Rai Ha ()

The general characteristics of the Rai group are as follows.  However, each swordsmith has their own unique traits.

Sugata (shape) ——– Graceful and dignified.  Thick body.  Rai forged Ikubi Kissaki.         Hi and Engravings ————————- Wide and shallow hi.                                      Hamon ————————- Nie base.  Suguha (straight).  Wide suguha with ko-midare (small irregular) and choji (cloves).  Sometimes, there is a large choji at the lower part and a narrow suguha at the top.  Inazuma and Kinsuji appear around the yokote area.      Boshi ————————————- Komaru, yakizume (see the illustration above)            Ji-hada ——————— Finely forged itame (small wood grain).  Sometimes mixed with masame (parallel grain).  Fine nie.  Rai group’s swords occasionally show yowai tetsu (weak surface), which may be the core iron.    

Rai Ha swordsmiths———————- Rai Kuniyuki (来国行),  Rai Kunitoshi (来国俊) or Niji Kunitoshi (二字国俊),  Ryokai (了戒 ).  Rai Kunitoshi is said to be the son of Rai Kuniyuki. Ryokai is said to be the son of Rai Kunitoshi.

img017

    Rai Kuniyuki (来国行)Once my family sword, photo taken by my father with his  writing.    
9 «part 2» Rai Kuniyuki photo.jpg       Rai Kuniyuki hamon
 
Rai Kuniyuki (来国行)Sano Museum Catalogue (佐野美術館)  (permission granted)

13| Late Kamakura Period: Genko (鎌倉末元寇)

0-timeline - size 24 Late Kamakura

                       The circle represents the time we discuss in this section

GENKO 元寇  (1274 and 1281)

Kublai Khan, the grandson of Genghis Khan, attempted to invade Japan twice, in 1274 and 1281.  Both times, a powerful typhoon struck Japan.  The Mongols sent a large number of soldiers, along with all kinds of supplies, on numerous ships to Japan.  These ships had to stay very close to each other, side by side, front and back, within the limited offshore area of Kyushu.  When the strong winds arrived, the ships swayed, collided, and capsized.  Many people fell into the ocean, drowned, and lost supplies in the water.

Although Mongol soldiers landed and fought against the Japanese army, they had little choice but to retreat from Japan due to a typhoon and shipwrecks.   As a result of this strong wind, Japan was saved, and it seemed like Japan had won.  This was when the famous Japanese word “kamikaze” (divine wind) was created.

The Mongols had far superior weapons compared to the Japanese.  They had guns, which the Japanese did not.  Their team fighting tactics were far more effective than the Japanese’s one-on-one combat style.

After the Mongolian invasion, it became clear that the Ikubi-kissaki style sword needed to change.  When swords were used in battle, the most frequently damaged part was the kissaki.  Japanese soldiers primarily used ikubi-kissaki swords in this war.  An ikubi-kissaki tachi has a short kissaki.  When the damaged part of the kissaki is whetted out, the top part of the yakiba (tempered area) disappears, and the hi (a groove) rises too high into the boshi area (the top, triangle-like section).  The short ikubi-kissaki becomes even shorter, and the hi rises too high into the boshi area.  Aesthetically, this appears unattractive.  Functionally, it does not work well.  To fix this flaw, a new style started to emerge toward the end of the Kamakura period.

14 Ikubi kissaki Damadge

During the latter part of the Kamakura period, swordsmiths began creating a new style to address this flaw.  Additionally, pride and confidence grew among people after driving the Mongols away, which was reflected in the appearance of swords.  Generally, the hamon and the sword’s shape became stronger, more pronounced, and showier.

The Kamakura area prospered under the Hojo family’s rule.  Many swordsmiths moved to Kamakura from Bizen, Kyoto, and other regions during this time and created a new style.  This marks the beginning of the Soshuden (Soshu is the Kanagawa area today).  Many renowned swordsmiths appeared during this period.

One of the famous swordsmiths is Goro-nyudo Masamune (五郎入道正宗).  You can easily visit Masamune’s tomb in Kamakura.  It is located at Honkaku-Ji Temple, about a 5 to 6-minute walk from Kamakura train station. 

While I was attending Mori Sensei’s (teacher) sword study group, I studied with a student who is a twenty-fourth-generation descendant of Masamune.   Although he does not carry the Masamune name, he has been making excellent swords in Kamakura.  He also makes high-quality kitchen knives.  His shop is called “Masamune Kogei (正宗工芸).”  It is a short walk from Kamakura Station.  To find his shop, ask at the information center at the train station.

            with  Mr. Tsunahiro Yamamura                    Honkaku-Ji Temple

11| Ikubi Kissaki (猪首切先)

 
0-timeline - size 24 Middle Kamakura
 
The circle indicates the time we discuss in this chapter.

Through the experience of the Jokyu-no-ran war (Chapter 10), the design of the swords shifted to a wider, sturdier, and more impressive style.  The swords made around this time are called “ikubi-kissaki. “  Ikubi means a wild boar’s neck.  The kissaki area of ikubi-kissaki-style swords resembles a boar’s neck, with a somewhat stout appearance.

The middle Kamakura period was the golden age of Japanese sword-making.  Many top swordsmiths created exceptional swords during this time.  Experts agree that there are no mediocre swords among Ikubi-kissaki swords.

IkubiKissakiSword  12 Ikubi Kissaki sword style

SUGATA (shape) —————— Originally 3 feet or longer, these blades were often shortened in later years.  Wide width.  Thick kasane (thick body) with hamaguri-ha, meaning the sword’s cross-section is shaped like a clam.  The difference in width between the near yokote line and the machi is minimal.  The shinogi is high and narrow.  The cross-section of an Ikubi-kissaki sword is shown below. 

12 蛤刃と鎬

KISSAKI  ————- Ikubi-kissakiIkubi means the neck of a wild boar.  It is thick, short, and stout in appearance.  Kissaki is short and wide at the yokote line.  The illustration below shows an exaggerated image of an Ikubi-kissaki.

12 Ikubi Kissak drawing

Hamon (刃文) —— Kawazuko-choji (tadpole-head shape pattern). O-choji (large clove-shape pattern), ko-choji (small clove-shape), a mixture of o-choji and ko-choji, or suguha-chojiSuguha-choji features a straight line combined with a choji (clove-shape) pattern.  

12 Hamon Kawazuko-choji                     O-choji                          Ko-choji                  Suguha-choji     (tadpole head)                   (large clove)                (small clove)      (straight and clove)

Boshi (鋩子) ——Yakizume: the hamon ends almost at the tip of the kissaki, with no return. Sansaku Boshi: the hamon narrows at the yokote line, created by Nagamitsu (長光), Kagemitsu (景光), and Sanenaga (真長).  See below for Yakizume and Sansaku Boshi.                           

                                                                 

12 Yakizume

   Yakizume       11 Sansaku Boshi(三作Sansaku-boshi

Ikubi Kissaki Sword Smiths

Fukuoka Ichimonji Group (福岡一文字) —————Fukuoka Ichimonji Norimune (則宗) Kamakura Ichimonji Group(鎌倉一文字) ———— Kamakura Ichimonji Sukezane (助真) Soshu Bizen Kunimune Group(相州備前国宗)——– Soshu Bizen Kunimune (国宗)Bizen Osafune Group(長船)——————Bizen Osafune Mitutada(長船光忠) Nagamitsu(長光)   Ugai Group————————————————————————- Ugai Unji (鵜飼雲次)

     Osafune Nagamitsu(長船長光)    From Sano Museum Catalogue (permission granted)   

     Osafune Mitsutada(長船光忠)                          Osafune Mitsutada(長船光忠)                   

 Once my family sword.  My father did the calligraphy and took these pictures for himself. 

7| Overview of the Kamakura Period Swords (鎌倉時代刀概要)

 
 

0-timeline - size 24 Kamakura Period

The circle above indicates the time we discuss in this section

Introduction of the Five Main Sword Schools (Den)

There are five major sword schools (den): Yamashiro-den (山城), Bizen-den (備前), Soshu-den (相州), Yamato-den (大和), and Mino-den (美濃).  During the Heian period, Yamashiro-den was the main and most active school.  A school called Ko-bizen (meaning old Bizen) during the Heian period is part of the Bizen-den.  However, we treat Ko-bizen separately because its style is slightly different from the later Bizen-den, yet it is somewhat similar to Yamashiro-den, as seen later.

During the Heian period, the swordsmiths of Yamashiro-den lived around Kyoto, which was Japan’s capital at the time.  In the early Kamakura period, Yamashiro-den maintained a sword style similar to the one they had created during the Heian period.  Bizen-den emerged in the middle Kamakura period.  Soshu-den appeared in the late Kamakura period in the Kamakura area.  Mino-den appeared later during the Muromachi period, which came much later.

The Early Kamakura Period (鎌倉) (1184-1218)

We divide the Kamakura period into three stages: Early, Middle, and Late Kamakura periods. The sword style during the early Kamakura period was almost the same as in the previous Heian period.  Yamashiro-den remained the most active school throughout the early Kamakura period.

The Middle Kamakura Period (1219-1277)

During the middle Kamakura period, there were three main sword styles to discuss: the Yamashiro-den style, the Bizen-den style, and the Ikubi-kissaki (猪首切先) style, which was a new development at the time. We can say that among Ikubi-kissaki swords, it is rare to find a mediocre one.

The previous section explained how the Kamakura Bakufu (鎌倉幕府: government) held political and military power, but the emperor remained on the throne in Kyoto.  Emperor Gotoba raised an army and attacked the Kamakura government to regain political control.  This war (1221) is known as Jyokyu-no-ran (承久の乱).  The war led to a change in sword shape to a sturdier form.  This style is what we now call the Ikubi-kissaki.

The Late Kamakura Period (1278-1333  after the Mongolian Invasion)

During the late Kamakura Period, the Soshu-den emerged alongside Yamashiro-den and Bizen-den.  After the two Mongolian invasions known as the Genko (元寇) in 1274 and 1281, swords with longer, wider blades and extended kissaki began to appear.  The Soshu-den swordsmiths forged this type of sword

Engravings on a Sword     

Engravings on swords from the Ko-to era (Heian to Keicho era) serve three purposes.  One is to reduce the weight of the sword, such as hi, bohi, and gomabashi (wide, narrow, short, or long grooves), for example.  The second is for religious reasons, as swordsmiths often carved Buddhist figures.  The third is for decoration.  In the shin-to era (from Keicho time onward), engraving primarily became decorative purposes.    

 

The figures below illustrate examples of the engravings.

8 Hi, Suken, Bonji                    8 gomabashi            8 Hi

Suken                           Bonji (Sanskrit)             Gomabashi                          Hi